Permanent Marker Black and White Photography

Last Bus In London by Bert Hardy Limited Edition silver gelatine print A couple saying goodbye on a bus in Shaftesbury Avenue in London, July 1953 . Original Publication: Picture Post - 6576 - Known Your Piccadilly - pub. 4th July 1953 (Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images Archive London England) Paper size 12x16 inches / 31 x 41 cm Produced utilising the original negative Numbered and stamped by the Getty Archive London Limited edition to 300 only Silver gelatine fibre based baryta paper print Certificate of authenticity included printed 2024 Ships securely from London. Other sizes and Framing available on request. Bert Hardy Bert Hardy Albert William Thomas Hardy (19 May 1913 – 3 July 1995) was an English documentary and press photographer known for his work published in the Picture Post magazine between 1941 and 1957. Life and work Born in Blackfriars, Bert Hardy rose from humble working class origins in Southwark, London. The eldest of seven children, he left school at age 14 to work for a chemist who also processed photos. His first big sale came in 1936 when he photographed King George V and Queen Mary in a passing carriage during the Silver Jubilee celebrations, and sold 200 small prints of his best view of the King. His first assignment, at age 23, was to photograph Hungarian actor Sakall at the Mayfair Hotel. Hardy freelanced for The Bicycle magazine, and bought his first small-format 35 mm Leica. He signed on with the General Photographic Agency as a Leica photographer, later founding his own freelance firm, Criterion. General Photographic Agency General Photographic Agency a Fleet Street, London agency, sold photos at least between 1880-1950. Picture Post and World War II In 1941, Hardy was recruited by the then editor Tom Hopkinson of the leading picture publication of the 1930s to the 1950s, Picture Post. Founded in 1938 and funded by publisher Edward Hulton, the magazine's first editor was Hungarian émigré Stefan Lorant (1901–97) assisted by Hopkinson, who took over as editor from 1940. The picture-centric, left-leaning and reasonably-priced publication was highly successful and circulation soon rose to over a million. Hardy's photographer colleagues included Felix H. Man (aka Hans Baumann...

This silver gelatin print is signed in ink on the front of the mount beneath the image with title in pencil on the back of the mount. Likely printed in the early 1960s. From the co...

Golfer teeing off circa 1939. (Photo by H. Armstrong Roberts) Beautiful large silver gelatine print of an elegant looking golfer fashionably dressed teeing off during the late 1930...

Ed. of 77 Signed, titled, dated, print date and numbered.

This vintage silver gelatin photograph, printed in the late 1920s on Kodak Vitava Athena paper, is signed in pencil beneath the image with a typeset title centered in the lower margi...

This is a unique photographic work taken under the direction of Andy Warhol. Image dimensions: 8 x 10 in. Framed dimensions: 16 x 18 in. Work comes with an authentication letter from the Andy Warhol Authentication Board, Inc. Stamped on verso by the Andy Warhol Art Authentication Board. Provenance: Estate of the Artist to The Andy Warhol Foundation for the Visual Arts to Hedges Projects...

This contact print on 60-year-old single-weight Azo was made in 2020. This print is one of five known. It is signed and dated in pencil on the front of the mount, with title on the b...

This early silver gelatin print on semi-matte paper with margins was likely printed in the 1930s. This is an extremely rare variant of an image published in "The Four Seasons of Yose...

This vintage silver gelatin print is signed in pencil on the front of the mount.

Fernando Natalici: John Waters, Baltimore 1985: Medium: Silver Gelatin print in Agfa darkroom paper. Dimensions: 11 x 14 inches. Condition: Fair overall vintage condition; scattered...

This silver gelatin print on Kodak Vitava Athena paper is signed in pencil beneath the image with typeset title on the front of the sheet. This print was made in 1927 for the Parmeli...

This vintage or early silver gelatin print is signed, titled, dated, and numbered in pencil on the back of the print. This unmounted print was likely made in the 1930s.