Plexiglass Abstract Photography

This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3. Paul...

This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3. Paul...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 2/3. Paul Snell combines traditional and digi...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 1/3. ...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 2/3. ...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 2/3. ...

This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hanging syst...

Chromogenic Print Face-mounted 4.5mm Plexiglas- Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 2/3. Paul Snell combines traditional and digit...

This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3. Paul...

Henri Venne was born in Joliette in 1966 but now lives and works in Montreal. Since 1994, he has been showing his artwork, a combination of semi-abstract photography and painting, in solo and group shows throughout many galleries and museums in Quebec. Some of his most important shows include his solo exhibitions (D’)après nature (after nature) in 2004 at the Montreal Museum of Contemporary Arts and still life in 2006 at Art Mûr gallery, which represents him in Montreal. He holds a masters degree from Concordia University in Fine Arts (1999) and now teaches art classes at Vanier and André Grasset Colleges, University of Montreal’s Department of Cultural Activities and also at Art Neuf Cultural Center. His work is now part of many collections, namely the Montreal Museum of Contemporary Arts, the Canada Council Art Bank, la Collection Prêt d’oeuvres d’art du Musée National des Beaux Arts du Québec, of Loto-Québec and Fasken Martineau-Dumoulin (Montreal) and also in private collections. Henri Venne has been awarded grants by both the Canada Art Council and the Quebec Art...

An aerial photography that was not manipulated or color corrected.

Laurent Lamarche’s objects strike a scientific chord in contrast to an art world overwrought with digital spectacles and ominous critique. Lamarche’s work bares a rigorous formalism ...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic sheet. The process was invented by Heinz Sovilla-Brulhart in 1969. Due to the light penetration and refraction of clear acrylic compared to normal glass, the colours are more brilliant and the image sharper than with standard glass in a picture frame. A DIASEC mounted is usually of a high gloss finish. Because the print is glued to the acrylic glazing, the result is a completely flat mount of the image. The print is also protected against ultraviolet (UV) light. DIASEC contains an UV light inhibitors to help protect the image from UV light. Bruno Paget...

Photographic paper incrusted in DIASEC plexiglass Edition 2/3 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic sheet. The process was invented by Heinz Sovilla-Brulhart in 1969. Due to the light penetration and refraction of clear acrylic compared to normal glass, the colours are more brilliant and the image sharper than with standard glass in a picture frame. A DIASEC mounted is usually of a high gloss finish. Because the print is glued to the acrylic glazing, the result is a completely flat mount of the image. The print is also protected against ultraviolet (UV) light. DIASEC contains an UV light inhibitors to help protect the image from UV light. Bruno Paget...

Photographic paper incrusted in DIASEC plexiglass Edition 2/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

Photographic paper incrusted in DIASEC plexiglass Edition 2/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic she...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic she...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

In the digital age, we collectively photograph everything all of the time. But how much does anyone remember from a scene or a moment when looking at a digital photo? Someone could g...

This stunning photograph by Fidel Santos captures an ornate Baroque hand-carved scrolling filigree, a lone remnant of a once-great sculpture. As a testament to the incredible talents...

The photograph depicts a weathered, white wall with the remnants of an ornate plaster scrollwork design. Most of the wall is flaking and disintegrating, revealing the harsh effects o...

Fernanda Naman Fenix IV Mounted on Plexiglas

Fernanda Naman Fenix III Mounted on Plexiglas

Fernanda Naman Extremes II Mounted on Plexiglas

Fernanda Naman Extremes I Mounted on Plexiglas

The age-old technique of marbling paper, known as "carta marmorizzata" in Italian, involves floating pigments on a liquid surface and then transferring the design onto paper. Artist ...

The age-old technique of marbling paper, known as "carta marmorizzata" in Italian, involves floating pigments on a liquid surface and then transferring the design onto paper. Artist Francisco Bianchi captures the beauty and elegance of this art form in his playful large-scale images. Francisco Bianchi, an Italian-born artist, photographer, and printmaker, is a master in the realm of visual arts. Studying in the artistic heart of Italy, Florence, Bianchi embarked on a creative journey deeply rooted in the age-old traditions of Italian arts and crafts...

The age-old technique of marbling paper, known as "carta marmorizzata" in Italian, involves floating pigments on a liquid surface and then transferring the design onto paper. Artist Francisco Bianchi captures the beauty and elegance of this art form in his playful large-scale images. Francisco Bianchi, an Italian-born artist, photographer, and printmaker, is a master in the realm of visual arts. Studying in the artistic heart of Italy, Florence, Bianchi embarked on a creative journey deeply rooted in the age-old traditions of Italian arts and crafts...

In "The Big Bang," Fidel Santos unveils a celestial fresco hidden beneath layers of chipping paint. This mixed media masterpiece captures the most dramatic moment in the heavens, sym...

"Butterfly 16" (FRAMED) Photography 52" x 42" in Edition 1/8 by Giuliano Bekor Title: Butterfly B16 Year: 2018 Print size: 50" x 40" Inch Framed size: 52" x 42" Inch Edition: 1/8 A...

"Abstract Composition XII" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...

"Abstract Composition X" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which largely goes unnoticed. Inspir...

"Abstract Composition IX" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which largely goes unnoticed. Inspi...

"Abstract Composition VIII" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which largely goes unnoticed. Ins...

"Abstract Composition VII" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...

"Abstract Composition VI" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which...

"Abstract Composition V" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which ...

"Abstract Composition III" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...

"Abstract Composition II" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which...

"Abstract Composition I" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which ...

Cyril Porchet Crowd #2, 2012 50 x 62 inches 125 x 156 cm Edition of 7 C-Print Matt Plexiglas

Cyril Porchet Crowd #1, 2012 50 x 62 inches 125 x 156 cm Edition of 7 C-Print Matt Plexiglas

Also available 50 x 70 in. $9,500, edition of 10. Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT and...

German-born Christine Matthäi’s fascination with photography and film began during her early teenage years. She studied and graduated from the Fashion Institute of Technology in Berl...

chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
 editions of 10 available in: 
16 x 16 in. $4,000 
20 x 20 in. $5,000
 24 x 24 in. $6,000
 30 x 30 in. $8,000...

chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
 editions of 10 available in: 
16 x 16 in. $4,000 
20 x 20 in. $5,000
 24 x 24 in. $6,000
 30 x 30 in. $8,000...

In the digital age, we collectively photograph everything all of the time. But how much does anyone remember from a scene or a moment when looking at a digital photo? Someone could g...

In the digital age, we collectively photograph everything all of the time. But how much does anyone remember from a scene or a moment when looking at a digital photo? Someone could g...

In the digital age, we collectively photograph everything all of the time. But how much does anyone remember from a scene or a moment when looking at a digital photo? Someone could g...