Metal Landscape Photography

Hand printed contact print Platinum Palladium Signed in pencil on recto

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

An incredibly rich albumen silver print mounted to a two-toned board with a typeset title underneath the image.

This commanding industrial photograph dates from 1928, a pivotal year in the early career of Margaret Bourke-White, and belongs to the definitive body of work that established her as...

Rebecca Skinner’s “Wicked Tulips” is an 8 x 24 inch color photograph capturing a vibrant field of tulips in bloom, offering a breathtaking palette of colors primarily dominated by so...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Oasis (Sidewinder), 2005 Edition 1/5, 16 pieces each 48x47cm, installed with gaps 220x220cm analog C-Prints, hand-printed by the artist, printed on Fuji Crystal Archive Paper. Mou...

Just after dawn on the Henderson swamp in Louisiana, with only alligators and storks for company, the hanging moss and primeval cypress trees in calm magnificence. James Sparshatt’s...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

"A Step Beyond" is part of Christopher Kennedy's "Trees Revered" series that uses his abstract PhotoLuminism technique combined with trees from the real world to create an otherworld...

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

"Inspiration" is a part of Christopher Kennedy's "Trees Revered" series that uses his abstract PhotoLuminism technique combined with trees from the real world to create an otherworld...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

This is a signed, limited edition (of 10) framed botanical photograph of a Linden branch with buds on a black background. This piece pairs beautifully with "White Pine," listed separ...

This is a signed, limited edition (of 10) framed botanical photograph of a white pine branch with buds a black background. This piece pairs beautifully with "Linden," listed separate...

White Picket Fence (Suburbia), diptych - 2004 Edition of 3/5, 60x80cm each, installed 60x170cm, Analog C-Prints, hand-printed by the artist, based on the 2 Polaroids, Mounted on A...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

This is a signed, limited edition (of 10) framed botanical photograph of several Nigella stems with blossoms on a black background. It is printed on a thin, durable aluminum panel. T...

Rebecca Skinner’s “Erosion #4” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 16 x 24 inch black and whi...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Gas Station at Night (Stranger than Paradise), 2006 Edition 1/5, 2 pieces 58x120cm installed, 58x56cm each. 2 Analog C-Prints, hand-printed by...

The Lady of Shallott, Signed Digital Photographic Landscape Print, 2020 30" x 20" x 0.5" (HxWxD) Digital Print on Metal Hand-signed by the artist. An almost abstracted seascape color photograph by artist Amanda Lomax...

Hand printed by the artist. Kerik is known for his fine art platinum printing process. This is an edition of 15 only. Comes with over mat.

First Lady (Statue of Liberty) By Michael Wallner [2018] limited_edition Brushed aluminium Edition number 25 Image size: H:91 cm x W:45 cm Complete Size of...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Rebecca Skinner’s “The Factory” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 10 x 30 inch black and white l...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Hand printed platinum palladium print Edition 1/35

This vintage salt print is titled, attributed and annotated in lithographic ink on the front of the mount.

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

A stunning photograph of light. Hand printed by the artist. Edition 3/15 Gum Bichromate over Platinum / Palladium

Summertime (Malibu) - 2004 Edition 4/5, 39x37cm. Analog C-Print, hand-printed by the artist, based on a Polaroid. Artist inventory Number 660.04. Mounted on Aluminum with matt...

Rebecca Skinner’s “Saint Olaf Church” is a 24 x 36 inch color photograph captured in the North Dakota grasslands. A solitary, weathered church stands atop a rolling hill, surrounded ...

Hand in the Sky (Malibu) - 2004 Edition 4/5, 39x37cm. Analog C-Print, hand-printed by the artist, based on a Polaroid. Artist inventory Number 664.04. Mounted on Aluminum with...

Frozen (Stranger than Paradise) - 2001 Edition of 5 16 pieces, 48 x 47 cm each, 2.20 x 2.20 cm installed. Analog C-Prints, hand-printed by the artist, based on 16 Polaroids. Signat...

Rebecca Skinner’s “Vitality” was photographed at an old farm in New England. The 24 x 36 inch black and white landscape is of vines growing along a historic stone wall. The print has...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

An original enamel on metal painting by emerging contemporary conceptual artist Craig Sheperd (b. 1984) Craig Sheperd’s paintings, most of which are enamel on metal, were created o...

Platinum/Palladium (there was no pull down for this) Print Date 2014 Hand printed by artist Edition 1/15 Corner Mounted Outer Dimensions 28x32"

Shot in the lush jungle of Myakka River State Park, Florida. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Available in a wide variety ...

Salton Baptistes (California Badlands) - 2010 20x25cm, Edition of 10 plus 2 Artist Proofs. Archival based on the original Polaroid, not mounted. Artist Inventory No. 4538. Signa...

Softish Sea, Signed Digital Photographic Landscape Print, 2020 30" x 20" x 0.5" (HxWxD) Digital Print on Metal Hand-signed by the artist. A gradient sky...

Rebecca Skinner’s “Incapacitated” is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The 20 x 30 inch color photograph is of an antique car...

Providence XV consists of 5 individual panels. The images are archival dye sublimation prints which are heat-transferred to an aluminum substrate, backed with sintra, and channelled ...

This is a signed, limited edition (of 10) framed botanical photograph of a long Delphinium stalk covered in blue blossoms on a black background. It is printed on a thin, durable alum...

This is a signed, limited edition (of 10) framed botanical photograph of a long Orchid stalk covered in blossoms on a black background. It is printed on a thin, durable aluminum pane...

Light on the waves of a storm in East Hampton. Black and white on metal. Gallery wrap finish that adds an inch to the presentation. Dye Sublimation - which means archival inks ...

Edition of 9 C-Print White Vynil

Archival Ink. Photograph. Waves. Produced by Dye Sublimation - which means archival inks infused into aluminum. Ltd Ed of 10. The art can be inside or outside with no visible lo...

Edition of 10 Dye sublimated on aluminum Please inquire for additional sizes Born in San Francisco in 1966, Mark Stephen Kornbluth was raised in Montreal, then Cleveland. Since grad...

This early albumen silver print is titled in ink on the front of the mount. Printed before 1876, when Watkins lost his negatives to a creditor, who sold them to his competitor, Isaia...

'Salt'n Sea' (California Badlands), 2010 70x90cm, Edition of 5, analog C-Print, printed on Fuji Crystal Archive paper, hand-printed by the artist, based on the Polaroid. Certifi...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

This is a series of photography of California, USA, from various photographers, which we constantly add to. We highlight the various aspects of California: its raw, natural beauty, with its vast expanse of land, clear blue sky and natural light. It is also a metropolis, given to a sense of freedom – to love and re-invent yourself as you please. It is also ancient land – land where dinosaurs roamed, Native Americans called home, Spanish explorers charted its land for more discovery of this gem. In modern times, environmentalists and residents fought to protect the land, setting landmarks in environmental and consumer protection. California leads the nation in many ways- the first to lend itself to causes: the freedom to love whomever and be whomever we want, welcome new peoples with warmth and entrepreneurship, be at the forefront of clean energy, invent new technology that changes the way the world lives and work, and the protection of our Earth. It is La La Land...

A series of the hidden beauty within Nantucket Island. Capturing the beauty of the island through photography. Edition of 7

"Anomalous" is a part of Christopher Kennedy's "Surrealism" series that uses his abstract PhotoLuminism technique combined in this case with a boat and a puffin from the real world t...

Fabien (The Last Picture Show) triptych - 2005, 30x30cm each, Edition of 10 plus 2 Artist Proofs. 3 Archival C-Prints, based on the three original Polaroids. Certificate and sign...

Burning Field (Last Picture Show) - 2004 sold out Edition of 5, Artist Proof 2/2, 58x57cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Po...

Horizon of the beach. Light blues. Dye sublimation on aluminum framed with white wooden thin frame. Shot at White Sands. Matte Finish gives the piece a painting feel. About the Artist: Keith Ramsdell...

This is a signed, limited edition (of 5) framed botanical photograph of a curving Trichostigma stem covered in tiny red-pink blossoms on a black background. This piece pairs beautifu...