Oil Photography

Paolo Consorti Ending G, E, B, 2019 Medium: Painting Oil on canvas Unique 150 x 140 cm Not framed Series “Ending” This artwork includes a certificate of...

In “Backyard Oasis”, during her trip to the American West Coast, French painter and photographer Ayline Olukman brings us along with her on an adventure. Between truth and fantasy, t...

Title: Scenery Within 6 Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2011 ...

Title: Red And Green Beans Medium: Oil on canvas Size: 19.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year...

Title: Next To The River Medium: Oil on canvas Size: 22 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000...

Title: Sunny Day Medium: Oil on canvas Size: 22 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2011 Artist...

Delphine‘s paintings are concerned with the interaction between humankind and his landscape , his role as an actor, his relationship to space, his status as a spectator. She enjoys e...

This piece reflects the magical beauty of Mount Edgecumbe Country Park in Cornwall, where Katy Brown lives and paints. In particular, it is about the Englis...

Double Self Portrait with Blue Jeans and Whip c. 1970s Signed in black ink, l.r. Vintage hand-painted gelatin silver print 10 x 6.75 inches (25.4 x 17.1 cm) This work is offered ...

The Houses is a painting realized by Claude Decamps in the 1970s Oil painting on cardboard canvas. Hand-signed on the lower. Good conditions. The ar...

the painting is being offered with a work and authenticity certificate

E, 2022 by Hunter & Gatti From the series Opposed Tendencies Acrylic and oil wax on fine art paper 255 grs. Image size: 29.5 in H x 23.6 in W Unframed _______________________________ The founders and artistic minds behind Hunter & Gatti, Cristian Borillo, and Martin Cespedes have worked alongside one another for over a decade. Working as art directors, they have successfully produced numerous campaigns for fashion brands such as Burberry and Diesel. With this, Hunter & Gatti decided to explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. Thus, Hunter & Gatti was born. Hunter & Gatti immerse themselves in all aspects of development including creative initiatives, art direction, and photography; ultimately creating a holistic image for each individual brand. This creative duo has worked side by side with iconic clients such as Hugo Boss, Kenneth Cole, Massimo Dutti...

Doron - "Love in the forest" Photography and oil on paper. Framed with glass. An original piece. One of a kind. The painting comes with a certificate of authenticity and a letter o...

L, 2022 by Hunter & Gatti From the series Opposed Tendencies Acrylic and oil wax on fine art paper 255 grs. Image size: 29.5 in H x 23.6 in W Unframed _______________________________ The founders and artistic minds behind Hunter & Gatti, Cristian Borillo, and Martin Cespedes have worked alongside one another for over a decade. Working as art directors, they have successfully produced numerous campaigns for fashion brands such as Burberry and Diesel. With this, Hunter & Gatti decided to explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. Thus, Hunter & Gatti was born. Hunter & Gatti immerse themselves in all aspects of development including creative initiatives, art direction, and photography; ultimately creating a holistic image for each individual brand. This creative duo has worked side by side with iconic clients such as Hugo Boss, Kenneth Cole, Massimo Dutti...

K, 2022 by Hunter & Gatti From the series Opposed Tendencies Acrylic and oil wax on fine art paper 255 grs. Image size: 29.5 in H x 23.6 in W Unframed _______________________________...

Lous, 2022 by Hunter & Gatti From the series Lous and The Yakuza Acrylic and oil wax on fine art paper 255 grs. Image size: 20.6 in H x 15.7 in W Unframed This is a project together...

P, 2022 by Hunter & Gatti From the series Opposed Tendencies Acrylic and oil wax on fine art paper 255 grs. Image size: 29.5 in H x 23.6 in W Unframed _______________________________ The founders and artistic minds behind Hunter & Gatti, Cristian Borillo, and Martin Cespedes have worked alongside one another for over a decade. Working as art directors, they have successfully produced numerous campaigns for fashion brands such as Burberry and Diesel. With this, Hunter & Gatti decided to explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. Thus, Hunter & Gatti was born. Hunter & Gatti immerse themselves in all aspects of development including creative initiatives, art direction, and photography; ultimately creating a holistic image for each individual brand. This creative duo has worked side by side with iconic clients such as Hugo Boss, Kenneth Cole, Massimo Dutti...

B, 2022 by Hunter & Gatti From the series Opposed Tendencies Acrylic and oil wax on fine art paper 255 grs. Image size: 29.5 in H x 23.6 in W Unframed _______________________________...

A II, 2022 by Hunter & Gatti From the series Opposed Tendencies Acrylic and oil wax on fine art paper 255 grs. Image size: 29.5 in H x 23.6 in W Unframed ____________________________...

O, 2022 by Hunter & Gatti From the series Opposed Tendencies Acrylic and oil wax on fine art paper 255 grs. Image size: 29.5 in H x 23.6 in W Unframed _______________________________...

V, 2022 by Hunter & Gatti From the series Opposed Tendencies Acrylic and oil wax on fine art paper 255 grs. Image size: 29.5 in H x 23.6 in W Unframed _______________________________...

LVII, 2022 by Hunter & Gatti From the series Lous and The Yakuza Acrylic and oil wax on fine art paper 255 grs. Image size: 20.6 in H x 15.7 in W Unframed This is a project together...

LV, 2022 by Hunter & Gatti From the series Lous and The Yakuza Acrylic and oil wax on fine art paper 255 grs. Image size: 20.6 in H x 15.7 in W Unframed This is a project together w...

Mountain Pathway [2022] original Oil Paint on Canvas Image size: H:91 cm x W:91 cm Complete Size of Unframed Work: H:91 cm x W:91 cm x D:3.5cm Sold Unframed Please note that ins...

Y, 2022 by Hunter & Gatti From the series Lous and The Yakuza Acrylic and oil wax on fine art paper 255 grs. Image size: 20.6 in H x 15.7 in W Unframed This is a project together wi...

A I, 2022 by Hunter & Gatti From the series Opposed Tendencies Acrylic and oil wax on fine art paper 255 grs. Image size: 29.5 in H x 23.6 in W Unframed _____________________________...

Kakoma, 2022 by Hunter & Gatti From the series Lous and The Yakuza Acrylic and oil wax on fine art paper 255 grs. Image size: 20.6 in H x 15.7 in W Unframed This is a project togeth...

Linseed Fields by Eleanor Woolley. Original and hand signed by the artist Oil on board sold unframed Image size: H:80cm x W:80cm Complete size of unframed work: H:80cm x W:80cm x D...

Tokyo, 2022, by Hunter & Gatti Acrylic and oil wax on fine art paper 255 grs Image size: 21.5 in H x 17.5 in W unframed These works are part of the MY WAY project, a trip with the a...

Kamalika, 2022, by Hunter & Gatti Acrylic and oil wax on fine art paper 255 grs Image size: 21.5 in H x 17.5 in W unframed These works are part of the MY WAY project, a trip with th...

Wakako, 2022, by Hunter & Gatti Acrylic and oil wax on fine art paper 255 grs Image size: 17.5 in H x 21.5 in W unframed These works are part of the MY WAY project, a trip with the ...

Ceremony, 2022, by Hunter & Gatti Acrylic and oil wax on fine art paper 255 grs Image size: 17.5 in H x 21.5 in W unframed These works are part of the MY WAY project, a trip with th...

Ceremony II, 2022, by Hunter & Gatti Acrylic and oil wax on fine art paper 255 grs Image size: 21.5 in H x 17.5 in W unframed These works are part of the MY WAY project, a trip with...

Soliloquy, 2018, by Hunter & Gatti Acrylic and oil wax on burned fine art paper 255 grs Image size: 12 in H x 8 in W Signed front and signed back with a date. unframed Mekhi Alante ...

Stereotypes, 2022, by Hunter & Gatti Acrylic and oil wax on fine art paper 255 grs Image size: 19 in H x 14.5 in W unframed This work belongs to a series that deals with the stereot...

João Teixeira 2021 Oil on canvas 40 x 40 cm

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Doron - "love within a woman" Photography and oil on paper.Mixed media framed with glass. Contemporary Art An original piece. One of a kind. The painting comes with a certificate o...

High contrast contemporary photography by Houston, TX photographer Casey Williams. This photograph depicts a snapshot of a balcony or terrace with white wooden railings...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

High contrast contemporary photography by Houston, TX photographer Casey Williams. This photograph depicts a snapshot of a scene entering a property's yard. The color in the photos s...

A View of Bruges Cassel Leon Lille 1873 – 1937 Paris French Painter Signature: Signed bottom right and dated 1918 Dimensions: Image size 62,50 x 81 cm, not framed Medium: Oil on canvas Biography: Cassel Léon was born in Lille, France in 1873. He was a French Impressionist painter of mostly landscapes and cityscapes. He studied with master teachers Léon Bonnat and d’Auguste Glaize. He was a Parisian that came to Belgium in the thirties, in particular to Bruges to paint. He was a friend with Julien Schaeverbeke, a Bruges painter. In 1937, he exhibits “A View of Bruges” in Paris with the “Salons des Artistes Français”. For his merits, he received the award of King Léopold...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Wapping Group of Artists by the Thames - Mid 20th Century Oil by Donald Blake Frederick Donald Blake Born in Greenock, Scotland in 1908 and died in 1997...

This figurative painting titled "Baby" is an original artwork by André Schulze made of oil paint on a vintage found photograph. The piece measures 8"h x ...

Self Portrait with Blindfold and Porthole c. 1970s Signed in black ink, verso Vintage hand-painted C-print 3.5 x 5 inches (8.9 x 12.7 cm) This work is offered by ClampArt in New ...

Well painted and very decorative Modern British view on the Thames at Sonning Bridge. The artist was a local person living and painting in the area of Sonning. He painted along the...

Work on canvas

Yellow Lilies By The Window New York From the artist studio in Chelsea New York. Rafael Saldarriaga was born in Medellin, Colombia in 1955. Arrived in the United States in 1993. Af...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Helena Malarewicz-Krajewska (born 14 July 1910 in Biecz , died May 7, 1998 in Warsaw) is a Polish painter, active advocate of socialist realism. Studied between 1928 and 1929 at the...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Charming hand painted photograph, portrait of a young ballerina as Tinker Bell by an unknown artist (American, 20th Century). Circa 1957. Signed "Studio d'Art Los Altos...

Charles Cobelle French, 1902-1998 La Place de la Concorde, Paris Oil on canvas 20 by 24 in. W/frame 28 by 32 in. Signed lower right Born in Alsace-Lorraine, France, and becoming a U.S. citizen in the late 1920s, Charles Cobelle, whose birth name was Carl Edelman, began his career in Paris after earning Bachelor and Master's Degrees at the University of Munich. Later he studied at the L'Ecole des Beaux Arts in Paris and with Marc Chagall. At Menton on the Riviera, he apprenticed with Raoul Dufy. In the United States where he lived in Brookfield and Fairfield, Connecticut, he continued to create mixed-media paintings, and also did mural work for commercial establishments such as Neiman Marcus Company in Dallas, Texas; The Desert Inn...

Artist/ School: French School, mid 20th century, indistinctly signed Title: Provencal Landscape Medium: oil painting on canvas, framed Size: painting: 25 x 36.25 inches, frame: ...

Oil on canvas Canvas size: 8.5 x 12 inches Framed size: 13.75 x 17.25 inches Signed lower right