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Untitled XII by Matthieu Venot - Abstract photography, architecture, pink wall
Untitled XII by Matthieu Venot - Abstract photography, architecture, pink wall

Untitled XII by Matthieu Venot - Abstract photography, architecture, pink wall

By Matthieu Venot

Located in Paris, FR

Untitled XII, Ain’t Got No Troubles series, is a limited-edition photograph by contemporary artist Matthieu Venot. This photograph is sold unframed as a print only. It is available ...

Category

2010s Contemporary Abstract Photography

Materials

Photographic Paper, Pigment

Eclipsed in Time - black and white abstract portrait, limited edition of 20

Eclipsed in Time - black and white abstract portrait, limited edition of 20

By Ugne Pouwell

Located in London, GB

"Eclipsed in Time" suggests a moment of transition, obscurity, or transformation—much like an eclipse where something is temporarily veiled yet still present. The title reflects the ...

Category

21st Century and Contemporary Abstract Abstract Photography

Materials

Giclée

Grid. No 6 (Contemporary Framed Gestural Lattice Motif Painting in Neutral tone)
Grid. No 6 (Contemporary Framed Gestural Lattice Motif Painting in Neutral tone)

Grid. No 6 (Contemporary Framed Gestural Lattice Motif Painting in Neutral tone)

By Birgit Blyth

Located in Hudson, NY

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Category

Early 2000s Abstract Abstract Photography

Materials

Photographic Paper, Monoprint

Untitled Work of Fire Diptych

Untitled Work of Fire Diptych

By Christopher Colville

Located in Sante Fe, NM

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Category

2010s Contemporary Abstract Photography

Materials

Photographic Paper, Silver Gelatin

Sky ( artist framed ) - large scale abstract gradient monochromatic photograph
Sky ( artist framed ) - large scale abstract gradient monochromatic photograph

Sky ( artist framed ) - large scale abstract gradient monochromatic photograph

Located in San Francisco, CA

large scale monochromatic abstract observation of mesmerizing atmospheric color palette, from Raymond Meier's series Renderings Sky (Rendings 04) by Ray...

Category

21st Century and Contemporary Conceptual Abstract Photography

Materials

Archival Pigment, Archival Ink, Archival Paper, Photographic Paper

Wallscape V ( 40 x 32" / 102 x 81cm )
Wallscape V ( 40 x 32" / 102 x 81cm )

Wallscape V ( 40 x 32" / 102 x 81cm )

By Frank Schott

Located in San Francisco, CA

WALLSCAPE V by Frank Schott from a series of photographic observances capturing urban textures and wallscape color palettes 40 x 32 inches / 102cm x 81cm edition of 25 signed 60 x...

Category

21st Century and Contemporary Contemporary Abstract Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

Zig Zag Ovals Diptych, Blue Tones Cyanotype Monotypes, Organic Floating Shapes
Zig Zag Ovals Diptych, Blue Tones Cyanotype Monotypes, Organic Floating Shapes

Zig Zag Ovals Diptych, Blue Tones Cyanotype Monotypes, Organic Floating Shapes

By Kind of Cyan

Located in Barcelona, ES

Zigzag Ovals is a cyanotype monotype diptych that explores the interplay between fluid forms and structured repetition. Organic white shapes drift across rich blue tonal fields, crea...

Category

2010s Modern Abstract Photography

Materials

Paper, Monotype

Essence of Life
Essence of Life

Essence of Life

Located in Plano, TX

"Essence of Life" is a part of Christopher Kennedy's "Trees Revered" series. Please note that the image without the frame is a better representation of the actual image. "This parti...

Category

2010s Contemporary Abstract Photography

Materials

Archival Paper

Delphinium, 2018 - Abstract Geometric Floral Print Wall Decoration Interior

Delphinium, 2018 - Abstract Geometric Floral Print Wall Decoration Interior

By Giles Revell

Located in Brighton, GB

Delphinium by Giles Revell This is an Archival Pigment Print available in this size of 50cm x 50cm in a limited edition of 25 prints In Cartographic Colour, Giles Revell reduces th...

Category

21st Century and Contemporary Abstract Geometric Abstract Photography

Materials

Color, Archival Pigment, Photographic Paper, Pigment

1972 Porsche 911 Targa, 2020

1972 Porsche 911 Targa, 2020

By Nick Veasey

Located in München, BY

Edition 15, framed Chromaluxe Original 1972 Porsche 911 Targa A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiograph...

Category

2010s Contemporary Abstract Photography

Materials

Archival Pigment

Green Abstracted Ikat Photograph
Green Abstracted Ikat Photograph

Green Abstracted Ikat Photograph

By Janet Van Arsdale

Located in Soquel, CA

Stunning green abstract photograph reminiscent of Ikat fabric by Janet Van Arsdale (American, 20th Century). Signed in pencil lower left corner. Presented in black frame with double ...

Category

1990s Abstract Abstract Photography

Materials

Ink, Photographic Paper, Giclée

Sea Cliffs Diptych II ( Pair abstract cyanotypes each framed to 25 x 15)
Sea Cliffs Diptych II ( Pair abstract cyanotypes each framed to 25 x 15)

Sea Cliffs Diptych II ( Pair abstract cyanotypes each framed to 25 x 15)

Located in Oakland, CA

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyanotype, photogram or sun print. ...

Category

2010s Abstract Abstract Photography

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

In Your Own Sweet Way, Large scale Modern Abstract, Colorful, Art Photography
In Your Own Sweet Way, Large scale Modern Abstract, Colorful, Art Photography

In Your Own Sweet Way, Large scale Modern Abstract, Colorful, Art Photography

By Gleici Rufatto

Located in Los Angeles, CA

In Your Own Sweet Way -Minimalist Abstract Geometric Photography Print - Signed Fine Art This award winning minimalist photograph captures a vibrant study of pastel color and urban ...

Category

21st Century and Contemporary Abstract Abstract Photography

Materials

Cotton, Inkjet, Giclée, Archival Pigment

Brooklyn Bridge (Stay) - 21st Century, Polaroid, Color, New York, Contemporary
Brooklyn Bridge (Stay) - 21st Century, Polaroid, Color, New York, Contemporary

Brooklyn Bridge (Stay) - 21st Century, Polaroid, Color, New York, Contemporary

By Stefanie Schneider

Located in Morongo Valley, CA

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts, and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's...

Category

Early 2000s Contemporary Abstract Photography

Materials

Metal

Eternity (Deconstructivism) - Contemporary, Expired Polaroid

Eternity (Deconstructivism) - Contemporary, Expired Polaroid

By Stefanie Schneider

Located in Morongo Valley, CA

Eternity (Deconstructivism) - 2020 - about the narrative potential of images. 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Artist Inven...

Category

Early 2000s Contemporary Abstract Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

1959 Porsche 365B Coupe

1959 Porsche 365B Coupe

By Nick Veasey

Located in München, BY

Edition 9 Framed Chromaluxe X-Ray of a 1959 Porsche 365B Coupe. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiogra...

Category

2010s Contemporary Abstract Photography

Materials

Archival Pigment

Blue and White, Mid-Century Modern Shapes, Organic Floating Forms Cyanotype 2025
Blue and White, Mid-Century Modern Shapes, Organic Floating Forms Cyanotype 2025

Blue and White, Mid-Century Modern Shapes, Organic Floating Forms Cyanotype 2025

By Kind of Cyan

Located in Barcelona, ES

Mid-Century Shapes X is a captivating cyanotype monotype that draws on the visual language of mid-century abstraction. Featuring fluid, interlocking forms rendered in rich Prussian b...

Category

2010s Post-Modern Abstract Photography

Materials

Paper, Lithograph, Monotype