Post-Impressionist Paintings

This painting is the most important in the series “The Return of the Forces of Light”. We see a shining army returning with all its might to our world after a long absence, carrying ...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Title: The Village Street Medium: oil on board, unframed Size : 10.5 x 8.75 inches Provenance: private collection, France Co...

The painting "View of the Alps in the Evening" (canvas, oil, 30x40 cm) is not just a landscape from nature, painted en plein air in the small Swiss village of Gams, but an exquisite ...

The still life with a watermelon was painted from nature in the artist's garden in the summer of 2020. Still life with flowers is one of Anna Shesterikova's favorite genres. The arti...

Masri Hayssam (Lebanese, born 1965) "By the Sea" 2023 Oil Paint, Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom right of the painting. "By the Sea" ...

Expressive narrative figurative abstract by Carol Swain (Australian, 20th Century), Signed "C. Swain" lower left. Presented in a metal frame. Image size, 22"H x 28"W. Carol Swain i...

This painting depicts a whimsical portrait of a woman wearing a blue scarf around her head against a green background. The bright colors used and quick brush strokes are what makes t...

Léon Frédéric (1856-1940) A Summer landscape signed at the lower left Oil on canvas transfered on panel 29 x 44 cm Framed : 39 x 54.5 cm in good condition, However, there is a cr...

Ibiza Children in White Village Mediterranean Figurative Oil Painting Spain Artist: Ignacio Gil Sala (Barcelona, 1913–2003) Title: Traditional Ibizan Scene with Children Medium: Oil on canvas Dimensions: 60 × 73 cm (23.6 × 28.7 in) Signature: Signed lower right Date: circa 1960s Condition: Very good original condition with visible impasto brushwork Frame: Unframed Provenance: Private collection Spain DESCRIPTION Expressive Mediterranean figurative oil painting depicting children and women in a traditional whitewashed Ibizan village setting by Spanish post-Impressionist painter Ignacio Gil Sala. This composition belongs to the artist’s celebrated Ibiza cycle, widely considered the most recognizable and desirable body of his work. The scene captures the luminous atmosphere of Balearic daily life through confident impasto brushwork and vibrant structural color patches characteristic of mid-century Mediterranean painting. Particularly notable is the treatment of the children’s faces, constructed with dense chromatic strokes that create a strong sense of immediacy and psychological presence. The architecture, rendered in layered whites and violet shadows, reflects the intense island light that defines Gil Sala’s mature Ibiza production. Works featuring traditional Ibizan figures remain among the most collected subjects within the artist’s oeuvre, especially in medium-to-large decorative formats such as the present example. A highly atmospheric and authentic representation of Mediterranean village life. Signed lower right. ARTIST BIOGRAPHY Ignacio Gil Sala (Barcelona, 1913–2003) was a Spanish painter associated with the Mediterranean post-Impressionist tradition of the twentieth century. He trained at the School of Fine Arts of Barcelona under the guidance of Félix Mestres and Vicente Borrás and developed a career focused primarily on luminous landscapes and traditional figurative scenes of Ibiza, Mallorca and southern Spain. Following the Spanish Civil War, Ibiza became one of the central subjects of his artistic production. The island’s white architecture, traditional costumes and intense Mediterranean light provided the visual structure for many of his most recognizable compositions. Works from his Ibiza period are considered the most characteristic and desirable within his oeuvre and are especially appreciated for their atmospheric brushwork and chromatic construction. Gil Sala exhibited internationally across Europe and the Americas, and today his Mediterranean scenes remain widely collected as part of the twentieth-century Spanish figurative painting tradition. His work stands within the lineage of painters who explored Mediterranean light through color structure and expressive brushwork alongside Joaquín Sorolla, Hermen Anglada-Camarasa and Eliseu Meifrèn. ARTIST CONTEXT / INSPIRATION The luminous Mediterranean palette connects Ignacio Gil Sala with the tradition of Joaquín Sorolla’s coastal figuration and the Balearic chromatic research developed by Hermen Anglada-Camarasa during his Mallorca period. His structured brushwork and atmospheric construction also relate to the post-Impressionist landscape language of Eliseu Meifrèn and the broader European Mediterranean painting tradition collected internationally throughout the twentieth century. Ibiza painting...

Vernon Southward was a mid-20th-century painter, born in 1913, associated with the post-Impressionist landscape tradition. Although details of his life remain limited, his body of wo...

AMEGLIO Merio (1897-1970) Marine French Riviera Martigues Harbour Oil on panel signed lower right Framed by Gault (Paris) Dim wood panel : 33 X 41 cm...

The Prince’s Palace of Monaco Tony Minartz (French, 1873 - 1994) signed watercolour on artist paper painting : 12.75 x 16.5 inches Provenance: private collection in the South of Fr...

'Still Life, Agave with a Japanese Woodblock Print' by Victor Isbrand. Paris, Post-Impressionist, Danish Modernism, Charlottenborg Gold Medal ----- Signed lower left, 'V. Isbrand' ...

Signed and dated oil on panel landscape by sought after French post impressionist painter Jacques Martin-Ferrieres. This beautiful piece depicts a view of Auribeau-sur-Siagne, is a c...

Signed and dated oil on board figures in landscape by French post impressionist painter Gustave Cariot. The piece is set in Wiesbaden, Germany depicts a breathtaking view of the Rive...

Louis Valtat (French, 1869-1952) Fauvist Oil painting of a mother and child. A very large painting by Louis Valtat titled Mere et Enfant (Mother and C...

Signed verso, 'Ant McNaught' (American, 1952-2026), titled, 'Djibouti', and dated 2023. This Post-Impressionist and Abstract Expressionist artist studied at the Esalen Institute with Erin Gafill and Tom...

Stunning pointillist landscape oil on panel by French neo-impressionist painter Achille Lauge. The work depicts a path leading to the small village of Belveze du Razes in the South of France on a bright spring day. To the left are white blossom trees in bloom and the houses of the village can be seen in the distance. Signature: Signed and dated 1909 lower left Dimensions: Framed: 28"x36" Unframed: 21"x29" Provenance: We kindly thank Mme. Nicole Tamburini for allowing us to state that the work is included in the Catalogue Raisonne of the artist which she is currently preparing. A certificate of authenticity from Mme. Tamburini is available upon request. Achille Laugé...

Ker-Xavier Roussel Lorry-les-Metz 1867 – 1944 Etang-la-Ville French Painter 'L’après-midi d’un faune' Signature: signed lower left and right Medium: pastel on paper mounted on boar...

Paul Greene (1925 - 2020) Berkshire Hills Landscape, Massachusetts Oil on canvas 50 x 97 inches Signed lower right Provenance: Private Collection, Great Barrington...

Signed lower left. Born in Rockport, Massachusetts, impressionist painter William Stevens lived and worked in the area for many years. In the later part of his life, he moved to Co...

A bold abstract expressionist watercolor with yellow and purple, contrasted with dynamic red linear accents, by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Ander...

The Men of Ouadane by Sophie Plommet (French, contemporary) signed, titled verso oil on canvas, unframed Canvas : 18 x 25.5 inches Provenance: private collection, Paris Condition: ve...

Chauncey Foster Ryder Autumn Landscape, circa 1925 Signed lower right Oil on canvasboard 12 x 16 inches Provenance Private Collection, Massachusetts Private Collection, Great Neck, ...

Provençal Riverside Village Landscape, French Post-Impressionist Oil c.1930 French School, circa 1930s signed oil on board, unframed Board: 25.5 x 32 inches Double sided work with f...

Amazing and beautiful oil on canvas signed by Francisco Planas Doria. The work reflects the characteristic approach of post-impressionism, where the author does not focus on a detai...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. once an order is placed we will arrange the VAT of 20% to be reduced to 5% Vue de la Vallée by Gustave Cariot (1872-19...

Pont du Chemin de Fer à Moret by Georges Manzana Pissarro (1871-1961) Oil on canvas 54.5 x 65.2 cm (21 ¹/₂ x 25 ⁵/₈ inches) Signed lower right, manzana. Titled and date on the stret...

Still Life with Wine and Flowers Charles Cobelle, French (1902–1994) Date: circa 1960 Acrylic on Canvas, signed l.r. Size: 16 x 30 in. (40.64 x 76.2 cm) Frame: 16.5 x 32 inches

A very charming mid 20th Century, Post Impressionist work by Paul Altman. Despite the limited information available about Altman, it doesn't diminish the ...

This atmospheric harbour scene by Hermanus Koekkoek Jr., working under the pseudonym Jan van Couver, exemplifies the artist’s mature approach to maritime and town views during his London period. The composition presents a Dutch waterfront animated by boats, windmills, and clustered buildings, all set beneath a vast and dynamic sky. The emphasis on shifting weather conditions and the interaction between water, light, and architecture reflects a deep engagement with both tradition and contemporary developments in nineteenth century painting. Koekkoek belonged to one of the most distinguished artistic dynasties in the Netherlands. As the son of Hermanus Koekkoek the Elder and nephew of Barend Cornelis Koekkoek, he inherited a strong foundation in landscape and marine painting. His early training within the family atelier in Amsterdam provided him with a disciplined understanding of composition and natural observation. However, his later move to London in 1869 marked a decisive shift in both style and market orientation. It was during this period that he adopted the name Jan van Couver, a strategic choice that aligned his work with a broader European appeal. The present painting reveals a confident and increasingly free handling of paint. The foreground water is rendered with swift horizontal strokes that capture the movement of the surface, while the boats and harbour structures are constructed through more concentrated applications of pigment. The use of impasto is particularly notable, lending the painting a tactile presence and enhancing the interplay between light and texture. This painterly richness contributes to a vivid sense of immediacy, as if the scene were observed directly on site. The sky dominates the composition, occupying a large portion of the pictorial space. Broad, swirling brushstrokes articulate the mass of clouds, which appear to gather and disperse in response to changing atmospheric conditions. This treatment reflects the influence of the Hague School, whose artists sought to convey the mood and variability of the Dutch landscape through tonal harmony and expressive brushwork. Koekkoek’s interpretation is more animated, however, suggesting an openness to impressionistic tendencies that were gaining ground across Europe. At the same time, the painting remains anchored in a clear compositional structure. The line of the harbour guides the viewer’s eye into the distance, where the forms dissolve into a softer haze. The presence of windmills, a quintessential feature of the Dutch landscape, reinforces the sense of place while also introducing vertical accents that balance the horizontal expanse of water and sky. The architecture is suggested rather than fully defined, allowing atmosphere and light to take precedence over detail. Koekkoek’s work occupies an interesting position between tradition and modernity. While rooted in the conventions of Dutch marine painting...

This wonderful Post Impressionist exhibited horses portrait oil painting is by noted British artist Edgar Downs. Painted in 1912 it was exhibited the same year at the Royal Academy London. The painting is of two magnificent horses, one white one brown, waiting patiently while a man leans over to open the gate. Beyond is a canopy of trees. The impressionist brushwork and strong impasto create a light which is vibrant and colourful. This is an excellent example of Downs' work and one can see his infinity with the natural world. Signed and date lower right. Provenance. Exhibited at the Royal Academy London 1912 no. 789. Condition. Oil on canvas, image size is 36 inches by 30 inches and in good condition. Frame. Housed in a complementary frame 44 inches by 38 inches and in good condition. Edgar Downs, ROI, (1876–1963) was a British painter, known for painting agricultural scenes. Downs was born on 12 October 1876 at Claughton, Birkenhead, the son of William Downs. He was educated at Birkenhead School and the Academy of Fine Arts, Munich, and received a silver medal there. He exhibited paintings called Our Daily Bread and The Edge of the Bog at the Royal Academy in 1911, when his address was given as 12 Bedford Gardens, Kensington, London. His other addresses included Arun House at Clymping, West Sussex, and latterly Mudeford, Hampshire where he died. During World War I, he served as a war artist, including spells at Gallipoli in 1915 and Salonica in 1916. He was assigned to the 1st County of London Yeomanry in July 1918. One of his paintings made at this time hangs in the Headquarters of the Inns of Court & City Yeomanry. Two of his works, Gathering Kelp (1914) and Cattle Ploughing in an Open Landscape (c. 1914), are in the collection of Fordingbridge Town Council at Fordingbridge Town Hall. He was a member of the Royal Institute of Oil Painters ("ROI"), the London Sketch...

Lanscape France,Ocean, France , grey, blue, azure, Normandy signed lower right Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and ...

French Landscape Impressionistic Riverscape Painting by Modern French Artist, Georges Charles Robin (1903-2003). View of the River Seine, France, during the snow melt. Oil on Canvas, Signed on the lower right (faintly). Presented in an authentic period frame with canvas slip. Art measures 29 x 23 inches Frame measures 36 x 30 inches (approx.) Born in Paris in 1903, Georges Charles Robin was a student of Paul Michel Dupuy...

A complex composition of interlocking pyramids defines Cornwell not only as a great storyteller but a master of painting fundamentals and design. There is no living artist today who can paint and draw at a level comparable to Dean Cornwell. Published in Cosmopolitan magazine: "The Short Happy Life of Francis Macomber" by Ernest Hemingway Reproduced in Dean Cornwell, Dean of Illustrators (Broder) The work is rendered in the painterly style of a school of impressionism. Dean Cornwell was Normam Rockwell's favorite Illustrator. He was a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...

Impression and Slice is a visual exploration of the structure and layering of the natural world. The work is built on a rhythmic alternation of planes, where the familiar form of fol...

Abstract Mediterranean Scene Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 10.5 x 7 inches Suzanne Vattier (1901-1996) was a pupil of the famous p...

Original oil on canvas painting of the book sellers along the Seine in Paris with the iconic Notre Dame cathedral in the background. Signed lower left by the artist. Circa 1960. Cond...

Abstract Coastal Composition Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 7 x 10.5 inches Suzanne Vattier (1901-1996) was a pupil of the famous p...

Gabrielle MILLIOUD-MELAY (1875-1931) Peonies and Cherries Oil on canvas signed low right Old frame Dim canvas : 54 X 73 cm Dim frame : 76 X 95 cm French painter 19th century Lyon S...

Edouard Léon Cortès 1882-1969 French Place de la Bastille Signed “Edouard Cortès” (lower left) Oil on canvas A glowing warmth radiates from this bustling street scene by the reno...

Alexander Koester 1864-1932 German Ducklings and a Mother Hen Signed "A. Koester" (lower left) Oil on canvas Esteemed German artist Alexander Koester was known for his charming p...

CARLOS NADAL Spanish, 1917 - 1998 PONT DE VILLE signed "Nadal" (lower right) titled, signed and dated "PONT DE VILLE / Nadal / 1981" (on the reverse) with the atelier stamp (on the r...

MARTIN Jacques (1844-1919) Still Life with Flowers and Blue Vase Oil on canvas signed low left Old frame gilded with leaves Dim canvas : 117 X 90 cm Dim frame : 137 X 109 cm MARTI...

Mary Gallagher Born 1953 Scottish colourist painter Oil on board Signed on the front and the reverse Painting Size: 22 x 18" (56 x 46cm) Outside Frame Size: 31 x 27" (69 x 79cm) Painter, born in Glasgow, where she continues to live. She attended the School of Art there from 1974–8, having a postgraduate year in 1979. After a period of consolidation, during which the work she produced was well-received, Gallagher decided to paint full-time. She showed at Royal Glasgow Institute of the Fine Arts, Lillie Art Gallery in Milngavie, Perth Museum and Art Gallery and Barclay Lennie Fine Art in Glasgow, having a first solo exhibition in London in 1989 at Portland Gallery. Gallagher was not a prolific artist, her striking still lifes having the studied appearance and rich colour of Samuel John Peploe...

Hobson Pittman (1899-1972) Signed upper left. Oil on panel. Provenance: Boca Raton Museum of Art Many examples of Pittman's paintings can be found in numerous museum collections, inc...

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Polczer was an Hungarian artist, his foundations of painting were taught by a painter Bertalan Karlovszky. His works were exhibited in the National Salon and the Art Hall from 1928. His works are held by the Hungarian National Gallery. In his later years he worked in the United States, he was working in New Orleans, Louisiana in the late 1960s. Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style nude paintings. In the tradition of Moritz Oppenheim...

Jadviga Žilvinska (1918-2010) was born in Tallinn. She grew up in Liepāja, where her great interest in art began and strengthened, which led the young artist to study at the Art Aca...

Blending surrealistic elements with narrative, Mr. Basso is known for wildly imaginative and colorful work.

Oil on canvas

Penny Whent (American, born 1949) "Blue Sycamores" 2025 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. “Blue Sycamores” by Penny Whent evokes the ...

Mid 20th Century Fauvist oil on canvas, a landscape view, a farmer with men and horses ploughing a field by René Seyssaud. The painting is signed bottom right. There is a title 'Le C...

Jeanne Selmersheim-Desgrange French, 1877–1958 Still Life on a Windowsill Oil on canvas 28 ¾ by 36 ¼ in, w/ frame 38 ¼ by 45 ½ in Signed lower right Jeanne Selmersheim-Desgrange (1...

Rivière et Saules by Paulémile Pissarro (1884-1972) Oil on canvas 46.1 x 55.2 cm (18 ¹/₈ x 21 ³/₄ inches) Signed and dated lower left Paulémile-Pissarro-1931 Titled on the reverse P...

Penny Whent (American, born 1949) "Asilomar Path" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Framed: 13.5" x 13.5" x 2" “Asilomar Path” ...

A magical, idealized moment is captured as a bare-breasted maiden strolls out in the rain. Inscribed with title and signature on reverse Roughton Galleries; Dallas, Texas This larg...

Constantin Font, born January 11, 1890 in Auch (Gers) and died in 1954 in Paris, is a French artist, painter of genre, nudes, landscapes, orientalist, sculptor and engraver. Outstand...

Cubist style post-impressionist landscape painting of building facades by Herbert Mears. The work is done using oil paints and this adds texture to the surface of the canvas. The wor...

Jacqueline Marval was close friends with Kees van Dongen and her work is of the same school as, Matisse and Marie Laurencin. Les Odalisques is quite contemporary looking with it's main figure having joyful life and vitality to her. Some refer to her as a Fauve and some as a post-impressionist. Clearly, she is an overlooked female artist. This work is over...

Dimensions with frame: 38 x 44,5 x 6,5 cm. Dated "26.08.1903" in the lower right corner. An atmospheric forest interior capturing a quiet woodland scene animated by dappled light fi...