Comics Paintings

Even without the punch line, Gahan Wilson's highly stylized paintings are marvelous to behold. He is one of a few artists with a unique style instantly re...

This painting is acrylic on gallery-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the a...

Very stylized, geometric painting featuring a fashionable woman. Oil on canvas. The artist blends retro and modern elements with a bold, simple color palette, drawing inspiration...

Inner Feeling II, by María Conejo - Oil Painting - 160 x 140 cm - Women Empowering, c. 2024 María Conejo’s proposal consists of a series of oil paintings and ink drawings that off...

Classic pastel illustration by Clair Forster c1955 depicting 'Ambrose Park', a 'big shot' from the capital Art Sz: 14"H x 18 3/4"W Frame Sz: 19 1/2"H x...

after: Joseph Shuster’s Superman #1 Cover (1939) and #17 Beast and the Beauty from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards...

after: Joseph Shuster’s Action Comics #1 Cover (1938) and #19 Burning Flesh from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards (1962) Framed: 9h x 9w in Continuing the exploration of Superman’s role as extraterrestrial anomaly – an alien who’s also a friend, I spent time considering how important one’s actions (on a singular occasion, in sum, alone, in collaboration with others, etc.) are in determining overall “goodness” or social value. In literally his first exposure to any reader, on the cover of Action Comics #1, Superman is shown smashing a large car against a rock, while three well-dressed men run away in fear. Taken by itself the image presents a deranged, super-strong vandal. It’s only upon reading the full narrative that we understand Superman’s action to be part of a rescue mission and the men to be gangster villains. When we allow Superman to be considered as an individual, responsible for his own actions, and over a series of events, rather than one incident, we find our hero. But when I offer Superman another alien (this one up to no good), and deny any exposure to a fuller understanding of circumstance, it’s much more difficult to separate Superman’s destructive actions from those of his new companion. Better Alone Than in Bad Company...

Provenance: Illustration House, New York, Framed in a simple and modest frame. This is a brilliant post-Cubist work by Dutch-American illustrator Charles Verschuuren...

Provenance: Illustration House, New York, Framed in a simple and modest metal frame. This is a brillant post-Cubist work by Dutch-American illustrator Charles Verschuuren...

Watercolor and gouache on paper laid on board Magazine Illustration defined by bold graphic composition and limited color palate yielding a powerful image that jumps off the page. u...

"Super Artist" (FRAMED) Painting 14.5" x 20" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink & Paint on Animation Acetate Size: 12" x 17" inch Size framed: 14.5" x ...

signed in orange along lower right of image Illustration for Women's World magazine, published October, 1937 Condition is good. 4.5 inch, unobtrusive vertical crease running from top down into center of image Maginel Wright Enright Barney was the sister of architect Frank Lloyd Wright and the illustrator of several children''s books, including those of L. Frank Baum...

Medium: Gouache on Board Dimensions: 22.50" x 16.00" Signature: Signed Lower Left From an Important California Collection.

title: "Warhol Pop Portrait Technique: Acrylic paint on canvas Dimensions : 100 x 100 cm Year of creation : 2020 Signature at the bottom of the canvas, on the left description : Fantastic comic characters are installed in front of a large screen, which they look at. On the screen is projected a satirical image of WARHOL. A large open mouth, insects and doodles flutter around without disturbing the calm of the disturbing warriors. In the middle of the scene: a well-known character wonders what he is doing there; he embodies the banality so dear to Andy WARHOL. References used for this painting : The ghost of WARHOL : after Ron ENGLISH Warriors : after Whilce PORTACIO Homer SIMPSON...

THE PUNCHER OF LILAS By ITCHY & SCRATCHY Original work for a happy Valentine's Day, which is off the beaten path, or for any other occasion "Fun" :) "...

A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery proudly introduces America Martin’s new series "I See Heroes Everywhere." Addressing the theme of h...

Children's Coloring Book Cover Art - Merrill Company - Female Illustrator Board 20 x 14.75, Publisher's Stamp lr recto, publication instruction recto verso Betty Anne Gartrell inscr...

Panel Sz: 7 1/4" x 19 1/4" Frame Sz: 11 3/4" x 23 1/2" Artist: Joseph L. Parrish (1905-1989) Joseph L. Parrish was chief editorial cartoonist for The Chicago Tribune who was widel...

Inner Feeling I, by María Conejo - Oil Painting - 160 x 140 cm - Women Empowering, c. 2024 María Conejo’s proposal consists of a series of oil paintings and ink drawings that offe...

Vibrant, engaging painting. Featuring a mouse, a moon and a cast of characters. Brown wooden frame included. About the artist: South Africa’s most renowned pop artist is an an...

Pop Art. Jughead from Archie comics. Sylvester the cat. Pan Am. Black. White. Grays. About the Artist: Formally trained as an illustrator, Nan...

Pop Art. Comic/cartoon theme. Black. White. Grays. About the Artist: Formally trained as an illustrator, Nancy Landauer holds a BFA from Parsons School of Design in New York ...

Pop Art. Movie Theme. Icon Logos. Paramount. Universal. Ford. Black. White. Grays. Color portrait in center. About the Artist: Formally trained as an illustrator, Na...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right Caricature by George Wachsteter (1911-2004) of Composer and Musician Tony Mottola, `Mr. Big`, author of the `Danger` chord for the 1950 NBC-TV show of the same name. A famous musical signature where a single repeated note is interrupted by a dramatic chord or sting, the device was named after the series which first utilized it as its theme, the CBS-TV suspense anthology, `Danger` (1950-55). It was one of the directors for `Danger` - Yul...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...