Digital Photography

Slim Aarons Poolside Pairs (Kaufmann Desert House) 1970 (printed later) C Print Estate stamped and numbered edition of 150 with certificate of authenticity Former fashion model Hel...

This late-1980s photograph, taken by society photographer Slim Aarons, features 'Town & Country' writer Meg O'Neil relaxes by the pool on the island of Mustique, in the Grenadin...

"Glass Eyes" Photography 56" x 40" in Edition 1/3 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artist. Available siz...

Snowmass Picnic 1967 Chromogenic Lambda Print Estate edition of 150 1967: A stand-up fondue picnic for skiers at Snowmass-at-Aspen, Colorado which has more than fifty miles of trails and snowfields. The village was opened in 1967. The ski picnic was organized by Holiday magazine, with the helicopter being used to bring up hot food. The guest list included Howard Head (1914 - 1991) of the Head Ski...

Slim Aarons Speedboat Landing 1973 (printed later) Chromogenic Lambda Print (C Print) Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate...

Dior Gown with Fur Hat, Paris, 1954 -- One of Mark Shaw’s favorite photographs, this Christian Dior gown was published in 1954 in LIFE. Used as Cover image for Dior Book. Image size ...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Hedge Fun is a series that celebrates the landscaping commissioned by well-heeled homeowners, high-en...

Snowmass Village 1967 Chromogenic Lambda Print Estate edition of 150 Women in colourful hats at an apres ski party in Snowmass Village, in Pitkin Cou...

This early 1970s landscape photograph, captured by society photographer Slim Aarons, features a Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of t...

Former fashion model Helen Dzo Dzo Kaptur (in white lace) and Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, at the Kaufmann Desert House in Palm Springs, California, Janu...

Ebb & Flow 6 by Ellie Davies is a Digital C-Type Print on Fuji Maxima Matte Paper Ebb & Flow 6 is available in this size of 67.5cm x 90cm from a Limited Edition of 7 + 2 Artist Pr...

Dior Gown with Fur Hat, Paris, 1954 -- One of Mark Shaw’s favorite photographs, this Christian Dior gown was published in 1954 in LIFE. Used as Cover image for Dior Book. Image size ...

This mid-1960s aerial seascape photograph, captured by society photographer Slim Aarons, features a high angle view of people swimming next to the ketch 'Traveler II' , Stocking Isla...

A typical summer scene, as beach goers flock towards the water to escape the heat. Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 7. If the exhibit...

Slim Aarons Cecily Godfrey, Hong Kong 1979 (printed later) Lambda C-print Estate Edition of 150 Cecily Godfrey relaxes by the pool at her home in Hong Kong, 1979. Her husband Gerald...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace. The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents. Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves. "Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

A snorkeling holiday in the Turks and Caicos Islands in the Caribbean, circa 1975. Estate stamped and hand numbered edition of 150 with certificate ...

Slim Aarons Cecily Godfrey, Hong Kong 1979 (printed later) Lambda C-print Estate Edition of 150 Cecily Godfrey relaxes by the pool at her home in Hong Kong, 1979. Her husband Gerald...

Al fresco diners beneath the parasols in Piazza Umberto I, Capri, 1958. Piazza Umberto I, Capri 1958, printed later C-Type Print Estate-stamped and hand-numbered in ink on the rect...

"Butterfly Monarch #4" Print on Canvas 40x40 in Ed. of 75 by Mick Fleetwood Digital print on canvas Not framed Mick Fleetwood, the legendary drummer and founding member of Fleetwo...

Blue Mosque, Mazar e Sharif by Steve McCurry depicts a couple seated on the ground, feeding a flock of white doves. More birds swoop down from the sky, intrigued by the hand out of f...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

Peacock is a limited-edition photograph by British contemporary artist Gina Soden. This photograph is sold unframed as a print only. It is available in 1 dimension: *132 cm x 132 c...

18" x 24" Unframed Limited Edition Photograph of 200 MAGNUM Photography

Softish Sea, Signed Digital Photographic Landscape Print, 2020 30" x 20" x 0.5" (HxWxD) Digital Print on Metal Hand-signed by the artist. A gradient sky...

Tanned bodies on the deck of Dino Pecci Blunt's yacht in Marbella, 1967 Printed later, estate stamped and hand numbered edition of 150 with certificate of authenticity from the esta...

This early 1970s portrait photograph, captured by society photographer Slim Aarons, features a surfer in the sea at Laguna Beach, California. This is an estate stamped and hand numb...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. In "Dream Deck," Anne Valverde presents a twilight meditation where the art of photography meets the tangible touch of installation. Valverde personally selects and places neon text, a radiant declaration of 'dreams,' onto a tranquil lakeside pier. This glowing script becomes the focal point, blurring the line between the environment and the message it carries. With an artist’s eye for the profound symbiosis between word and world, Valverde chooses the placement and font of the neon text to complement the natural serenity of the dusk-lit waters. The radiant blue of the evening sky mingles with the reflective surface of the lake, creating a seamless blend of color and calm, while the neon installation offers a striking visual contrast — a bridge between the viewer’s reality and the infinite potential of the dream world. The artistry of "Dream Deck" lies in its invitation to pause and ponder, prompted by the glowing invitation to dream, suspended just above the water’s surface. Valverde’s photograph is a carefully orchestrated composition that speaks to the dreamer within, suggesting that within the stillness of nature’s embrace, there is space to dream out loud. This piece is more than a snapshot of a place; it is a deliberate performance of light and typography, a narrative captured in a single, still moment that encourages the viewer to engage with the fluid boundaries of dreams. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

18" x 24" Unframed Limited Edition Photograph of 200 MAGNUM Photography

Abaco Holiday, 1986 Chromogenic Lambda Print Estate edition of 150 College student Jan Woods relaxes in a hammock at the Abaco Inn on Elbow Cay, one of ...

Syoin KAJII (*1976, Japan) Untitled from the series of NAMI II, EEZ1-EEZ2, 2024-2025 Lambda Print with Diasec Face, Diptych (two works) Small: Sheet 63 x 168 cm (24 3/4 x 66 1/8 in.)...

Audrey Hepburn, 54_0309a_a -- Audrey Hepburn was photographed for the June 1954 issue of Mademoiselle. Her dress is a Claire McCardell creation. THE 24” x 36” SIZE OF THIS IMAGE IS O...

Portrait photographer, Jerry Siegel's most recent body of work titled "REVEAL" is about transformation. "We live in a world of costumes - presenting ourselves how we want others to p...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room...

Slim Aarons Keep Your Cool, 1978 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity. Carmen Alvarez enjoying a game of backga...

Jackie and John Jr. with Clipper, nb_143 -- Photographed in 1963, this image of Jackie and John-John on the beach with Clipper, the family dog, shows a warm and happy time with no hi...

Photographer Jerry Siegel was born and raised in Selma, Alabama and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” w...

Audrey Hepburn with Curlers, Side, c8_12 – While working on the Paramount film Sabrina Fair, Audrey Hepburn was given a nightly shampoo at the studio. Image size is 22" x 32" (for 24...

"#10, ICE" is part of Jerry Siege's ongoing "Black Belt Color" series. This photograph was taken during his quarantine in Selma during the COVID-19 pandemic. It features rich hues of...

Available sizes: 32x47in ed.20 40x60in ed.15 47x71in ed.10 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

47x71 inches 120x180cm Edition of 10 Archival Pigment Print Mounted and Framed Ask us for framing options. Björn Persson is an internationally renowned artist based in Stockholm, S...

Photographer Jerry Siegel was born and raised in Selma and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” was publis...

This midcentury landscape photograph, captured by society photographer Slim Aarons, features the apres-ski in Zermatt, Switzerland, March 1968. In this scene of casual winter glamo...

Elizabeth Taylor in Frills, Portrait with Bare Shoulder -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE ...

Portrait photographer, Jerry Siegel's most recent body of work titled "REVEAL" is about transformation. "We live in a world of costumes - presenting ourselves how we want others to p...

Chanel Lunches with Jessica Daves at the Ritz, 1957 -- Chanel in her ever present hat, lunches in a corner of the garden restaurant of the Ritz, with Vogue editor in chief, Jessica D...

Racing driver Jackie Stewart makes a television broadcast at the Monaco Grand Prix, 22nd May 1977. Behind him is John Watson's 'Martini' race car. ...

Vanity Fair Pleated Babydoll -- Mark Shaw photographed Vanity Fair lingerie over the course of ten years for an award winning advertising campaign. Image size is 10" x 12.8" (for 11"...

Jackie sits at JFK’s senate desk in 1959 nb_048. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited edit...

The Kennedy Campaign 1959, nb_054 -- Jackie meets local ladies. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to o...

Badekultur is a limited-edition photograph by British contemporary artist Gina Soden. This photograph is sold unframed as a print only. It is available in 2 dimensions: *65 cm × 53 ...

Courchevel 1970 Chromogenic Lambda Print Estate edition of 150 A ski resort in Courchevel in the French Alps, circa 1970. Estate stamped and hand numbered edition of 150 with certi...

Polo At Cowdray Park 1985 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Th...

This early-1970s photograph, captured by society photographer Slim Aarons, features former fashion model Helen Dzo Dzo Kaptur and other guests at the Kau...

Large format abstract photograph of abstract monochrome interplay of light and shadow of architectural spaces 48 x 60 inches ( 122x152cm ) signed edition of 7 32 x 40 inches (81x10...

This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Flora" series, which is one of three...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

Keith Richards Rolling Stones photograph 1971: Rolling Stones legend Keith Richards Detroit, 1971: photographed by legendary Rock photograp...

Riders from the Pebble Beach Equestrian Center wend their way through the Californian sand dunes and pampas grass, November 1976. Slim Aarons Pebble Beach, Slim Aarons Estate Editio...

August 1985: Prince Charles playing polo for the 'Diables Blues' at Cowdray Park in Sussex. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the...