Chuck Close

Untitled

1967/printed 1999

Portrait of Marty 1999 Titled, dated and inscribed in black ink, recto; Also signed, dated, numbered, and inscribed in black ink, verso Gelatin silver pr...

Untitled 1983 Signed, titled, dated, and inscribed “A/P” in blue ink, verso Gelatin silver print 16 x 20 inches (40.6 x 50.8 cm) This work is offered by CLAMP in New York City.

Digital C-print Signed and numbered, verso 11 x 14 inches (Edition of 8) 20 x 24 inches (Edition of 8) This photograph is offered by ClampArt, located in New York City. Please not...

Sepia-toned gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. “These are not ...

A suite of four holograms by Chuck Close. "Self Portrait" is a contemporary artwork in a palette of blacks and blues by Chuck Close. Each piece measures 14 x 11 in. The work is editioned 16/23 with 2 PPs and is numbered CC(16)2. Chuck Close is an American painter and photographer who achieved fame as a photorealist, through his massive-scale portraits. Though a catastrophic spinal artery collapse in 1988 left him severely paralyzed, he has continued to paint and produce work that remains sought after by museums and collectors. Throughout his career, Close has endeavored to expand his contribution to portraiture through the mastery of such varied drawing and painting techniques as ink, graphite, pastel, watercolor, conte´ crayon, finger painting, and stamp-pad ink on paper; printmaking techniques, such as Mezzotint, etching, woodcuts, linocuts, and silkscreens; as well as handmade paper collage, Polaroid photographs, Daguerreotypes, and Jacquard tapestries. His early airbrush techniques inspired the development of the ink jet printer. Working from a gridded photograph, Close builds his images by applying one careful stroke after another in multi-colors or grayscale. He works methodically, starting his loose but regular grid from the left hand corner of the canvas. His works are generally larger than life and highly focused. Close has been a printmaker throughout his career, with most of his prints published by Pace Editions, New York. He made his first serious foray into print making in 1972, when he moved himself and family to San Francisco to work on a mezzotint at Crown Point Press for a three-month residency. In 1986 he went to Kyoto to work with Tadashi Toda, a highly respected woodblock printer. In 1995, curator Colin Westerbeck used a grant from the Lannan Foundation to bring Close together with Grant Romer, director of conservation at the George Eastman House. The artist has also continued to explore difficult photographic processes such as daguerreotype in collaboration with Jerry Spagnoli and sophisticated modular/cell-based forms such as tapestry. Close’s photogravure portrait of artist Robert Rauschenberg, “Robert” (1998), appeared in a 2009 exhibition at the Heckscher Museum of Art in Huntington, New York, featuring prints from Universal Limited Art Editions. In the daguerreotype photographs, the background defines the limit of the image plane as well as the outline of the subject, with the inky pitch-black setting off the light, reflective quality of the subject’s face. Close’s wall- size tapestry portraits...

Chuck Close Self Portrait, 2012 is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and is ...

This signed and numbered self-portrait by acclaimed artist Chuck Close is a striking piece created to benefit the Lincoln Center for the Performing Arts in New York. Known for his me...

This striking Self Portrait by Chuck Close was created for the Lincoln Center Poster Program in 2007. This first edition exhibition poster is a l...