1810s Paintings

Work on wood Oil on panel depicting a lively military scene, attributed to Jacques Swebach, known as Swebach-Desfontaines (1769–1823), a French painter celebrated for his battle scenes, cavalry subjects, and historical genre compositions. The painting features a mounted standard bearer leading a small group of cavalrymen, accompanied by figures on foot, advancing through an open landscape beneath a dramatic, cloud-filled sky. The dynamic arrangement of figures, the expressive postures, and the detailed rendering of horses demonstrate the artist’s keen observational skills and narrative clarity—hallmarks of Swebach’s work. The color palette is composed of warm browns, earthy ochres, and muted blue-grey tones, creating a balanced yet animated atmosphere. The handling of paint is fluid and confident, with careful modeling of the figures and a sensitive treatment of light, particularly in the sky. The composition reflects the strong influence of 17th-century Flemish and Dutch painting, which played a significant role in Swebach’s artistic formation. Executed in oil on wooden panel, a support frequently used in the late 18th and early 19th centuries for such subjects, this attributed work displays strong decorative appeal and solid pictorial quality. It is well suited for collectors of Old Master paintings, military art, and European historical scenes from the Napoleonic era. Oil on panel Oil on wood painting Attributed to Jacques Swebach Swebach Desfontaines French Old Master painting 18th century French painting Early 19th century painting Antique military painting...

Attributed to John Nost Sartorius (1759–1828) Fox Hunter and Hounds Oil on canvas, circa 1810 Provenance: Ackermann & Johnson, London A fine and spirited example of early 19th-centu...

Sir William Beechey (Burford 1753-1839 Hampstead) Portrait of a Gentleman, c. 1810-20 Formerly identified as Joseph Greaves Esq., High Sheriff of Derbyshire (?-1780) Oil on canvas 76...

Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...

Wonderful Early 19th-century Still life of different fruits on an earth bank. Very much painted in the same way as George William Sartorius painted his still lives this piece has al...

This accomplished portrait captures a distinguished young gentleman at the twilight of the Napoleonic era. His penetrating gaze and confident bearing betray not only his aristocratic...

This stunning British Old Master exhibited pastoral oil on panel is by noted artist James Ward. Painted circa 1815 with superb provenance, it was e...

This very charming British 19th century Old Master portrait oil painting is attributed to the circle of Thomas Lawrence. Painted circa 1810 it is a seated half length portrait of a l...

The painting depicts "Ossian tells Malvina about the exploits of his son Oscar" and is dated at lower right "Filippo Bellati did the year 1811" and the unframed measurements are 233 ...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Martha Walter (1875-1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists. In 1909, Walter won the Mary Smith Prize from the Academy for a portrait she had painted while in Europe. At the onset of World War I, Martha returned home and began painting plein-air subjects, such as Ellis Island, the fishing village of Gloucester, scenes of cheerful children, and the quintessential American beach scenes which have brought her national acclaim. Throughout her life, Walter continued to travel with great regularity capturing in oil and watercolor a wealth of landscapes and cultures across the globe. Martha lived a charmed life...

Jean-Victor Bertin and workshop (Paris 1767 - 1842) Landscape of the Île-de-France region Oil on canvas H. 38 cm; W. 46 cm Related work: painting of the same composition held at the...

Henry William Pickersgill, attributed to (London 1782 – London 1875) Portrait of Captain Samuel Wright Oil on canvas H. 92 cm; L. 73 cm Circa 1810/1815 Provenance: – Brother of the ...

Antoine-Ignace MELLING (1763 Karlsruhe - 1831 Paris) View of the surroundings of Saint-Cloud from the terrace of Bellevue in Meudon Watercolor and gouache H. 62.5 cm; W. 93.5 cm Sign...

Original Chinese Export School gouache.

Ange-René RAVAULT (Montargis, 1766 – Montargis, 1845) Portrait of a family from the Montargis or Pithiviers region Oil on canvas H. 73 cm; W. 60 cm Signed and dated lower left 1819 ...

Beautiful, early 19th century, oil on canvas painting of a French noble boy in a luxurious, two-piece, velvet suit trimmed in intricate lace, and a pair of striking, crimson stocking...

Hippolyte LECOMTE (Puiseaux, 1781 – Paris, 1857) Colonel of Russian cuirassiers Oil on canvas H. 33 cm; W. 24 cm Signed and dated at the bottom towards the center 1817 Exhibition: S...

"Field Fare" and "Sea Fare" Pair by Benjamin Blake. Benjamin Blake and his studio produced a number of fine quality larder scenes in the regency period. Bo...

Émile Bernard (French, 1868-1941) Autoportrait Self Portrait executed circa 1915 Oil on canvas Signed Emile Bernard (lower right) 20 x 18 1/2 in. (50.8 x 47cm) Frame: 28.5 x 26.5 x ...

French school circa 1815 Portrait of Madame Leblond Oil on canvas H. 66 cm; W. 55 cm Named on the back Comparable to the works of painters such as Louis Hersent, our portrait, unsig...

Pair of French Neoclassical oil paintings by Dubost French, 1809/11 Frame: Height 70.5cm, width 86cm, depth 9cm Panel: Height 45cm, width 61c...