Paint Nude Photography

This unique hand-painted photograph by Mark Beard is offered by CLAMP in New York City.

The 1998 Pirelli Calendar was photographed in Miami by Bruce Weber. Tanga Moreau was among the many iconic models photographed. 'Tanga Moreau is a Belgian model. She has appeared on...

This unique hand-painted photograph by Mark Beard is offered by CLAMP in New York City.

© Katie Eleanor, VIII. "Omphalopagus monster, an orphan" Series: Saint Wanderer's Hospital, 2015 Archival Pigment Print of the hand Coloured Photograph on cotton fine art paper, This is unframed print. Custom frame as seen on the additional images is also available upon order - please enquiry 7 1/2 × 5 7/10 in 19 × 14.5 cm (unframed print) 35 x 30.5 cm (Framed : Museum mount-board, antireflective art glass in hardwood custom frame); frame price: £265 Edition of 15 Framed or Unframed option available - please enquire 'Saint Wanderer’s Hospital' series depicts a fictional tale birthed from the artist’s inherent need to find splendour in the idea of sickness. Rooted first from her own words, Katie used the idea of illustrating as a form of personal art therapy by immersing herself in the realm of the otherworldly characters. Every aspect of each scene was created by Katie alone, from building and designing the sets to printing and hand-colouring the final images. In this act, over the year long course of the projects creation, the artist managed to make certain turmoil in her personal life bearable. In the world of the hospital, the artist adapts the role of medical photographer – creating accurate portraits of each character’s condition as a record for the hospitals future use. The final series comprises of 8 ‘specimen...

Anne Sager (American, 1930-2024), Seated Female Nude, Color Photograph, Chromogenic Print on Kodak Paper, mounted on board, from the "Women Over 50" series, depicting woman brushing ...

Hamish Blakely (British) Wildflower Oil on canvas 18 x 18 Inches Provenance: Direct from the artist’s studio, United Kingdom Hamish Blakely was born in Canterbury UK, but now resid...

Sacrilege - 2020 48x60cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label and certificate. Artist inventory PL2020-940. Not m...

Color Origami Spiral I and II, Diptych, 2010 by Efren Isaza Mixed Media Archival pigment print Overall size: 43 in. H x 58 in. W Individual size: 43 in. H x 29 in. W One of a kind m...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Color Origami Sipiral I Measures: 43 x 29 inches Archival pigment print with applied paint and ink mounted on Aluminum frame This of one of a kind intervened artworks produced in 20...

Twins with red coat Framed archival pigment image on canvas, intervened with hand-applied paint, ink and intentionally scratched by the artist Image size: H 25 in. x 27 in. W Frame s...

With Balance the artist starts exploring more deeply the boundaries of the photographic media by mixing it with different techniques on a very traditional subject (classic sculptures...

Matthew Barney, Cremaster 5: Her Giant, 1997 C-print mounted under Plexiglas Signed and dated by the artist, with artist’s stamp on verso Edition: 6 of 6 An iconic work by American ...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Color Origami Sipiral II Measures: 43 x 29 inches Archival pigment print One of a kind mounted on aluminum, frame This of one of a kind intervened artworks produced in 2009 and 2010...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Collaboration between artists John Mazlish and Elsa Marie Keefe. Shot during the height of the pandemic in June 2020. At that time more than ever, nat...

Collaboration between artists Elsa Marie Keefe & John Mazlish. Shot during the height of the pandemic in June 2020. At that time more than ever, n...

© Katie Eleanor, IV., Eye Infection As A Result Of Ingesting Poison Series: Saint Wanderer's Hospital, 2015 Archival Pigment Print of the hand Coloured Photograph on cotton fine art paper, custom frame 7 1/2 × 5 7/10 in 19 × 14.5 cm (unframed print) 35 x 30.5 cm (Framed : Museum mount-board, antireflective art glass in hardwood custom frame) Edition of 15 Framed or Unframed option available Saint Wanderer’s Hospital depicts a fictional tale birthed from the artist’s inherent need to find splendour in the idea of sickness. Rooted first from her own words, Katie used the idea of illustrating as a form of personal art therapy by immersing herself in the realm of the otherworldly characters. Every aspect of each scene was created by Katie alone, from building and designing the sets to printing and hand-colouring the final images. In this act, over the year long course of the projects creation, the artist managed to make certain turmoil in her personal life bearable. In the world of the hospital, the artist adapts the role of medical photographer – creating accurate portraits of each character’s condition as a record for the hospitals future use. The final series comprises of 8 ‘specimen cased...

Hand-coloured portrait of a bird-like spirit, immobilised in marble, cleansing in a spring-time bath. A character formed from Naiads (a Greek nymph of flowing water), and exploring the idea of a ritualistic cleansing to wash away sombre deeds. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...

We are the Earth is comprised of a photograph, acrylic paint, found objects in nature (bones, leaves, flowers, stones, crystals) and resin. The base materials for the work consist of a wooden paneled canvas that provides the platform for the adhesion of a rolled photographic canvas, a fine art photography print. The canvas print, in this case a double exposure digital photograph, is adhered to the wood using a clear acrylic varnish. Acrylic Paint is added along with the objects that I found in nature, which are all placed in a careful and meticulous fashion, finally cemented in resin. This specific piece of art was my first large scale piece of its kind, created in my studio in Brooklyn in 2019. This piece was inspired by the colors of my travels, the deserts, trees, mountains and sunsets. The human depicted is myself, it is a self-portrait captured in Great Sand Dunes...

Collaboration between photographer John Mazlish & artist John Wright.

Mixed media collaboration between photographer John Mazlish & artist John Wright.

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...