Abstract Photography

Jacquard weaving is at once simple and complex. The language used to set up weave structures is straightforward and binary: the warp is either up or down. With the Jacquard loom, h...

Photogram on Polaroid Type 809 (Unique) Signed, titled, and dated in black ink, verso This artwork is offered by ClampArt, located in New York City. Brian Buckley’s work has alway...

"Replica" Photography 56" x 40" in Edition 1/3 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 35" x 25" inch Edition of 7: 42" x 30...

In a delicate smear of faded blues intermingled with the curves and lines of the pale colors of the skin, Alex Sher’s “Brushstroke” uncovers his phenomenal ability to capture the tr...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab woman or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...

A stunning example of Brett's eye for the abstract and his excellent printing skills. Hand printed by artist. Incredible detail. Framed in museum plexi, black frame and 8ply mat; 2...

'Ojos' 2009, Edition 1/10 plus 2 Artist Proofs. 30 × 30 × 0.8 cm. Digital Print based on a Multiple exposure Polaroid, mounted under Plexi. Signed on verso with Certificate. "To see...

Artichoke II, 2018 by Shine Huang Archival Pigment Print on Hahnemuhle fine art paper. Image size: 20 in. H x 16 in. W Edition 1/9 + 1AP Signed on verso in ink. unframed ___________...

"Composition with Gold and Brown", photography by the artist Anna Golovanova. Abstract digital compositions. Extravagant play with form and colour. Country of Origin: Russia. Signe...

C-print on metallic Fuji Crystal Archive paper (Edition of 5 + 1 AP) Signed and numbered, verso $5000.00 + framing This artwork is offered by ClampArt, located in New York City. A...

"Tag Yourself" Photography 39" x 31" in Edition of 7 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 3...

Photographer Mitchell Funk demonstrates the link between minimalism and street photography, which is usually associated with a loose snapshot style. The present image fuses differen...

Fernanda Naman Fenix #10, 2016 40 x 40 inches 100 x 100 cm Edition of 9 C-Print Gold Leaf

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab woman or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...

'Wind stretched daydream' 2022 Photographed in Richmond, London using a 4x5 large format camera. Printed on Fine art Hahnemuehle paper. 40x31cm ...

"JM Basquiat-GB2" Abstract Photography 48" x 48" inch Ed. 1/8 by Giuliano Bekor Title: Basquiat series - JMB-GB2 Year: 2020 Medium: Printed on high-quality museum-grade archival pho...

Sorry for the reflection on the plexi. In the early 1980s, the Polaroid Foundation invited Hungarian-born painter and photographer György Kepes (1906-2001) to use the 20x24 Polaroid camera. The resulting carefully staged compositions summarize many of his artistic concerns, employing such objects as prisms, flowers, and graphic papers to manipulate the effects of light and form. György Kepes 1906-2001 was a Hungarian-born painter, photographer, designer, educator, and art theorist. After emigrating to the U.S. in 1937, he taught design at the New Bauhaus (later the School of Design, then Institute of Design, then Illinois Institute of Design or IIT) in Chicago. In 1967 He founded the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where he taught until his retirement in 1974. Kepes was born in Selyp, Hungary. His younger brother was Imre Kepes, ambassador in Argentina, father of András Kepes journalist, documentary filmmaker and author. At age 18, he enrolled at the Royal Academy of Fine Arts in Budapest, where he studied for four years with Istvan Csok, a Hungarian impressionist painter. In the same period, he was also influenced by the socialist avant-garde poet and painter Lajos Kassak. Kepes gave up painting temporarily and turned instead to filmmaking. In 1930, he settled in Berlin, where he worked as a publication, exhibition and stage designer. Around this time, he designed the dust jacket for Gestalt psychologist Rudolf Arnheim's famous book, Film als Kunst (Film as Art), one of the first published books on film theory. In Berlin, he was also invited to join the design studio of Laszlo Moholy-Nagy, the Hungarian photographer who had taught at the Dessau Bauhaus. When, in 1936, Moholy relocated his design studio to London, Kepes joined him there as well. Kepes was lured to Brooklyn College by Russian-born architect Serge Chermayeff, who had been appointed chair of the Art Department in 1942. There he taught graphic artists such as Saul Bass. In 1944, he published Language of Vision, an influential book about design and design education. In part, the book was important because it predated three other influential texts on the same subject: Paul Rand, Thoughts on Design (1946), László Moholy-Nagy, Vision in Motion (1947), and Rudolf Arnheim, Art and Visual Perception (1954). In 1947, Kepes accepted an invitation from the School of Architecture and Planning at MIT to initiate a program there in visual design, a division that later became the Center for Advanced Visual Studies (c1968). Some of the Center's early fellows included artists Otto Piene, Vassilakis Takis, Jack Burnham, Wen-Ying Tsai, Stan Vanderbeek, Maryanne Amacher, Joan Brigham, Lowry Burgess, Peter Campus, Muriel Cooper, Douglas Davis, Susan Gamble, Dieter Jung, Piotr Kowalski, Charlotte Moorman, Antoni Muntadas, Yvonne Rainer, Keiko Prince, Alan Sonfist, Aldo Tambellini, Joe Davis, Bill Seaman, Tamiko Thiel, Alejandro Sina, Don Ritter, Luc Courchesne, and Bill Parker...

"Queen 2" Black & White Photography 31" x 31" in Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

Type-C print Signed, titled, dated, and numbered, verso 20 x 20 inches (Edition of 10) 30 x 30 inches (Edition of 5) 40 x 40 inches (Edition of 5) This artwork is offered by Clam...

Do You Remember? What About the Colors? / Simple series / Photograph Creator: Hatice Besun Creation year: 2014 Dimension: 28 x 30.1” External Dimension (with white border) : Heig...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab women or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...

Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence whi...

Gerbera - 2019 40 x 30 cm, Edition 10 + 2 Artist Proofs. Photograph printed in Hahnemühle Baryta Photo Rag 340gr, based on a Fuji Instant Film original (not mounted). Signed on...

Allan Forsyth AQUA FLORA X N°4 Limited Edition Archival Chromagenic Photographic Print Edition of 12 Artwork Size: H 112cm x W 86cm x D 1cm Diasec Framed Please note that insitu imag...

This vintage silver gelatin print is signed in pencil on the front of the mount. This rare exhibition print in glossy paper (later prints of this image from Portfolio II were made on...

Fernanda Naman Fenix III Mounted on Plexiglas

Untitled #2 (Abstract Photography) C print - Unframed. "Edition of 5 + 2AP, next 3/5 Richard Caldicott is most well known for this earlier work series which used Tupperware containe...

"Wrapped Series Untitled #38" Photography 1/10 42" x 28" inch by Robert Mack 2017 Photograph, archival exhibition paper Aluminum mount, UV mat protection Edition 1 of 10 + 2AP ...

To and Fro 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7...

Signed on the bottom right of mount. Signed, titled, editioned on the back of mount. Printed in 2005. Edition 8 of 50. Sold Out in most sizes.

Eastman Kodak HDPE polyester film viewing machine reel, signed open edition Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun p...

Chris Dean is a Detroit based artist specializing in the medium of lenticular printmaking. Dean's brightly colored work uses lenticular's unique capacity for illusion to create interactive compositions of depth and motion. The visually dense work prioritizes direct experience and focuses on the intersection of the recognizable and the unfamiliar. Dean began exploring lenticular and related processes as a student at San Jose State in the mid 90's during the rise in interest in virtual reality technologies. Working first with stereoscopic processes and later lenticular, Dean has spent the years exploring approaches to these interactive mediums. Dean has exhibited widely in the United States and beyond and is the owner of the lenticular production company Midwest Lenticular. CV SELECTED SOLO*, GROUP EXHIBITIONS AND INSTALLATIONS ​ 2019 Krause Gallery - Custom Culture New York, NY Harold Golen Gallery The Lenticular Show Miami, Florida 2016 Krause Gallery - Surface New York, NY Krause Gallery - Emerging to Established New York, NY Art Basel Scope Miami, Florida ScopeNYC New York, NY LACMA Stereoscopic and lenticulars 2014/15 Krause Gallery Speaking in Tongues New York, NY Krause Gallery Emerging to Established New York, NY Art Basel Scope Miami, Florida 2013 Doyle Auctions New York, NY Krause Gallery Emerging to Established New York, NY Strychnin Gallery Attention Earth Berlin, Germany Strychnin Gallery 10th Aniversary Show Berlin, Germany Harold Golen Gallery Geode Miami, Florida 2012 Ace Museum All In For The 99% Los Angeles, California 232 East Lyric II Royal Oak, Michigan 2011 Linus...

"Glass Eyes" Photography 56" x 40" in Edition 1/3 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 35" x 25" inch Edition of 7: 42" x...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

On the edge of nothingness / n°7 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 40 x 60” External Dimension( with white border) Height:40.8 in.( 103.63 cm) Width:...

'White Leaf' Oversize Archival Pigment Print - Signed Limited Edition Fine Art photograph of a banana leaf. by Stuart Möller. Beautiful mint condition Limited Edition Archival ...

Bleed # 202167 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Edition: 1/3. Paul Snell combines traditional and digital techniques to explor...

Systems 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6 ...

'Hotel Il San Pietro' Slim Aarons Estate Edition Guests at the Hotel Il San Pietro in Positano, Italy, August 1979. In his words, he photographed 'be...

"Instincts" Photography 39" x 31" in Edition of 7 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31" ...

Lumina # 202204 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Matte Plexiglas Box - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Editi...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

An underwater nude photograph of a young woman with broken umbrella. The photograph has been edited into a minimalistic abstract image, a photo-mosaic of terra-cotta pink shapes. Or...

Der Foto-Künstler, Roger Reist, reflektiert die Welt um uns herum und in seinen Bildern auf zauberhafte Weise: "Die gesellschaftlichen Muster zu erkennen, diese anhand von meinen Bil...

EM2020-12 (Abstract Photography) Pigment on watercolor paper - Unframed. Edition of 10. The Emanations series is an attempt to express the spiritual potential of the most essentia...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Intersect # 201603 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangin...

This is a new series of photography of landscapes depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lan...

This abstract floral landscape photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century...

Abstracted floral still life color photograph, yellow magnolias in an abstract motif Archival digital print 30 x 30 inches, edition of 30 Print is unframed and made to order Addition...

End Point (Abstract photography) Silver Gelatin Print - Unframed. Tenesh Webber is a Canadian artist who works in abstract black and white photography. She lives and works in the N...

Absent / From the series of Portraits of Hidden Wounds / Photograph Creator: Hatice Besun Creation year: 2023 Dimension: 48 x 36 External Dimension( with white border) : Height: 48....

Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in ...

Passing Through 2 (Abstract photography) Silver Gelatin Print - Unframed. Tenesh Webber is a Canadian artist who works in abstract black and white photography. She lives and works ...

Adagio 3 - Limited edition pigment print of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ). Signed + numbered by artist, with cert...