Metal Landscape Photography

"A Step Beyond" is part of Christopher Kennedy's "Trees Revered" series that uses his abstract PhotoLuminism technique combined with trees from the real world to create an otherworld...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Village Motel - Heated Pool (The Last Picture Show) - 2005 58x56cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Chrystal Archive Paper, based on the Polaroid...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Summertime (Malibu) - 2004 Edition 4/5, 39x37cm. Analog C-Print, hand-printed by the artist, based on a Polaroid. Artist inventory Number 660.04. Mounted on Aluminum with matt...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

A flat strip of golden brown and green land dotted with outbuildings below a vast, cloudy sky captures the essence of the Canadian prairies. This landscape was created using time lapse photography...

Traces (Stranger than Paradise), diptych - 2005 128x126each, 128x260cm installed, Edition of 3. 2 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, base...

Frozen (Stranger than Paradise) - 2001 Edition of 5 16 pieces, 48 x 47 cm each, 2.20 x 2.20 cm installed. Analog C-Prints, hand-printed by the artist, based on 16 Polaroids. Signat...

Laguna Beach Surfers (Slim Aarons Estate Edition) Three surfers with their boards at sunset, Laguna Beach, California, January 1970. (Photo by Slim Aar...

'Hotel Il Pellicano' by Slim Aarons The beachside pool at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. This photograph epitomise...

Shocks of light -- yellow , indigo, red and white -- zip through the night in this dynamic photographic print by Mark Bartkiw. This C-print is sealed between dibond and plexiglass. T...

Rebecca Skinner’s “The Palace” is a 16 x 24 inch contemporary color photograph of an abandoned theater in Gary, Indiana. A shredded curtain hangs on the stage in the vast space litte...

Rebecca Skinner’s “Domino Room” was photographed at the abandoned Scranton Lace Factory in Pennsylvania and is part of a series documenting the loss of industry in America. Large win...

Rebecca Skinner’s “Lunds Valley” is a 12 x 18 inch color photograph of grain elevators in North Dakota. The rustic structures rest in the beautiful landscape with colors of blue, red...

Rebecca Skinner’s “The Root of the Problem” was photographed in the interior of an abandoned hospital. The 16 x 30 inch black and white metal print is of a...

Gas Station at Night (Stranger than Paradise), 2006 Edition 1/5, 2 pieces 58x120cm installed, 58x56cm each. 2 Analog C-Prints, hand-printed by...

Rebecca Skinner’s “Uplifting” is a 24 x 36 inch color photograph of vines growing into the interior of an abandoned building. A natural sculpture from mother nature, the tiny feet of...

Rebecca Skinner’s “Broken” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 12 x 18 inch color photo of shattere...

17.5x13.5x1
Stained Glass, Metal Print, Wood Frame
Mixed Media Art – Fine Art Photography Meets Fine Craft Mosaic-Stained Glass Frame My award-winning Photozaics blend the textures ...

Rebecca Skinner’s “The Factory” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 10 x 30 inch black and white l...

An original enamel on metal painting by emerging contemporary conceptual artist Craig Sheperd (b. 1984) Craig Sheperd’s paintings, most of which are enamel on metal, were created o...

Edition of 25 Additional sizes available

"Amsterdam Canal, The Netherlands" is a framed photograph on aluminum by David Burdeny, depicting iconic colored buildings along a waterway in Amsterdam. The image quality is crisp a...

Rebecca Skinner’s “Industrial Beauty” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 16 x 24 inch color photog...

Rebecca Skinner’s “Contradiction” is a 18 x 12 inch black and white photograph of a salon style, vintage hair dryer in an abandoned factory. With sa...

Rohina Hoffman's sumptuous and intimate images are part of her project Generation 1.75. These images are part of her 2023 book "Embrace" published by Schilt Publishing. Larger image...

Leaving (Sidewinder), triptych - 2005, Edition 2/5, 38x37cm each, (installed with gaps 38x125cm). 3 Analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, bas...

Immerse yourself in the captivating world of Topher Straus, where a single image explodes into a mesmerizing dreamscape. "Beachtree" is a testament to Straus' innovative spirit and his ability to push the boundaries of traditional landscape art...

"Inspiration" is a part of Christopher Kennedy's "Trees Revered" series that uses his abstract PhotoLuminism technique combined with trees from the real world to create an otherworld...

"Anomalous" is a part of Christopher Kennedy's "Surrealism" series that uses his abstract PhotoLuminism technique combined in this case with a boat and a puffin from the real world t...

On the Road (The Last Picture Show) - 2005, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artis...

White Picket Fence (Suburbia), diptych - 2004 Edition of 3/5, 60x80cm each, installed 60x170cm, Analog C-Prints, hand-printed by the artist, based on the 2 Polaroids, Mounted on A...

Rebecca Skinner’s “In the Thick of It” is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The 20 x 30 inch color photograph is of two antique car...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Wonder Valley (29 Palms, CA) Installation by Stefanie Schneider. Dimensions: 250x400cm Video by Camille Waldorf. Song written & performed by Camille Waldorf. Text, song and video i...

Running with Guns (Long Way Home) - 1999, 58x56cm, published in 'Stranger than Paradise', Edition 2/10 (last available Edition). analog C-Print based on the Polaroid, hand-printe...

Hand Printed Platinum Photograph. Artist is Australian Beautiful blacks and creamy whites. Original 1/1

Lone Pine Motel I (The Last Picture Show) - 2005 60x80cm, Edition of 5, analog C-Print, hand-printed by the artist, based on a Polaroid. Mounted on Aluminum with matte UV-Protect...

Mojave Airfields (The Last Picture Show) - 2005 - 128x126cm, Edition 1/5 Analog C-Print, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte UV-Pro...

Oasis (Sidewinder), 2005 Edition 1/5, 16 pieces each 48x47cm, installed with gaps 220x220cm analog C-Prints, hand-printed by the artist, printed on Fuji Crystal Archive Paper. Mou...

Guadalupe (The Last Picture Show) - 2005 38x37cm, Edition 1/5. Analog C-Print, hand-printed by the artist on Archive Fuji Crystal Paper, based on the Polaroid. Mounted on Alumi...

Neighborhood Garden (Suburbia) - 2004 60x80cm, Edition of 1/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid, mounted on Aluminum with matte UV-Projection. Artist Inventory No. 405.01. Signed on verso. The project "Suburbia" was shot on the set of Marc Forster's first feature film 'Everything put Together' with Radha Mitchell, Michelle Hicks, Megan Mullally, Catherine Lloyd Burns, Matt Malloy and others. Suburbs collectively, or the people who live in them Suburb { a district, especially a residential one, on the edge of a city or large town } synonyms [Outer edge , Fringes, Periphery, Limits, Outer reaches, Environs ] Sunday in suburbia, a summer's day heavy with heat, hardly a soul to be seen. As a result, the motifs of Stefanie Schneider's “Suburbia” cycle – put together in California, in the very west of the USA – are virtually inconspicuous.Schneider's camera encircles an idyllic American setting, capturing a garden practically empty of people. Surrounded by a white picket fence, flowers and trees bloom profusely in the blazing sunlight. The day is empty and quiet like only a Sunday can be. The grass is perfectly cut, the garden well tended, the inhabitants oblivious to everything and lethargic. An instant is seized, revealing the tragedy of an average, unsuccessful, middle class life. The scene is familiar from countless movies and American literature; the perfect façade of an American ideal, which seems to conceal the horror of daily life. In David Lynch's „Blue Velvet“ the film begins with the camera rolling over a similar setting: the view over the fence, the painstakingly neatly cut lawn, ending with a close-up: a cut-off ear covered with feasting ants. Stefanie Schneider overdoes it, she exaggerates: this is confirmed by the irritating colourfulness as well as the vehemence of the motifs. Emptiness stands in stark contrast to the beauty of the blooming roses or the lush growth of the trees. The fenced, idyllic summer scene appears vacant; unused chairs surround a table, the grill untouched and clean, no object out of place. It is only the inhabitants who appear curiously lost. Schneider shows them in the middle of their saturated lives, in well-tended averageness, which can only be endured with a Martini on ice, on hand before lunch. In her opinion the scenes are banal, yet one becomes witness to great intimacy. Schneider's „Suburbia“ cycle lives from the interplay of the motifs, and tells a story with the same flavour as American author Raymond Carver...

Wonder Valley (29 Palms, CA) - 2008 125x154cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, artist inventory nu...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

29 Palms, CA - 1999 58x56cm, Edition of 10, analog C-Print, hand-printed by the Artist based on the Polaroid. artist inventory number: 636.04. Mounted on Aluminum with matte UV-...

A Vision you can't Capture, no 03 (29 Palms, CA) - 2007 125x172cm, Edition 1/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte...

Gas station at Night I (Stranger than Paradise) - 2006 Edition 1/5, 48x46 each, 93x91cm installed with gaps. 4 analog C-Prints, hand-printed by the artist, based on the 4 Polaroid...

Jordan (Wastelands) - 2003 Edition of 10, 38x36cm, Archival C-Print, based on the Polaroid. Artist inventory Number 1176.13. Signature label and Certificate. Not mounted. The wo...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –stars...

The Sound of Music - 2007 (from the 29 Palms, CA Project) 125x156cm, Edition of 5, 2007, Archival C-Print, based on the Polaroid, signed on verso. artist Inventory # 11596.01. No...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Rebecca Skinner’s “Erosion #2” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch black and whi...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

This large format, color-photograph belongs to Jay Mark Johnson's wave series - the images from which depict the rhythmic cycling and recycling of oceanfront waves as recorded on remote coastlines around the world--in Hawaii, Florida, California, the Caribbean, Great Britain, Australia and South Africa. These artworks belong to the artist’s ongoing inquiry into the possibilities for timeline photography. For this decades-long project Johnson employs an unconventional camera system to produce seamless delineated renderings of familiar events as they occur over time. The results present an altered view of our surroundings. Artworks from Johnson’s timeline series have been exhibited extensively throughout the U.S. and Europe. They can be found in the permanent collections of the Bundestag (German Parliament) in Berlin, the Zentrum für Kunst und Medientechnologie at Karlsruhe, the Frederick R. Weisman Art Foundation, the Phoenix Art Museum, the Langen Foundation, Hombroich, Germany, the Peter Klein...

Four Corners II (The Last Picture Show) - 2005 - triptych Edition 1/5, 58x57cm each, 58x181cm installed including gaps. 3 Analog C-Prints, hand-printed by the artist on Archive Fuji...