Square Photography

AYLINE OLUKMAN Ayline Olukman is a multimedia artist whose work includes photography, painting, writing, etching, and drawing. Her work explores the ideas of intimacy, loneliness, an...

No title (No 29) Ballet Photography 32"x32" in Ed of 25 by Yevgeniy Repiashenko No title (No 29) Photography Edition of 25 32 x 32 inch Year photo was taken: 2016 This picture i...

Edition of 45 Signed, titled, negative date, print date, and numbered by Michael Kenna Sepia toned gelatin silver print, 7 3/4 x 7 3/4 in. Michael Kenna's black and white photograph...

Julian Schnabel at his Outdoor Studio, Montauk, New York, 13 August 2001 Schnabel's magnificent open-air studio benefits fully from the special light of Long Island's East End as oi...

Harriet, black and white photographs by Richard Heeps, taken on day one of his project in Fleetwood while working on the Ordinary Places series. The negatives have been in Richard's ...

"Flame" Ballet Photography 47" x 47" in Ed. of 18 by Yevgeniy Repiashenko Photography Year photo was taken: 2018 Unframed - ships in a tube This picture is a part of Spirit ser...

"New Moon" Black & White Photography 24" x 24" inch Ed. 3/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by th...

Series: Mouths Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs Tyl...

Signed, titled, and dated. Michael O’Brien is an American photographer noted for his compelling portraits of famous figures such as Willie Nelson, Larry McMurtry, George Strait, Tim Duncan, Kinky Friedman...

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

No title (No 28) Ballet Photography 32 x 32 in Ed of 25 by Yevgeniy Repiashenko No title (No 28) Photography Edition of 25 32 x 32 inch Year photo was taken: 2018 This picture is...

David Bailey Penelope Tree with Flowers, 2022 Unique overpainted photograph comprising archival pigment print with hand embellished acrylic paint on pape...

"Circus 5" Black & White Photography 31" x 31" in Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued ...

Duller Than Dishwater by Patty Carroll is an archival pigment print, available in an edition of 15. This photograph features a mannequin in the sink, reaching for dishes in the dishw...

Andy Warhol and his corsets at the fourth factory, New York, 1986 "Andy had to wear corsets ever after he was shot in the abdomen. The ever-devoted Brigid "Polk" Berlin dyed them f...

“Innerbloom” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with COA signed ...

"Sisters (Circus)" Photography 24" x 24" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the art...

Ed. of 5, includes white frame with white mat. Known for his minimalistic black & white landscapes as well as his bold fashion and celebrity portraiture dating back to‬‭ the late 19...

Series: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs ...

Aerial Views, Tulip Fields 27 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 4 di...

Girls (Till Death do us Part) - 2016 40x40cm, Edition of 10. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory number: 9435. Not mounted...

Archival pigment print under a 1" thick diamond acrylic block. Dimensions: 9 15 in x 15 in. Depth: 1 in. Space in between each panel: 1.5 in. Total dimensions: 48 x 48 in. Wit...

This late-1960s photograph, captured by society photographer Slim Aarons, features American actor Kirk Douglas (right) prepares to go waterskiing at the Hotel du Cap-Eden-Roc in Anti...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist...

Cuba Gooding Jr. and Tom Cruise at Annabel's, London, 7 February 2015 They'd both been shown the money. Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Pr...

Untitled X is a limited-edition photograph by contemporary artist Matthieu Venot. This photograph is sold unframed as a print only. It is available in only one size: 110 cm x 110cm ...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Leandro Franco Lips Trilogy #1, 2020 (Fashion Photography) 20 x 20 inches 50 x 50cm edition of 13 Archival Pigment Print Signature Label. Signed, titled, numbered and dated by th...

This early 1960s photograph, captured by society photographer Slim Aarons, features a high-angle view of Caleta Beach (aka Morning Beach) in Acapulco, Mexico, January 1961. The Hotel...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Fountain Head (Stay) - 2006 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5248 Not...

“Sweet Surrender” Photography 24" x 24" inch Edition of 24 by Brian Ziff Signed and numbered by the artist Comes with COA issued by the artist Giclee (Archival Ink) Print on Canson...

Pink Atomic Blonde - Oversize Signed limited edition - Pop Art - Brigitte Bardot by the London based contemporary pop art image creator and artist, BATI...

“Morning Dew” Portrait Photography 24" x 24" inch Edition of 24 by Brian Ziff Signed and numbered by the artist Comes with COA issued by the artist Giclee (Archival Ink) Print on Ca...

Ed. of 6, includes white frame with white mat. Known for his minimalistic black & white landscapes as well as his bold fashion and celebrity portraiture dating back to‬‭ the late 19...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

"Pygmalion and Galatea 2" Photography 31" x 31" in Ed. of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the art...

Untitled (Cathy and Shannon) - 2004 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 488...

'Venice' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, prese...

David Burdeny Man Watching Sunrise, Hangzhou, China, 2011 44 x 44 inches - Edition of 10 Archival Pigment Print Signature Label Print only. Ask us for fram...

Henry (Stay) - 2006 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5248 Not mounted...

Series: ETERNAL All available sizes and editions: 20" x 20" editions of 10 40" x 40" editions of 7 60" x 60" editions of 5 Archival Pigment Print on Fine Art Baryta paper Mounted a...

Abstract Dancers Light Blue 2 by Giles Revell is a Limited Edition Archival Pigment Print Limited Edition Archival Pigment Print in this size of 50cm x 50cm in a limited edition of...

LOTUS (No 30) Ballet Photography 32x32 in Ed. of 25 by Yevgeniy Repiashenko Year photo was taken: 2019 This picture is a part of Spirit series. The picture shows the frozen movement of the dancer...

Christ Light, a modest church interior illuminated by the bold geometric multi-colour stained glass, photograph from Richard Heeps' series, On-Sea. This artwork is a limited edition...

David Burdeny - Cheetah Profile (Africa) Archival Pigment Print Signature Label Ask us for framing options.

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

"Yellow Reflections" is a photograph featuring hues of yellow, red, orange and purple. It is an edition of 10. This listing is for a framed print measuring 16 by 16 inches. Virginie...

50p Only, vintage launderette interior photograph taken near to Richard Heeps' home in Cambridge. This artwork is a limited edition of 25 gloss photographic print from negative, dry...

“Wasted Youth” Portrait Photography 24" x 24" inch Edition of 24 by Brian Ziff Signed and numbered by the artist Comes with COA issued by the artist Giclee (Archival Ink) Print on C...

Brigitte LUSTENBERGER (*1969, Switzerland) The Things Which I Have Seen, 2019 From the series 'An Apparition Of Memory' C-print 100 x 100 cm (39 3/8 x 39 3/8 in.) Edition of 5, plus...

Brigitte LUSTENBERGER (*1969, Switzerland) Flowers Unknown 007, 2019 From the series 'An Apparition Of Memory' C-print 100 x 100 cm (39 3/8 x 39 3/8 in.) Edition of 5, plus 2 AP; Ed...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

“Red Bull” Black & White Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with COA signed by the artist Not framed. Ships in tube. From "Unbearable Lightness...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...