Paint Nude Photography

This gorgeous female figure is balanced on a wooden pedestal with a stray hand on her torso. Her muscular figure is enhanced by the sepia tones and the play of light on the subject....

An underwater photograph of a naked young women partially wrapped in bright red scarf - on black background. Original gallery quality archival pigme...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and ...

Leonard Freed’s authenticated/stamped vintage (back of photo), 16" x 20", gelatin silver print, Kate #14, is from the Kate series, 2002. A photographer herself, model and yogini Kate remains complicit in striking dramatic poses for the Kate nude series by Freed. In this image Kate is supine, arms outstretched, body arched on the backside of a person in a downward dog yoga pose. On the edge of a cliff with the ebb and flow of the sea and waves many feet below, the duo remain in balance above swirling waters. Kate's trust in the universe, a face of abandon, reveals youthful fearlessness and love of freedom. Freed captures a self-possessed modern woman and partner in a dance of sorts that Kate shares on the edge of time...

#Girl Manoeuvres - 01 from the series Dunderwear - 2007 26x20cm edition of 7 . Archival C-print based on the Polaroid , on beautiful on Fine art bright white by Hahnemuhle framed in a shadow Frame (white oiled wood) Hand signed & numbered by the artist. Carmen De Vos - Artist Statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

Paris, France, 1991 by Leonard Freed is a 14" x 11" vintage print, stamped on verso (back of photo) with Freed's copyright stamp, hand printed by the photographer, and signed on back of photo by artist. A comedic French street scene of a business man with briefcase...

"Kate Moss (DD pink)" Photography print 25.5 × 19 in Ed. AP/15 by Kate Garner Numbered and Signed in the front. High Quality Print on Hahnemuhle paper using archival ink fully cov...

"I walked into a timeless place … full of supporting actors and actresses of every conceivable role," Abramson wrote in Light: On the South Side, published by Chicago's Numero Group ...

"Kate Moss Nr. 3" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink fully covered in diamond dust ...

Kate #12, 2002 by Leonard Freed is a black and white photo of a female nude. The 16" x 20" gelatin silver print is signed by the photographer, and stamped vintage on verso (back of p...

Tales of Bitter Moon #35 -2018 Published in Carmen De Vos's new book 'The Eyes of the Fox'. 80x80cm, edition of 5, Digital archival pigment print 
based on an original Polaroid
 on...

Nobuyoshi ARAKI (*1940, Japan) Love-Dream, Love-Nothing #092, 2018 gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is ...