Arch Paintings

Original painting of a couple of swimmers, framed by a crumbling stone archway, in the sparkling blue sea at Rovinj, Croatia. The painting is framed in a narrow wood frame, as pic...

This painting is acrylic on deep-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist...

The relative seclusion of the famous Pere Lachaise cemetery in Paris (the resting place for Oscar Wilde, Édith Piaf, Frederic Chopin, Jim Morrison, Marcel Proust ....) has always ca...

Leo Mechelaere Bruges, Belgium 1880 – 1964 Erlangen, Germany Belgian Painter Bruges School 'A View of Bruges' Signature: signed lower right Medium: oil on canvas Dimensions: image...

Figures Walking Across a Stone Bridge over the Seine French Modernist Pencil Drawing on Canvas Signed by Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 6.25 x ...

Arched Stone Bridge over the River Seine with Parisian Buildings Beyond Maurice Mazeilie (French, 1924–2021) Watercolour on artist paper, unframed. Unsigned. Artwork: 5 × 7 inches. P...

Watercolour and gouache on paper, signed and dated '09 bottom left Image size: 11 x 10.5 inches (28 x 27 cm) Hand made contemporary frame Painted on his characteristic dark backgrou...

Stunning Hudson River School landscape by George Lafayette Clough (1824-1901). High Bridge and Croton Waterworks, Harlem River, ca. 1870. Oil on canvas measures 14 x 21 inches; 26 x 33 inches in original frame. Signed lower left. Old repair of small diagonal puncture measuring 1/2 inch in length to the right of ship sail. Otherwise no damage or conservation to painting. Original frame has several areas of damage and loss and will require conservation. George Lafayette Clough was born September 18, 1824, in Auburn, New York, and was that city's leading landscapist and, known as a Hudson River School painter, became Auburn's most noted resident painter of the mid-century. His mother was widowed shortly after his birth, and he was raised without paternal influence. He had little formal education and was employed by the age of ten. By age fifteen he had taken up painting, and his first and informal art influence came from the portraitist, Randall Palmer. In 1844 Clough opened his own studio in Auburn. About that time Charles Loring Elliott...

Guiseppe Capineri (1923-1994) Ponte Veccchio, 1959 Ink on paper, image measures 10.5 x 13.5 inches. Framed measurement: 13.5 x 16.5 inches. Signed in red ink lower right. Titled ...

Mid-Century Italian 1950s Signed Landscape Painting by Bruno Avesani This view by Bruno Avesani, a painter and scholar from Verona, captures an evocative rural scene characterised by...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) The Saint Antoine bridge in Clisson Oil on cardboard H. 26 cm; L. 29.5 cm Signed lower left, dated 1907 Provenance: Priv...

Signed lower left American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson...

Bij het klimmen van de zon Sunset Oil Painting on Canvas Architecture In Stock MICHIEL SCHRIJVER His paintings are like voyages of discovery. The buildings and landscapes on Schrijv...

Firmado por el artista en la parte inferior El estado de la pintura es bueno Se presenta enmarcada la obra Medidas obra: 46 cm. de altura x 55 cm. de ancho Medidas marco: 57 cm. ...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...

Title: British Impressionist Watercolor of a Historic Stone Bridge and Cottages By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 1...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

Vintage American modernist New York Cityscape painting. Mixed media on board. Signed. Measuring: 25 by 32 inches overall. Signed. Excellent condition, ready to hang and enjoy.

Signed figures in cityscape oil on canvas circa 1950 by sought after French impressionist painter Edouard Cortes. This stunning and wonderfully coloured work depicts a view of The Av...

The painting was painted from life in Paris on the Seine embankment on a sunny summer day. In the foreground we see the embankment pavement in the lacy shadow of the trees growing on...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

An impressionistic painting of a stone bridge in a mountain village. Presented in a distressed gilt-effect wooden frame. Signed to the lower-left edge. On canvas board.

Parisian River Bridge Cityscape Watercolour Painting by Maurice Mazeilie (French) watercolour painting on card, unframed painting: 4 x 6.5 inches A delightful original painting by t...

Artist Comments
Part of his Water City World series, artist Benjamin Xu presents a contemplative exploration of architectural harmony and the quiet flow of passage through a su...

Title: British Impressionist Watercolor of River and Distant Abbey by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 inches (...

Artist: Alexander Shandor Title: Arles Etude 3 Medium: Oil on Canvas Hardboard Year: 2026 Style: Impressionism Dimensions: 7.5 x 9.5" x 0.2" inch (19 x 24 x 1cm) Presentation: Unfra...

Town Gate of Bruges – Kruispoort Poupaert Lionel Bruges 1900 – 1989 Belgian Painter Bruges School Signature: Signed bottom right Medium: Oil on panel Dimensions: Image size 60 x 71 cm Biography: Poupaert Lionel was born on September 27, 1900 in Bruges. His father was a goldsmith. In 1931 he got married and went to live in the Biezenstraat. He died on February 12, 1989. He was a painter, restorer of paintings and copyist of Flemish Primitives. In 1912 he entered the Bruges Academy of Fine Arts with director Flori Van Acker as his teacher and famed artist. In 1926 the Municipal Council of Bruges appointed him as a teacher at the Bruges Academy. He would remain in this position until 1966, the year he retired. Poupaert turned out to be a solid painter with high qualities. He painted numerous Bruges townscapes and also made portraits of important Bruges figures. In the period 1952-1956, he painted two portraits of guardians and superiors of the convent of Our Lady of the Pottery. In 1955 he collaborated with Jules Fonteyne on the murals of the Church of Christ the King. In 1961 he copied for the second time Memling’s triptych “The Adoration of the Magi” by order of Bruges Naval College who gave it as a gift to the King and Queen of Belgium...

Mid Century Ravello Amalfi Coast Original Oil Painting - Villa Cimbrone La Cripta Wonderful perspective of the Gothic Arches of Villa Cimbrone's Crypt ...

1930s French Impressionist Barbizon School oil on panel view of a church in a bucolic landscape by Georges Guerin (1910-1984). The painting is signed bottom right and also signed top...

Work on canvas Golden wooden frame 64 x 82.5 x 7 cm

American, b. 1962 Contemporary artist Lori Zummo paints in a style evocative of the American Barbizon School. She received her BFA from Syrac...

Artist/ School: Amal Dagher, signed lower corner and verso. Title: Paris Medium: oil painting on canvas, signed Size: frame: 13.5 x 18.5 inches ...

Title: Victorian English Village Church Cottage Scene Antique Watercolor Painting 1865 Initials visible; L J W original watercolor painting...

A charming depiction of Washington Square Park located in Manhattan on 10th Street and 5th Avenue. A cozy impressionistic street scene with colors of Indian red, lush greens, and bur...

A beautiful large early 20th century French naive oil on canvas depicting a river landscape with figures fishing below a bridge. Charming and nicely painted work that is indistinctly...

This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 16 x 12 inches, Signed lower right Exhibited: 1) [Solo E...

Represented by George Billis Gallery, NYC & LA --Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas c...

By Bartolome Sastre 45" x 45" Oil on Board

Title: Harbour Street Scene Brittany Coastal Village French Modernist Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): 8.5...

Title: Historical Architectural Miniature Watercolor of Bristol Cathedral Gatehouse by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measureme...

Harbour scene and bridge, oil on card by Alain Menghini. The painting is signed bottom right and is presented in a plain gilt frame under glass. This charming painting portrays a s...

Title: Historic Miniature Watercolor of Lord Mayors Chapel in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.75 inch...

Artist/ School: French School, signed front and back, dated verso 1984. Title: Monet's Waterlily pond at Giverny, with the Japanese footbridge. Medium: signed oil painting on boa...

Parisian Cityscape 5 by Jacques Pergel, French (1924–2023) Date: 1970 Oil on Canvas, signed lower right Size: 24 x 36 in. (60.96 x 91.44 cm)

Title: Avignon Watercolor of Pont Saint-Bénézet and Historic River Scene by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 13.5 x ...

Title: Miniature Watercolor of St. Michael the Archangel at Two Mile Hill by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75 ...

Architectural Study of a Grand Stone Archway by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed unsigned stamped verso Beautifully composed work wh...

A Quiet Spot at Treneglos Cornwall Pastel Landscape Painting By Norman A. Olley (British, 1908–1996) Original pastel on artist's paper. Dated 1972. Image size: approximately 8.75 × 1...

The Medway at Aylesford Kent British Landscape Watercolour Painting By Norman A. Olley (British, 1908–1996) Pencil, pen and ink with watercolour on artist's paper, laid onto card. Si...

Title: Historic Miniature Watercolor of English Country Church with Gravestones by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements:...

West Broadway by H.N. Han, Chinese/American (1939) Date: 1987 Acrylic on Canvas, signed and dated in pencil on verso Size: 44 x 66 in. (111.76 x 167.64 cm) Frame Size: 45 x 67 inches

French Village Bell Tower with Cypress Trees and Stone Walls Pierre Neveu (French, b. 1929) Signed and inscribed Gigondas. Medium: watercolour and black pen on board. Size: 13 × 15.7...

ArchiParis – Quai du Louvre is a drawing by contemporary French artist Guillaume Chansarel. This drawing depicts Quai du Louvre; a quay along the Seine in Paris, in the 1st arrondiss...

Title: St Peter and St Paul Northleach Historic Cotswold Church Watercolor by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75...

Artist/ School: F. E. Jamieson British (signed with the artists pseudonyn 'W. Richards'). Title: Luss, Loch Lomond (Scottish Highlands) Medium: Oil on canvas, framed Size: framed...

Guiseppe Capineri (1923-1994) Ponte Veccchio, 1959 Ink on paper, image measures 11.25 x 15.5 inches. Framed measurement: 14.25 x 18.5 inches. Signed and dated in red ink lower rig...

View Through Archway to Tower and Garden Simone Forge 1930's French Impressionist oil on board unframed board: 16 x 13 inches Provenance: private collection Condition: great condit...

Title: Sunlit Courtyard with Stone Arch and Balcony Italian Village Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): 6.25...

Elizabeth Lisa Putnam Jaynes Borglum (American, 1848-1922) Signed: Elisabeth Jaynes Borglum (lower, left) " Looking through the Arches, Mission at San Juan Capistrano ", circa 1895...