Metal Landscape Photography

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

This commanding industrial photograph dates from 1928, a pivotal year in the early career of Margaret Bourke-White, and belongs to the body of work that established her as one of the...

Rebecca Skinner’s “Wicked Tulips” is an 8 x 24 inch color photograph capturing a vibrant field of tulips in bloom, offering a breathtaking palette of colors primarily dominated by so...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Rebecca Skinner’s “The Root of the Problem” was photographed in the interior of an abandoned hospital. The 16 x 30 inch black and white metal print is of a...

Fabien (The Last Picture Show) triptych - 2005, 30x30cm each, Edition of 10 plus 2 Artist Proofs. 3 Archival C-Prints, based on the three original Polaroids. Certificate and sign...

Softish Sea, Signed Digital Photographic Landscape Print, 2020 30" x 20" x 0.5" (HxWxD) Digital Print on Metal Hand-signed by the artist. A gradient sky...

Mojave Airfields (The Last Picture Show) - 2005 - 128x126cm, Edition 1/5 Analog C-Print, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte UV-Pro...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

An original enamel on metal painting by emerging contemporary conceptual artist Craig Sheperd (b. 1984) Craig Sheperd’s paintings, most of which are enamel on metal, were created o...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Oasis (Sidewinder), 2005 Edition 1/5, 16 pieces each 48x47cm, installed with gaps 220x220cm analog C-Prints, hand-printed by the artist, printed on Fuji Crystal Archive Paper. Mou...

Wonder Valley (29 Palms, CA) - 2008 125x154cm, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, artist inventory numbe...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Hand printed Platinum Photograph. Tom Millea was well known for his printing. He loved Death Valley and even made a portfolio of it. This is a loose print.

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Rebecca Skinner’s “Saint Olaf Church II” is a 14 x 11 inch contemporary black and white photograph of an abandoned, weathered wooden church with peeling paint and boarded windows und...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

This early albumen silver print from an imperial plate was printed prior to 1876, when it was included in an album compiled at the Centennial Expositio...

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

This albumen silver print is signed and numbered in the negative. Printed c. 1880s.

Rebecca Skinner’s “Saint Olaf Church” is a 24 x 36 inch color photograph captured in the North Dakota grasslands. A solitary, weathered church stands atop a rolling hill, surrounded ...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Rebecca Skinner’s “Great Norther Railcar” is a 16 x 24 inch contemporary black and white photograph of a weathered railcar resting in the beautiful North Dakota landscape. The framel...

Hand in the Sky (Malibu) - 2004 Edition 4/5, 39x37cm. Analog C-Print, hand-printed by the artist, based on a Polaroid. Artist inventory Number 664.04. Mounted on Aluminum with...

Frozen (Stranger than Paradise) - 2001 Edition of 5 16 pieces, 48 x 47 cm each, 2.20 x 2.20 cm installed. Analog C-Prints, hand-printed by the artist, based on 16 Polaroids. Signat...

Rebecca Skinner’s "Trolley Car #3309" is part of her "End of the Line" series taking us back to the days of riding the railways and trolleys for transporta...

Hand printed Platinum Photograph. Tom Millea was well known for his printing. He loved Death Valley and even made a portfolio of it. This is a loose print.

Rebecca Skinner’s “Graffiti Yard” is part of her "End of the Line" series taking us back to the days of riding the rails. The 20 x 30 inch color photo is of an abandoned, rusty, graf...

Rebecca Skinner’s “Erosion #4” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 16 x 24 inch black and whi...

Hand Printed Platinum Photograph Original 1/1 Australian Artist Beautiful Blacks and Creamy Whites

Rebecca Skinner’s “Trolley Car #8483” is part of her "End of the Line" series taking us back to the days of riding the railways and trolleys for transporta...

Shot on a dramatic plateau high above the Atlantic Ocean north of Lisbon, Portugal. Available in a wide variety of sizes, mounts, printing and framing options.

Signed and dated on the front by the Artist.

This one depicts a Planetary assemblage with small watch parts (metal wheels) collaged on to it. It is titled Josias Astronomical Clock SIMONS, Vera (1920 - 2012) Vera Habrecht Simon...

Hand Printed Platinum Photograph. Artist is Australian Beautiful blacks and creamy whites. Original 1/1

A stunning photograph of light. Hand printed by the artist. Edition 3/15 Gum Bichromate over Platinum / Palladium

Burning Field (Last Picture Show) - 2004 sold out Edition of 5, Artist Proof 2/2, 58x57cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Po...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Rebecca Skinner’s “Vitality” was photographed at an old farm in New England. The 24 x 36 inch black and white landscape is of vines growing along a historic stone wall. The print has...

A magical evening, shot in the early autumn at Flying Point Beach in Southampton NY. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Avai...

Hand printed contact print Platinum Palladium Signed in pencil on recto

Loose print. Hand printed by artist. No damage. Mint condition. Signed and titled in pencil with notations No markings on verso.

Loose print. Hand printed by artist. No damage. Mint condition. Signed and titled in pencil with notations No markings on verso.

Edition of 10 Dye sublimated on aluminum Please inquire for additional sizes Born in San Francisco in 1966, Mark Stephen Kornbluth was raised in Montreal, then Cleveland. Since grad...

In this print, the Eiffel Tower is photographed at night, an iconic monument shining with bright lights over a deep purple sky. This artificial illumination, however, stops abruptly,...

Archival Ink. Photograph. Waves. Produced by Dye Sublimation - which means archival inks infused into aluminum. Ltd Ed of 10. The art can be inside or outside with no visible lo...

"Trompe l'oeil, Les Falaises du Trocadéro, 19 mai 2021, 19h57, Paris, France, 2021" (JR1-2, 2021) is a Giclée print based on a photograph of JR’s 2021 installation located on the Par...

Abstract Metal Shape in Rocky Landscape - Esoteric Art Photograph Photo depicting a curved, metallic sculpture resting on a rocky ground by Y. Y. Meru (American b. 1923 d. 2009.) Th...

Village Motel - Heated Pool (The Last Picture Show) - 2005 58x56cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Chrystal Archive Paper, based on the Polaroid...

Summer Day (Zuma Beach, Malibu) - 2004 Edition of 5, 39x37cm, Analog C-Print, hand-printed and enlarged by the artist, on Fuji Crystal Archive Paper. mounted on Aluminum with matt...

"Anomalous" is a part of Christopher Kennedy's "Surrealism" series that uses his abstract PhotoLuminism technique combined in this case with a boat and a puffin from the real world t...

This early albumen silver print is titled in ink on the front of the mount. Printed before 1876, when Watkins lost his negatives to a creditor, who sold them to his competitor, Isaia...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

White Picket Fence (Suburbia), diptych - 2004 Edition of 3/5, 60x80cm each, installed 60x170cm, Analog C-Prints, hand-printed by the artist, based on the 2 Polaroids, Mounted on A...

Just after dawn on the Henderson swamp in Louisiana, with only alligators and storks for company, the hanging moss and primeval cypress trees in calm magnificence. James Sparshatt’s...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –stars...

"A Step Beyond" is part of Christopher Kennedy's "Trees Revered" series that uses his abstract PhotoLuminism technique combined with trees from the real world to create an otherworld...

This exquisite, mammoth albumen print of the now-dammed Dalles on the Columbia River is one of Watkins' finest images. This particular print was likely made in the 1880s by Isaiah Ta...