Framed Abstract Photography

“Greenhouse Composition 36x24 Series 17” is an original artwork by Roxana Azar, consisting of a digital print on polycarbonate. It measures 36.75”h x 24.75”w framed. Roxana Azar’s w...

Edition 15, Lenticular In this image Michael Jackson is doing the moonwalk and is x-rayed. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside...

Edward Burtynsky (b. 1955) is Canada's most successful photographer. Through masterful technique and frequently dizzying compositions, Burtynsky presents thought-provoking inquiries...

Edition 15, Lenticular This image shows the guitarist Slash of the famous Rock band Guns 'n Roses. A man with x-ray vision, NICK VEASEY creates art that shows what it is really lik...

#00137 Solidago spp, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricing incl...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt's wo...

Edition 15, framed Chromaluxe Michael Jackson doing his smooth criminal dance move. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick...

Limited Edition of 3 Framed size 70 x 100 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass. More sizes on request.  Sara Punt's w...

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyanotype, photogram or sun print. ...

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - Mounted and Framed Aviailable sizes: 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Ed...

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - Mounted and Framed Aviailable sizes: 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Ed...

Edition 15, framed Chromaluxe Comes with a signed Certificate of Authenticity Surfer driving Land Rover, hanging wetsuit in the back & Dog. A man with x-ray vision, NICK VEASEY cr...

Limited Edition of 10 Framed size 27 x 37 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt...

"JM Basquiat-GB1" Photography (FRAMED) 50" x 40" inch Ed. of 8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Comes with COA iss...

Pigment print on rag paper Frame size: 30.63 x 30.25 x 2 in. Image size: 30 x 30 in. Signed, titled, dated and numbered on print verso. Ed. 2/6 From his series, Flights. Artist Stat...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt's wo...

Edition 15, framed Chromaluxe Original 1972 Porsche 911 Targa A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiograph...

Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink) Abstract photograph, chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood,...

Blue Ribbon - Still Life Black and White Photographic Print Framed Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitte...

DIALOGUE 14 is a limited-edition photograph by contemporary artist Matthieu Venot. This photograph is a limited edition of 10 copies, it is sold framed with a white shadow box. Di...

Small bleached found abstract photographic artwork by Jim Dingilian. Offered framed in plexiglass. Frame size: 5 x 6.25 inches Paper size: 3 3/8 x 4.75 inches Jim Dingilian makes ...

Cloud Study I - 21st Century Contemporary Photographic Print Framed Cloud Study I, like many of Pia’s works, evokes quiet contemplation – in this instance, through a cloud study. Fo...

Edition 15, framed matt Chromaluxe Signed on a label and certificate Surfer driving Land Rover with a dog in the back. A man with x-ray vision, NICK VEASEY creates art that shows w...

" "Crosshatch" is a classic example of my abstract PhotoLuminism technique. When light travels, the human eye cannot see its trails, but the camera can. Capturing images that are int...

LIEKO SHIGA (*1980, Japan) Time Capsule 2010 C-type print, Face mounted to acrylic (Diasec) Image/Sheet 120 x 180 cm (47 1/4 x 70 7/8 in) Edition of 3; Ed...

Streets of Kowloon Gold, part of Richard Heeps series photographing on the streets of Hong Kong in Kowloon in 2016 this stunning abstract piece is so striking in a room. The whole 20...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt...

Baltic Ice, Kakumaee 004 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is a limited edition of 8 copies, it is sold framed. Dimension...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Edition 15, framed Chromaluxe A bartender is waiting for you. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiograph...

Haystack, After Monet #3 was created by Vik Muniz for his 'Pictures of Color' series. The art is 47.5 x 67 inches and the framed size is 52.25 x 72.5 inches. There is a label on the verso with the artist's signature and edition number AP 1/5. From the total edition of 15 of which there were 10 Arabics and 5 APs. Framed in the original artist's frame. Literature: Pedro Corrêa do Lago, Vik Muniz: Obra Completa 1987-2009, Rio de Janeiro, 2009, pg.456. Vik Muniz — Haystack, After Monet #3 (from Pictures of Color) Vik Muniz’s Pictures of Color series stands at a pivotal moment in the evolution of visual culture. Conceived for the Venice Biennale, the series responds to the year when digital cameras first outsold film cameras worldwide, a symbolic tipping point in how images are made, shared, and believed. While exploring Venice’s long tradition of mosaic art, Muniz recognized a striking parallel between ancient mosaics and the emerging digital pixel: both construct images from countless discrete units, inviting viewers to experience perception as an assembly of parts. In Pictures of Color, Muniz replaces the pixel with a tactile, analog counterpart: Pantone color chips. Each work is composed of thousands of hand-placed squares, arranged with meticulous precision to form images that appear crisp and cohesive at a distance. As the viewer approaches, the illusion dissolves into grids of pure color. This oscillation between clarity and fragmentation, between image and code, lies at the heart of the series. Muniz reveals the mechanics behind seeing in the digital age, prompting the viewer to consider how images are built, translated, and trusted. Within this broader project, Muniz created a subseries dedicated to reinterpreting Monet’s iconic haystacks. Monet’s original paintings...

Béatrice Hug Licht II, 2018 In Licht II, Béatrice Hug transforms light into a luminous, almost tactile presence. Colour radiates across the image, vibrating with an intensity more c...

Der Foto-Künstler, Roger Reist, reflektiert die Welt um uns herum und in seinen Bildern auf zauberhafte Weise: "Die gesellschaftlichen Muster zu erkennen, diese anhand von meinen Bil...

Limited Edition of 10 Framed size 27 x 37 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt...

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyanotype, photogram or sun print. ...

large scale monochromatic abstract observation of mesmerizing atmospheric color palette, from Raymond Meier's series Renderings Sky (Rendings 04) by Ray...

#00129 Scuttelaria galericulata, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. ...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt's wo...

The photo was taken by me in an abandoned house. I like the colors and the impression from the picture. Will be signed, framed in a simple black frame, which can be hanged on the wal...

ALESSANDRO PUCCINELLI MARE series Nazare, Portugal, Waves, Seascape Photography, 2019 Seascape - From the Mare series - Mounted and Framed 27 x 40 inches Edition of 10 40 x 60 inch...

#00105 Pontederia cordata Unique photogram, gum bichromate, frame included This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink....

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

ALESSANDRO PUCCINELLI MARE/CHAOSMOS series Seascape - From the MARE/CHAOSMOS series - Mounted and Framed Framed size: 32x45 inches (including a white border) Image size: 27x40 inche...

Original Edward Weston! Framed in black. Initialed in pencil on lower right of dry mounted photograph. Dated 1940 in pencil. Excellent Condition.

ALESSANDRO PUCCINELLI MARE/CHAOSMOS series Seascape - From the MARE/CHAOSMOS series - Mounted and Framed Framed size: 32x45 inches (including a white border) Image size: 27x40 inche...

Alessandro Puccinelli Seascape, from the Mare series Alessandro Puccinelli presents the sea as a vast and contemplative presence. Extending beyond the boundaries of the image, the o...

Listing includes framing with UV plexi, free shipping in the US, and 14-day return policy. Corinne Vionnet Jerusalem from the series "Photo Opportunities" 15 x 20 inch archival pig...

Reversal Grey Marilyn was created by Vik Muniz for his 'Pictures of Diamond Dust' series in 2003. The art is 55 x 49 inches and the framed size is 57.75 x 51.25 inches. There is a la...

"JM Basquiat-GB4" Photograph (FRAMED) 50" x 40" in Ltd Ed. 1/8 by Giuliano Bekor Signed and numbered by the artist. Comes with COA issues by the artist. Title: Basquiat series - JM...

Stretching Landscapes Series: The Last Lost Continent (Nice) Set of 3 works Work 1: Acrylic on canvas Work 2: Photography in cotton paper premium quality 300gr Work 3: Acrylic on can...

Alessandro Puccinelli Seascape, from the Mare series Alessandro Puccinelli presents the sea as a vast and contemplative presence. Extending beyond the boundaries of the image, the o...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt...

Alessandro Puccinelli Seascape, from the Mare series Alessandro Puccinelli presents the sea as a vast and contemplative presence. Extending beyond the boundaries of the image, the o...

They are a part of a limited edition of 8 and 2 artist proofs, all sizes included. After a career of more than 30 years in the research of textures (20 years as a textile stylist an...

Blue Moon - Still Life Photographic Print Framed 120x120cm Austrian Contemporary Photographer Pia Clodi, demonstrates immense skill through her analog photography, which is often p...

Framed Mixed Media Photography on Silk, Stitched Embellishments, 41 x 30 in Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft...

ALESSANDRO PUCCINELLI MARE/CHAOSMOS series Seascape - From the MARE/CHAOSMOS series - Mounted and Framed Framed size: 32x45 inches (including a white border) Image size: 27x40 inche...

Garth Evans (British-American, b. 1934) Things, 2019 C-Print Sight: 18 x 24 in. (overall) Framed: 21 1/2 x 27 1/8 x 1 in. Signed, dated and numbered at bottom Garth Evans was born ...

ALESSANDRO PUCCINELLI MARE/CHAOSMOS series Seascape - From the MARE/CHAOSMOS series - Mounted and Framed Framed size: 32x45 inches (including a white border) Image size: 27x40 inche...