Ink Photography

Heather Hollis Pink Perception (Floral, Pink, Soft, Warm, Spring, Summer) Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2025 Size: 8 x 14.2 inches (20.32 x 36.06 cm) Edit...

an homage to the photo realism + pop art color palette of artist David Hockney Best Seats by Erik Pawassar 48 x 72 inches (122 x 183cm) signed edition of 7 27 x 40 inches (69 x 1...

David Bailey Kate Bush, 1978 Archival Inkjet on paper Signed by the artist, on verso Image: 36.83 x 36.83 cm Sheet: 42 x 59.4 cm Edition of 10

'Venice #7' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, pr...

Time lapse photograph

"Sunlit Dive" Nude Photography 56" x 40" in Edition 1/3 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Sig...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensively beautiful body of works exploring the botanical splendor and vibrant color palette of nature with highly detailed captures Flora Italiana ( Iris Bianco ) delicate flower petals of the white iris 40 x 32 inches (102 x 81cm) signed edition of 25 60 x 48 inches (152 x 122cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ___________________ About the artist Linda Rosewall’s artistic path was cemented during her childhood. She was inspired by her farther, an accomplished musician and composer who raised his six children as a performing family act. The experience of traveling the United States and Canada in a small airplane piloted by her father provided the opportunity for Linda to capture these moments on her small Kodak Instamatic Camera. At the age of 18, she enrolled at Columbia College of Fine Arts Chicago. During her studies, Linda apprenticed under photographer Norman Bilisko and later worked with Dennis...

"Two Palms" Black & White Nude Photography 60" x 40" in Ed. 1/3 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin...

'Lily in Charcoal' 2023 From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash. The charc...

'Poppy on Ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Print...

'Dahlia on Ink #2' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. P...

'Dahlia on Ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Prin...

Cape Cross (13 March 1994 – 21 April 2017) was an Irish-bred Thoroughbred racehorse. He is a son of the July Cup winner Green Desert and Cheveley Park Stakes, winner Park Appeal who ...

From a limited edition of 6 archival photographs Signed and numbered by artist Aaron Knight. Image: 20×30 inches/51×76 cm Art-ID: AM3_2804 Aaron Knight is an American visua...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

'Lily No.3' Lily was photographed using a large format 4x5 black and white film. From Limited edition of 15. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both fr...

A unique print of Louise Bourgeois, in her studio, New York City, 1992 by Jean-Michel Voge. This is a 17" x 23" archival pigment print on Japanese Awagami handmade paper in an editio...

David Bailey Paul McCartney [Mirror], 1967 Silver Gelatin Print Signed by the artist, on verso Image: 43.1 x 43.1 cm Sheet: 50.8 x 60.9 cm Edition of 25

Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...

Black and White Fine Art minimalist photography - Old stone bridge over a river in the highlands of Scotland. Archival pigment ink print, edition of 9. Signed, titled, dated and numb...

From a limited edition of 6 archival photographs Signed and numbered by artist Aaron Knight. Image: 20×30 inches/51×76 cm Art-ID: MG_1929 Considerations: This image is a dep...

In 1995, wherever you looked, you could see the Chrysler Building. In this image, from the Weehawken, New Jersey vantage point, the iconic spire of the Chrysler Building peeks its he...

large scale abstract photograph of mesmerizing monochromatic color space captured in Roman palazzo Untiltled (Amber) by Frank Schott 40 x 27 inches / 102cm x 68cm signed edition o...

Wonderfully evocative figurative (archival digital photograph, limited edition giclee) by Graham Nash (American, b. 1942) of abstracted, pixelated photograph of his then wife Susan and baby Willie titled "Susan Carrying Willie '80". #12/25. Titled, signed and dated '89. Stamp and signed on verso. Condition: Excellent. Unframed. Image size: 18.33"H x 22.50"W. Size including border: 22.25"H x 22.50"W. While best known as a founding member of the rock band Crosby, Stills, Nash, and (sometimes) Young, Nash also developed a parallel career as a photographer, collector, and pioneer of digital imaging. Nash's photographs include revealing portraits of family and friends, images of life on the road, still lifes and landscapes, street photographs, bad credit people, and a unique series of self-portraits which often shows him reflected in windows and mirrors. His photography establishes Nash as a masterful visual artist with a keen eye for moments and scenes not immediately available to the common eye. In 2006, fifty years of Graham Nash's photographic images were shown in his first solo museum exhibition, Eye to Eye: Photographs by Graham Nash, at San Diego's Museum of Photographic Arts. MoPA Director Arthur Ollman...

"Kate Moss Nr. 10" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink with blue and pink tint, stre...

Original museum grade exhibition prints on acid-free archival photographic paper. Edition of 150 These are the highest quality NASA prints ever produced. The bright clusters and ...

"Late Afternoon" Nude Photography 30" x 42" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 25" x 35" inch Edition of 7: 30" x 42" inch Edition of 3: 40" x 56" inch AP: 2 * * * ABOUT Larsen Sotelo * * * Larsen Sotelo is a Filipino-American art and fashion photographer...

From a limited edition of 5 archival photographs Signed and numbered by artist Aaron Knight. Image: 36×24 inches/91×61 cm Art-ID: MUS_9847 Aaron Knight is an American visual...

Highly detailed large format photograph of the iconic marble sculpture of Urbano VIII by Bernini at the Palazzo dei Conservatori, from a series of photographic observances capturing ...

'Exhalation' Limited Edition 30 x 24" Photograph. Edition of 25. Unframed _________________ The wild Atlantic pounds the granite cliffs in raw abandon, breathes and exhales gracefull...

Aeroglyph XT1876 (2019) by Reuben Wu, a large format original photograph from an ongoing photography series, capturing large temporary geometries traced by light carrying drones in e...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 25 Any framed photographs purchased during the show will be available after May 8th. If the exhibitio...

Black and white, fashion, model, street, mercer st, NYC, New York, New York City Photography, woman, model, fashion photography, B&W, black and white photography, Todd Burris, Listing is for UNFRAMED print. Inquire within for framing. Edition of 2 of 25 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

From a limited edition of 5 archival photographs Signed and numbered by artist Aaron Knight. Image: 24×36 inches/61×91 cm Art-ID: HS1_4047 Aaron Knight is an American visual ...

Heather Hollis Fjord Reflection Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2023 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached vers...

"Syrens No 2" Landscape Nude Photography 24" x 36" in Ed. 1/15 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 24: 18" x 27" inch Edition...

The WEBB imagery is of the most important imagery every taken. The finest museum quality WEBB images available. Printed on archival paper using archival inks. 30x50 Edition of 150 ...

Falling Stars - 2020 Edition 1/10 plus 2 Artist Proof, 20x25cm Digital Print based on an original Polaroid on Hahnemühle photo rag paper. Signature label and certificate. Not mounte...

"Gymnosomata" Nude Photography 30" x 45" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 24: 18" x 27" inch Edition of 15:...

A color photograph of a blue and purple flower. Printed on 300gsm Archival Fine Art Paper. :: Photograph :: Color :: This piece comes with an official certificate of authenticity si...

Heather Hollis Sunset Palms Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso) C...

Persephone V by Erik Pawassar 62 x 48 inches (157 x 122cm) edition of 7 signed 40 x 31 inches (102 x 79cm) edition of 25 signed archival fine art pigment print signed & numbered...

Original museum grade exhibition prints on acid-free archival photographic luster paper. These are the highest quality NASA prints ever produced. Edition of 250 Taken aboard Apollo...

John Conn New York City Subway photographs. These limited edition fine art photographs were originally taken between 1975 and 1982. Each black and white photograph is signed and numbered. Edition of 15. 20x30 image printed on 24x36 archival paper. This is framed in a black frame to 28x38. In this series, Conn captured the graffiti and one of the most crime ridden periods in New York. According to one source “In the 1980s, over 250 felonies were committed every week in the system, making the New York subway the most dangerous mass transit system in the world.” One image captures an Irish...

'Eldorado Auto Skooter, Coney Island New York' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 14.5" x 14.5 in a limited edition of 20. ...

Rebecca Skinner’s “The Palace” is a 16 x 24 inch contemporary color photograph of an abandoned theater in Gary, Indiana. A shredded curtain hangs on the stage in the vast space litte...

From a limited edition of 6 archival photographs Signed and numbered by artist Aaron Knight. Image: 18×27 inches/46×69 cm Art-ID: RV1_7849 Aaron Knight is an American visua...

Frank Sinatra performs live at The Sands Hotel, Las Vegas, NV. Taken during the Share Benefit Concert in 1960. Frank Sinatra Enterprises Archival digital print. Printed on 100% Co...

Bethesda Fountain, Central Park, 2011 by Roberta Fineberg is a 20 x 16 in. archival pigment print (color photograph) of 19th-century sculptor Emma Stebbins’s Angel of the Waters. Ins...

In this striking photograph by artist Fidel Santos, an old stained glass window features the ethereal image of Mary Magdalene surrounded by clouds. Despite the dust and cracked panes...

Camel Graffiti is an archival inkjet print by contemporary photographer Morgan Silk. Camel Graffiti by Morgan Silk is available in this size of 17" x 24" in a limited edition of 25...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Wave - Signed limited edition archival pigment print, Edition of 5 Breaking wave on the Spanish coast Can be paired with " Wave 2 " by Ian Sanderson. This is an Archival Pigment pr...

From a limited edition of 6 archival photographs Signed and numbered by artist Aaron Knight. Image: 18×27 inches/46×69 cm Art-ID: RV1_7830 Aaron Knight is an American visua...

"Lovesick" Nude Photography 36" x 24" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA Available sizes: Edition of 24: 27" x 18" inch Edition of 15: 36" x 24" inch Edition of 7: 45" x 30" inch Edition of 3: 60" x 40" inch AP: 2 * * * ABOUT Larsen Sotelo * * * Larsen Sotelo is a Filipino-American art and fashion photographer...

Live at The Sands – Frank Sinatra circa mid 1950s. Performing at the Copa Room, Sands Hotel. Las Vegas, NV. Giclee 300gsm smooth archival rag paper and arch...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

From a limited edition of 5 archival photographs Signed and numbered by artist Aaron Knight. Image: 24×36 inches/61×91 cm Art-ID: OB2_9249 Aaron Knight is an American visu...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...