Decor Paintings

Hunt Slonem’s Migration (2024) is a monumental oil on canvas measuring 77 x 101 inches, a breathtaking celebration of color, movement, and natural beauty. The composition is alive wi...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

Marc Chalmé was born in Lorient, a seaside town in Brittany in France. He studied at prestigious art schools in the cities of Nantes and Rennes in France. Afterwards, he studied unde...

Rug Girl, Oil on Linen Painting by Allison Schulnik, 2009 Additional information: Medium: Oil on linen Dimensions: 84 × 68 in (213.4 × 172.7 cm) Abo...

David Allan Peters Untitled #11, 2022 Acrylic on panel 30 x 30 inches 76.2 x 76.2 cm Signed, dated and titled: "David Allan Peters 2022 #11 (verso)" -- R...

Emilie Duval’s paintings focus on the delicate tension between nostalgia and technological transformation, where the imagery of utopian mid-century modernity collides with the fragme...

Major George Washington Littlefield died in 1920. He commissioned E. Martin Hennings around 1910 to do six large paintings of scenes from his 235,000-acre ( part of the XIT ) ranch to hang in his bank in Austin. I am not sure, but the bank possibly went under sometime in the 197s-1980s. All of the art and antiques were stored, and they had a sale. We have 3 of the six murals that were commissioned by Littlefield. I have about 40 pages of info on Littlefield and the murals. Too much to enter now but I will be scanning that info later this week. The Littlefield mansion is still in Downtown Austin. At one time he was the richest man in the state. He was UT's biggest donor for several years prior to his death. The paintings are 34 x 130 35 x 144 35 x 119 Two are hanging in my friend's ranch house. The other is of a large herd of Hereford Cattle. It is actually pictured on the cover of the Biography of George Washing Littlefield. Littlefield, George Washington (1842–1920). George Washington Littlefield, cattleman, banker, and member of the Board of Regents of the University of Texas, son of Fleming and Mildred Terrell (Satterwhite) White Littlefield, was born in Panola County, Mississippi, on June 21, 1842. The family moved to Texas in 1850 after a confrontation between Fleming Littlefield and his wife's family. In marrying Fleming, her overseer, after the death of her first husband, Mildred in her family's eyes had married beneath her station, an action to which her family objected. George grew to young manhood on the family plantation near Belmont, Gonzales County, helping his mother to manage the place after Fleming's death in 1853. George received a basic education in Gonzales College and Baylor University, 1853–55 and 1857. With the outbreak of the Civil War in 1861 George enlisted in Company I, Eighth Texas Cavalry (Terry's Texas Rangers), which fought in the Army of Tennessee. Before his military career was ended at Mossy Creek, Tennessee, on December 26, 1863, by an exploding cannon shell, George rose to the rank of company commander, the youngest in his regiment, and fought at Shiloh, Perryville, and Chickamauga. At Mossy Creek he was promoted to major, a title by which he was addressed after the mid 1880s. Back in Texas after being discharged in 1864, he took control of a plantation belonging to himself and his brother, and "went to work to make the best, as he thought, of a miserable life, having to carry his crutches everywhere." During the war, on January 14, 1863, George married Alice Payne Tillar, with whom he had two children, both of whom died in infancy. In his business ventures thereafter, George Littlefield, who had a highly developed sense of family, utilized nephews and the husbands of nieces as managers. George's first year's farming after the war ended in disaster caused by three years of worm infestation and flood. Even the road-side store he opened, which prospered because George accepted barter, in particular cattle, could not make up for the losses. In 1871 he gathered a herd of cattle, half of which were his and the rest belonging to his brother, bought more, and drove the herd to Abilene, Kansas, where he sold the animals for enough to discharge all of his debts and leave him with $3,600 "to begin business." Over the next several years entrepreneur Littlefield opened a dry goods store in partnership with J. C. Dilworth in Gonzales, bought and trailed cattle, bought ranches in Caldwell and Hays counties, and developed his plantations. In the trailing business, Littlefield commonly bought his cattle, rather than, as most trailing contractors did, trailing them for a fee. He took the greater risk but reaped the greater reward in their sale. In 1877 Littlefield bought water rights along the Canadian River near Tascosa and established the XIT Ranch which he sold in 1881 for $248,000. Littlefield rejoiced that he had obtained "far more money than he had ever expected to have" and thought of retiring at thirty-nine years of age. But he did not retire, as "he learned. . .that the more money a man makes, the more he has to make, that a man's world opens up a little bit wider with each deal and demands become heavier." In 1882 Littlefield followed the advice of his principal ranch manager, half-nephew J. Phelps White, and purchased water interests sufficient to control some four million acres of land in New Mexico east of the Pecos River between Fort Sumner and Roswell, on which he established the Bosque Grande Ranch. In 1883 he bought the site of the first windmill on the New Mexico plains at the Four Lakes north of Tatum and developed the Four Lakes Ranch with windmills and barbed wire to control access to water and permit upgrading of stock. His cattle after 1882 carried his LFD brand on their right side. In 1887 Littlefield began acquiring land in Mason County, which soon spread over some 120,000 acres in adjacent Kimble and Menard counties, a ranch he put under management of half-nephew John Will White. In the 1890s Littlefield assembled acreage that came to be known as the LFD Farm in Roswell, New Mexico, on which he established an apple grove, grew forage for cattle, recruited his horses prior to the spring round-up, and maintained the pure-bred bulls that he used to upgrade his herds. Littlefield climaxed his ranching operation in 1901 with the purchase for two dollars per acre of 235,858 acres of the Yellow House (southern) Division of the XIT Ranch in Lamb and Hockley counties. To reach the prevailing wind above the escarpment at the ranch headquarters, Littlefield put up a windmill 130 feet tall to the top of the fan, claimed at the time to be the world's tallest windmill. In 1912 he established the Littlefield Lands Company under Arthur Pope...

Bret Reilly’s “Crumpled” series seamlessly intertwines the ethereal essence of Impressionism with the dreamlike distortion of surrealism, blurring the lin...

In "Teal Tondo," Hunt Slonem's artistry unfolds on a circular canvas adorned with whimsical charm. Numerous gestural bunnies, outlined boldly in black, populate the composition again...

'Summer Bouquet' by Marcel Dyf. A beautiful floral still life painting with pops of orange, yellow, red and white flowers. A vibrant and bold work that would be beautiful in any inte...

'Blue Diamond Dust Weekend' by Hunt Slonem, 2024. Oil and acrylic with diamond dust on canvas, 30 x 30 in. Signed on back. This painting features Slonem's signature bunnies outlined ...

'Red Sea' by Hunt Slonem, 2024. Oil on wood, 23 x 29 in. / Frame: 29.5 x 35 in. Signed on back. This painting features a charming portrait of colorful butterflies. The butterflies ar...

'Daisy S' by Hunt Slonem, 2024. Oil on wood, 10 x 8 in. / Frame: 16 x 14 in. Signed on back. This painting features a charming portrait of a daisy. The daisy is painted in white, or...

Hunt Slonem Starry Night, 2018 Oil on Canvas60 x 60 x 2.50 in (152.40 x 152.40 x 6.35 cm) Unique painting signed on verso

A contemporary abstract painting by Miriam Cabessa. Untitled #2 2007 Signed and dated, verso Oil on linen 26 x 36 inches

Still Life with Jugs, Oil on Canvas by Stella Steyn, 1951 Additional information: Medium: Oil on Canvas 61 x 91 cm 24 1/8 x 35 7/8 in Dated and titled verso Stella Steyn trained in Dublin, Berlin and Paris in the 1920s, meeting Samuel Beckett and James Joyce for whom she undertook the illustrations for ‘Finnegan’s Wake...

Still life, Oil on Board Painting by Bryan Pearce, 1987 Additional information: Medium: Oil on board 61 x 50.8 cm 24 x 20 in Signed and dated verso Born...

Still Life with Violin, Oil on Canvas Painting by David Mcclure 1926-1998 Additional information: Medium: Oil on canvas 70 x 90.5 cm 27 1/2 x 35 5/8 in Provenance Estate of the Art...

Peter Dreher Tag um Tag guter Tag (Day by Day Good Day) Nr. 2060; Nr. 2253; Nr. 2345; Nr. 2454, 2007-2009 Oil on linen Four panels of 10 x 8 inches each German artist Peter Dreher (...

Original and unique painting in acrylic and mixed media. Signed, dated and titled at the back of the canvas. Sold with the Certificate of Authenticity. Featured in the solo show of ...

Artist: fnnch, Title: 3x3 Cross Hatch Bears Date: 2024 Medium: Aerosol on canvas Unframed Dimensions: 48" x 48" Signature: Signed Edition: Unique Born in St. Louis MO in 198...

Elizabeth Waggett Untitled (Gold), 2024 Signed by the artist 23k Gold, oil, zinc and copper alloy on linen 73 x 53 inches This piece is unique. This piece is currently on display at...

Elizabeth Waggett Untitled (Black), 2024 Signed by the artist Oil, acrylic, carbon, and flock on linen 73 x 53 inches This piece is unique. This piece is currently on display at Art...

Luke Forsyth is a painter and illustrator living and working in Los Angeles, California. Known for a playful approach, Forsyth enjoys working in an array of colors and mediums. He dr...

French artist who has his distinct way of expressing his world of art through words that have meaning to it. P2F means Past to Future in Love, where love has a past and now moving to...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...

In our quick paced culture, we are hyper-stimulated with visual media, which has caused our sense of vision to become blind to many things of incredible loveliness and consequence, s...

Gregg Louis is a multidisciplinary artist born in St. Louis, Missouri and based in Brooklyn, New York. His works, in diverse formats, investigate fundamental philosophical quandaries with a great sense of playfulness and humor. Aspects of his work often revolve around perception, existentialism, and the construction and destruction of belief systems. Louis’ sculptural work uses the objet trouvé, or found object, as a jumping off point. Meditating on our perceptions of everyday life, he often incorporates wigs, light bulbs, TV antennas, kitchenware, and other domestic objects to create uncanny forms. Through a process of alterations, sometimes violent, Louis twists...

Gregg Louis is a multidisciplinary artist born in St. Louis, Missouri and based in Brooklyn, New York. His works, in diverse formats, investigate fundamental philosophical quandaries with a great sense of playfulness and humor. Aspects of his work often revolve around perception, existentialism, and the construction and destruction of belief systems. Louis’ sculptural work uses the objet trouvé, or found object, as a jumping off point. Meditating on our perceptions of everyday life, he often incorporates wigs, light bulbs, TV antennas, kitchenware, and other domestic objects to create uncanny forms. Through a process of alterations, sometimes violent, Louis twists...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

A still-life painting by A.D. Greer featuring a yellow vase decorated with a depiction of an egret bird and flowers, a bowl, and a background with purple flowers. By A.D. Greer 24" x...

Santo (2021) by east coast street artist Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed long board skateboard depicting a portrait with a classic Sean 9 L...

It's All Derivative, Brigitte I, Negative by artist Bill Claps is a gold, black, and white contemporary figurative pop art mixed media with light gold foil on canvas piece that measu...

Brought up in the foothills of the Rocky Mountains of Colorado, Heidi Jung as an artist has naturally been drawn to a subject matter most timeless and familiar to her.Through draught...

Triangle with 18 inch sides Greta Van Campen is known for her geometric hard-edged graphic approach to representation. She has traveled across the United States sourcing inspiration from the landscapes, small towns, and cities. Now, with a young family, she gets most of her inspiration close to home. Scenic ocean views and paintings of flowers from her gardens make up the bulk of her new work. She paints in her home studio, beginning each piece with a photograph she has taken. She uses the photo as a reference while drawing from memories of her experiences, sometimes also working from sketches done on location. The image is translated into a painting by first setting large compositional elements and then finding shapes and masking off areas with tape, mixing the desired color of paint, and continuing to tape and paint until the desired amount of detail is reached. This distilled and stylized approach imbues her traditional subject matter with a freshness and modernity. As Van Campen explains, she “figure(s) out how to recreate a version of the natural, atmospheric place by turning it into a more geometric, color and balance-driven scene that is hopefully appealing, interesting, and authentic.” Van Campen was born in and resides in Maine. She received her BFA from Bowdoin College, ME. She is represented by Octavia Art Gallery, LA & TX, and Dowling Walsh Gallery...

Francisca Sutil is a Chilean painter known for her research of the chromatic surface, the nature of the support and the study of textures and materials that she prepares herself. Born in Santiago de Chile in 1952, she moved to New York where she received an M.F.A. from Pratt Institute in 1981. Since 1992, Sutil has lived and worked in Santiago. Sutil’s work is characterized by its superb construction and unique contemplative qualities. When approaching her paintings, the viewer is immediately captivated by the textures and hues. She proposes a rigorous exercise of painting on support, regardless of its material composition, in search of pictorial depth. It is a mental process from which a neat and pure chromatic production emerges. Intending no specific content in her paintings, she instead asks viewers to respond openly and honestly to her abstractions. She uses her work to provoke emotions and sensations, and in turn, encourages reflection, meditation and lasting thoughts and memories...

Francisca Sutil is an established Chilean painter, who started painting on paper, and making her own paper. She later continued experimenting with the medium, and this is a prime exa...

MARKUS LINNENBRINK WEDRINKCOFFEEWITHCOLA, 2023 Epoxy resin and pigments on wood 28 x 96 inches 71.1 x 243.8 cm Signed, titled, and dated (verso) (MMG#35468) -- German-born, Brookly...

MARKUS LINNENBRINK MYMINDIFINDINTIMES, 2022 Epoxy resin and pigments on wood 60 x 96 inches 152.4 x 243.8 cm Signed, titled, and dated (verso) (MMG#35456) -- German-born, Brooklyn-...

MARKUS LINNENBRINK ITHINKIWILLCALLITMORNING, 2023 Epoxy resin and pigments on wood 60 x 48 inches 152.4 x 121.9 cm Signed, titled, and dated (verso) (MMG#35470) -- German-born, Bro...

Jim Isermann Untitled (0413/14), 2014 Latex paint in cnc milled mdf panel 48 x 52 1/2 x 2 inches 121.9 x 133.4 x 5.1 cm -- A longtime resident of Palm S...

Jim Isermann Untitled (0413/14), 2014 Latex paint in cnc milled mdf panel 48 x 52 1/2 x 2 inches 121.9 x 133.4 x 5.1 cm -- A longtime resident of Palm S...

Jim Isermann Untitled (0313/14), 2014 Latex paint in cnc milled mdf panel 48 x 52 1/2 x 2 inches 121.9 x 133.4 x 5.1 cm -- A longtime resident of Palm S...

This work is offered by CLAMP in New York City.

ELIZABETH WAGGETT I Am Woman, Hear Me Roar (22k), 2023 Signed by artist 22k gold, oxidised silver, acrylic, zinc, and copper alloy on canvas 70 x 50 inches This piece is unique. Thi...

Mixed media by Nemo Jantzen. Handmade resin domes on board. Born and raised in The Hague in 1970, Nemo Jantzen then studied art, design and photography at the RTO in Rotterdam and moved to Antwerp to work as a creative director and billboard artist, while further developing his technique and style as a fine artist. Nemo Jantzen plays with focus, creating a sense of depth, thus bringing into question the act of voyeurism and the anticlimactic and revelatory nature of privacy. Born and raised in The Hague in 1970, Nemo Jantzen then studied art, design and photography at the RTO in Rotterdam and moved to Antwerp to work as a creative director and billboard artist, while further developing his technique and style as a fine artist. Over the past 15 years, he has been exhibiting worldwide in art galleries, art fairs, and solo exhibitions to high acclaim. His work can be found in numerous private and public collections around the world. COLLECTIONS & SPECIAL COMMISSIONS GEM Museum , Netherland Museum POPA, Switzerland Museum Diocesa, Spain Mandarin Oriental Hotel, New York Presidential Suite, Mandalay Bay Resort, Las Vegas Shannon Sedgwick Davis, Head of Bridgeway Foundation. Fundraising auction against human trafficking. Peru Contemporary Art Museum, Peru Billy Frist, Photography Collector, DREAM Hotel Owner, TN Robert Griffin III, NFL American Football Player...

Unique oil painting, signed verso, COA included

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate colle...

Mixed Media 96 x 0 in

Mixed Media 62 x 48 in

Mixed Media House Paint on wood and laid fabric 19 x 28.50 in

Mixed Media house paint and carpet on plastic & cardboard 17 x 41 in

Mixed Media House paint and carpet on board 21 x 48 in

Mixed Media 24 x 48 in

Mixed Media 46 x 21 in

Mixed Media House Paint on Laid Fabric 46.50 x 19.50 in

Adam Liam Rose “The Kiss” 2023 Signed and titled, verso Graphite and acrylic on paper mounted to panel 24 x 18 x 1.5 inches (61 x 45.7 x 3.8 cm) This wor...