Inkjet Photography

Road to Alaxuluxen, Chumash Painted Cave State Historic Park (Wild Lilac), 2023 A Place Where We Are In The Sun reimagines the complexities brown bodies and the California landscape...

Xana'yan / Santa Barbara Foothills (Sumac) Painting by Dennis Ekstedt, 2023 A Place Where We Are In The Sun reimagines the complexities brown bodies and the California landscape hav...

Courtyard Chanel Red Velvet Dinner Dress, Cour de Rohan, 1955 -- A velvet dinner dress by Chanel, is photographed in the vine hung Paris courtyard, Cour ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

Road to Alaxuluxen, Chumash Painted Cave State Historic Park (Wild Lilac), 2023 A Place Where We Are In The Sun reimagines the complexities brown bodies and the California landscape...

“Flow” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2016 Dimension: 20 x 20” External Dimension( with white border) : Heig...

Dior, Odile Wears Cuba, 1954. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of model Odile wearing a pink Cuba dress. She is wearing a dress with a puffy skirt...

Designers' Homes Nico Stands with Dachshunds, 1960 -- Nico, (born Christa Paffgen) was a popular fashion model and later lead singer of the The Velvet Underground. She was photograph...

This listing is for a framed print. A simple white frame measuring 17 by 23 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW...

Akuuragna / Pasadena, Huntington Library (Palm), 2023 A Place Where We Are In The Sun reimagines the complexities brown bodies and the California landscape have endured throughout t...

50 x 36 cm, 19.7 x 14.2 in. (unframed) Inkjet Print on Hahnemühle Photo Rag Paper Edition of 15 The photographer Paola Pansini lives and works in Milan. Her photography focuses on s...

Portrait photographer, Jerry Siegel's most recent body of work titled "REVEAL" is about transformation. "We live in a world of costumes - presenting ourselves how we want others to p...

Toe Head, The Isle of Harris, The Hebrides, Scotland by Alex Boyd Series: No Innocent Land This image, made on the Isle of Harris in the Outer Hebrides shows the hill of Ceapabhal on the Toe Head peninsula. Print details: © Alex Boyd, Courtesy MMX Gallery Archival Pigment Print from the Wet Plate Collodion, Artist Proof, Hand Signed by the Artist Image: 82 x 58 cm Frame: 116 x 91 cm Frame; Original Frame, slightly distressed from being vintage out of the Scottish castle; the print accompanied with the mount board and finished with antireflective UV protective AR art glass Shipping worldwide; the framed print would be crated and shipped by professional shipping company, Free delivery in London postcodes and in a selected areas in the UK. Free pick up from the gallery. About the Artist: ALEX BOYD Alex Boyd's images represent a major addition to the tradition of modern landscape photography" – Robert Macfarlane, Author Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments. He is best known for his conceptual and figurative landscape photography which explores concepts of Scottish identity through historical and contemporary romanticism, neo-romanticism, Romantic nationalism and Spirit of Place. His work is largely concerned with depictions of the Celtic landscape, conservation and remote places, and is often characterised by its stark, poetic and introspective qualities. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK’s largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy’s artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy. His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda – The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman. He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography at Northumbria University, a selection of new books on The Faroe Islands, The Outer Hebrides. A collection of his Scottish and Irish collodion work is due out in 2021 as well as a solo exhibition ‘Hesperus’ at Stills, Scotland’s Centre of Photography, in June 2020. A contributing Arts Editor for The Island Review, Boyd has also written for Art North, The Modernist, Earthlines and many other publications. WORK REPRESENTED IN THE FOLLOWING COLLECTIONS: The National Galleries of Scotland, The Royal Scottish Academy, The Royal Photographic Society, The National Media Museum, The University of Glasgow, St Andrews University, North Ayrshire Council, Dumfries & Galloway Council, The Ballinglen Arts Foundation, Sabhal Mor Ostaig, The University of the Highlands & Islands, Highland Print Studio, Cape Farewell, The Scottish Maritime Museum, NHS Greater Glasgow & New South Glasgow Hospitals, BC Partners, Cigna, The Yale Center for British Art, The V&A *** NO INNOCENT LAND The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland. Using a 100 year old camera...

Elizabeth Taylor in Yellow Chiffon, 1961 -- Shot for Life magazine in April 1961. This was the second time Mark Shaw had photographed Elizabeth Taylor...

Xana'yan / Santa Barbara Foothills (Elderberry), 2023 A Place Where We Are In The Sun reimagines the complexities brown bodies and the California landscape have endured throughout t...

Siutcangna / Encino, Rancho Encino (Wild Honeysuckle) Photography 24 × 20 Inch Additional information: Medium: Photography Condition: Excellent Editions 1-5 of 5 + 2AP Dimensions: 1...

Tiger Morse in Blue on Elephant, 1962. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper...

Jackie, JFK and Caroline, Beach, Boat, Wide rap_047. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle phot...

Akuuragna / Pasadena, Huntington Library (Palm), 2023 A Place Where We Are In The Sun reimagines the complexities brown bodies and the California landscape have endured throughout t...

Mark Shaw’s file of “test shots” was full of budding stars -- these December 1958 head shots of Jane Fonda were never published. Image size is 32" X 32" (for 36" X 36" paper size). A...

Road to Alaxuluxen, Chumash Painted Cave State Historic Park (Wild Lilac), 2023 A Place Where We Are In The Sun reimagines the complexities brown bodies and the California landscape...

Mark Shaw’s file of “test shots” was full of budding stars -- these December 1958 head shots of Jane Fonda were never published. Image size is 10" x 10" (for 11" x 17" paper size). A...

Tiger Morse in Leopard Print, School Girls, 1962. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle phot...

Charles Mingus by Leni Sinclair: This elegant, well-defined photo of Jazz legend, Charles Mingus was shot by legendary Detroit photographer Leni Sinclair in 1974; Sinclair was 2016’...

Food, Abstract, Still Life, Lemons, Color Photography. lemon, lemon table, Daniel Epstein, color color photograph Price and size range (Custom mural sizes...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

Road to Alaxuluxen, Chumash Painted Cave State Historic Park (Wild Lilac), 2023 A Place Where We Are In The Sun reimagines the complexities brown bodies and the California landscape...

Awhay / Ojai, Rose Valley (Dried Yucca), 2023 A Place Where We Are In The Sun reimagines the complexities brown bodies and the California landscape have endured throughout their sha...

Kuruvungna / Santa Monica Canyon (Palm), 2023 A Place Where We Are In The Sun reimagines the complexities brown bodies and the California landscape have endured throughout their sha...

Designer's Homes Smoking Black Dress, 1960 -- Gitta Schilling in a Dior gown photographed for LIFE in 1960. The ornate interior is the 17th century home of Suzanne Luling, then direc...

“Heresay” (FRAMED) Nude Photography 24" x 36" inch Edition of 7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Park Drive" series T...

Vanity Fair Butterfly Robe Back -- Vanity Fair lingerie photographed by Mark Shaw for an award winning campaign over the course of ten years. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY...

Akuuragna / Pasadena, Huntington Library Parking Lot (Fallen Leaves and Wild Olive Blooms), 2023 A Place Where We Are In The Sun reimagines the complexities brown bodies and the Cal...

'The Door': Rare early Basquiat, Keith Haring Street Art Photo by Fernando Natalici: 'The Door,' photographed, New York c.1979/1980, represents one of only two known photographs featuring the early graffiti work of a young Jean-Michel Basquiat & Keith Haring together on one image (see upper right & left). Basquiat's tags appear in at least 3 places ('Salt', teepe & skull). The work combines the two most iconic Haring & Basquiat images of all: Haring's radiant baby & Basquiat’s crown; while also presenting the work of Whitney Biennial artist, David Wojnarowicz (Burning House mid upper left) & five time Brazilian Biennial artist Alex Vallauri (acrobat stencils across lower area). A true testament to the New York downtown art scene of the late 70's/early 80's. Archival Ink Jet Print. Dimensions: 18 x 22 inches including borders. Hand signed and numbered from an edition of 30. Excellent overall condition & print quality. Acquired directly from artist. Lot 180 Gallery is a primary authorized dealer rep of Fernando Natalici. About Fernando Natalici: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s work was recently featured in the Jeffrey Deitch curated show “Area” at The Hole Gallery NYC, with his film stills from "Unmade Beds" & "The Foreigner"- two of the most significant underground films of the 1970’s New York Punk scene, recently exhibited at The Museum of The Moving Image. Related Categories Basquiat crown. Basquiat SAMO graffiti. Keith Haring street art. Early Basquiat. Basquiat Haring Crossing Lines. Keith Haring Baby.

Vera Valdez and Models at Chanel Salon, 1961 -- This image is a an outtake from the September 1, 1961 issue of LIFE. The article was primarily printed in b...

SoHo Fire Escapes, New York, 1984 by Fernando Natalici: The simplicity & grace of iconic New York architecture rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the hidden poetry of urban architecture... Archival Inkjet Print. Approximately 12 x 18 inches (image size: approx 12 x 17in.). Hand signed from an edition of 20. Obtained directly from artist. Excellent condition. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Soho Building Architecture, A Brief History The SoHo-Cast Iron Historic District comprises about 500 buildings, many of which are characterized by their cast-iron facades. Development of the district began in the late 18th century. The population surged after the War of 1812, and some homes from this era still remain. The latter half of the 19th century saw the district evolve into a center of commerce and entertainment, and the majority of the cast-iron buildings the district is known for were constructed during this period. The use of cast-iron allowed for ornate facades that were a much cheaper alternative to granite and marble. However, an increase of industrial production along with rising crime and “immorality” steadily drove residents out of the area. The district began to decline in the early 20th century, leaving many spaces vacant for decades and leading some to refer to the area as Hell’s Hundred Acres. 

It was not until the late 1960s that artists became attracted to the area because the large, unoccupied loft spaces made affordable studios. Many of those who moved into the area lived in their workspaces, even though it was illegal to do so, and the area was not sufficiently equipped for residential life, lacking basic necessities. At the same time, the entire landscape of SoHo was threatened by plans to build the Lower Manhattan Expressway (LOMEX) - a proposed ten-lane elevated highway that would require the demolition of much of SoHo and Little Italy. Artists in the area collaborated with other preservation advocates in the first, unsuccessful attempt to designate SoHo as a historic district for its architectural significance. Although that failed, they also formed Artists Against the Expressway and ultimately helped defeat the plans for LOMEX, which saved the architecture in the area. The “SoHo Effect” has become a model for repurposing an industrial district for mixed use, both commercial and residential, while preserving much of the existing structural integrity. Today SoHo is known for its unique cast-iron architecture, desirable loft living...

Designer's Homes Smoking Black Dress, 1960 -- Gitta Schilling in a Dior gown photographed for LIFE in 1960. The ornate interior is the 17th century home of Suzanne Luling, then direc...

“Shadows Kept Alive No. 2” is a triptych of 3 abstract images composed together as one single image measuring 14” high by 42” wide. It is a giclée print on archival Hahnemüle paper. ...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Backstage Balmain Floral Shawl -- Backstage at the 1954 Pierre Balmain Couture show. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw pr...

Leni Sinclair John Lennon & Yoko Ono photograph Detroit, 1972 Photographed by legendary Detroit photographer Leni Sinclair, 2016's Kresge Foundation's Eminent Artist of the year (See The Guardian UK Photo Section, Jan. 28, 2016). Archival Inkjet Print. 11x14 inches. Hand signed, titled & dated in ink on the lower margins Very good condition. Obtained directly from artist. Dealer is a primary representative of Leni Sinclair. About Leni Sinclair A recognized leader of the 1960s-70s counter cultural movement in Detroit and a trusted documenter of the rock n’ roll scene of that same era, Leni Sinclair is known for her vivid photographs which captured faithfully the raw drama that unfolded before her lens. But she may be best known for capturing the raucous rock n’ roll scene of that era, including photographs of such rock legends as Jimi Hendrix and Janis Joplin, and jazz icons such as Miles Davis and Sun Ra. Focusing her lens on musicians and fellow activists from nightclubs to festivals to street demonstrations, Sinclair captured a pivotal era in American history when art and politics intertwined. Some of her photos – including shots of jazz saxophonist John Coltrane and of Nigeria’s rebel music star Fela Kuti – are among the most widely known of their subjects. What seems, at first glance, to be candid scenes featuring musicians, activists, party goers and demonstrators, read together as a more powerful story: that of an American society where art and politics were inextricably intertwined. Of recent notoriety Sinclair was exhibited at Detroit’s MOCAD (Museum of Contemporary Art Detroit) as part of her first major U.S. solo museum exhibition, “Moto City Underground”. The 80-year-old artist, author and social justice organizer still lives in Detroit, where she married politically active poet and jazz critic John Sinclair...

Empire in Green / From the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2021 Dimension: 48 x 32" External Dimension( with white border) Height: 48....

Lompo / Lompoc, La Purisima Mission. 1 out of 3 locations of the Chumash revolt of 1824 (Lace Lichen draped Oak Tree), 2023 A Place Where We Are In The Sun reimagines the complexiti...

"Rock, Mirror Lake, California (Yosemite)" is an original photograph by Thomas Ferderbar. The image is printed as an archival inkjet print on premium luster paper. The artist signed this piece in the lower right. This piece depicts a rock emerging from a smooth body of water that reflects the rock and forest behind it. Framed to conservation standards in a flat modern silver finish with a black inlaid accent. Glazed in Museum Glass. Artwork Size: 50" x 40" Frame Size: 54" x 44" Artist Statement: I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...

Dior, Eugenie wears Clorinde, 1954 -- The source for this image was a vintage 35mm black and white negative. Image size is 10" x 15" (for 11" x 17" paper ...

Fabiani Bag Dress Outside Harry's Bar, Paris, 1957 -- A model wearing a Fabiani "Bag" dress is photographed outside Harry's Bar in Paris. Photographed in 1...

Still Searching For The Title / No Title 2 / Photograph Creator: Hatice Besun Creation year: 2022 Dimension: 19 x 13 External Dimension( with white border) Height:19.8 inch Width:13...

Photographed for Dior, danse dress, Autumn-Winter 1956 Haute Couture collection, Aimant line. Image size is 32" X 32" (for 36" X 36" paper size). All Mark Shaw prints are made to ord...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee, emphasizing its many tall buildings. She often turns her camera to views of s...

JFK and JBK Color Portrait with Monument -- A portrait of JFK and Jackie on the balcony of the White House taken by Mark Shaw as part of a photo shoot for “Look” magazine. Image size is 10" x 10" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A photograph in color of John F. Kennedy with Jackie Kennedy. They are standing on the White House balcony. JFK is wearing a blue suit. Jackie is wearing a cream suit...

A model wearing Dior photographed by Mark Shaw in the mid 1950s. Recently published in the book Dior, Glamour, Mark Shaw. Rizzoli, 2013. Image size ...

Sometimes the simplest images are the most complex. Peacock Displaying Blue and Green Plumage is more than a bird portrait. It's a portrait of a bird as a living work of abstract ar...

Vera Valdez and Models at Chanel Salon, 1961 -- This image is a an outtake from the September 1, 1961 issue of LIFE. The article was primarily printed in b...

Givenchy Clad Model is Sketched at Trouville -- Photographed by Mark Shaw for the Jan. 14, 1957 issue of Life, this model is captured wearing resort fashion...

Audrey Hepburn, r19_9 -- Audrey Hepburn looked incredible no matter what she was doing. This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine. Image size is 10" x 10" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Black and white photograph of Audrey Hepburn...

Elizabeth Taylor in Yellow with Ivy, Side 1 -- Mark Shaw was sent by LIFE to photograph Elizabeth Taylor for the April 28, 1961 issue. The images he took were never used for the article that celebrated her acceptance of the Oscar for best actress of 1960 for her role as a semi-pro call girl in the movie Butterfield 8. Shaw’s stunning portraits show Taylor in her Oscar ceremony finery, a dress called “Soiree a Rio” from Dior’s Spring-Summer 1961 Haute Couture collection. Image size is 40" x 40" (for 44" x 44" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of Elizabeth Taylor. She is standing and turns her head to her left to face the camera. She keeps her hands in front of her by her waist. She does not smile. She is wearing a yellow dress with flower designs on the bottom skirt. There is a pink flower on her waist. This is an outdoor photograph...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

On the edge of nothingness / n°7 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 28 x 50 / External Dimension( with white border) : Height: 28.8 in. Width : 50.7 ...

"An Ending a Beginning" Photography 42" x 30" in Edition of 7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 25" x 35" x 25" inch Ed...