Drawing Photography

This reproduction was produced by Paris La Cite and printed in France by Imprimerie & Éditions Braune. It was published by Galerie Maurice Garnier, Paris, in 1961. As a historical do...

Kate #4, 2002 by American photographer Leonard Freed is in the photographer's female nude series "Kate." For the study of a female nude, model Kate is both yogini and photographer wh...

Signed, numbered and titled on recto. Signed, titled, stamped on verso. Gelatin Silver Print Edition of 25

The 1998 Pirelli Calendar was photographed in Miami by Bruce Weber. Tanga Moreau was among the many iconic models photographed. 'Tanga Moreau is a Belgian model. She has appeared on...

Archival pigment print Signed and numbered, verso 12 x 18 inches, image (Edition of 8 + 1 AP) 20 x 30 inches, image (Edition of 5 + 2 APs) This photograph is offered by ClampArt, ...

Sarah 2 - Signed limited edition archival pigment print - Edition of 5 Photographed in Brighton, England in 1989 The legacy of Ian is deeply woven into the fabric of our gallery...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Solarized Hands, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Grup...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

"Chorus Formation" by Sasha 14th February 1933: The Albertina Rasch chorus girls who are appearing in 'Wild Violets'. Unframed Paper Size: 24" x 20'' (in...

Dreamer - Signed limited edition archival pigment print - Edition of 8 Photography : 1989 Bichromate print : 2015 Pigment print : 2020 Several negatives was used to create a ha...

This series was part of a calendar, and pays tribute to the art of the circus and its artists. The diversity of German photographer Uwe Ommer, who frequently works with aesthetic nu...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Torso, Solarized, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Gru...

Sarah 2 - Signed limited edition archival pigment print - Edition of 5 Photographed in Brighton, England in 1989 This image was captured on film. The negative was scanned creat...

Onishi Tree Shadow and Clouds, Study 2, Hokkaido, Japan by Michael Kenna is a 8 x 8 inch* silver gelatin print, available in an edition of 25. *Please note: the measurements of this ...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Black and white photograph of a nude Marilyn Monroe taken by Tom Kelly in 1949. The work was distributed as calender art and one was featured in an issue of Playboy magazine in 1953. The photograph is not framed. Artist Biography: Kelley was born in Philadelphia, Pennsylvania. He learned photography as an apprentice in a New York photo studio, and then worked for the Associated Press and Town & Country magazine. After coming to California in 1935, Kelley established a photography studio in Hollywood and produced promotional photographs of motion picture stars. David O. Selznick and Samuel Goldwyn retained Kelley to take promotional photos of their stars and starlets for magazine covers and advertising. Later, Kelley's business shifted to commercial and advertising photography. Some of Kelley's most famous photo subjects have included Gary Cooper, Greta Garbo, James Cagney, Clark Gable, Winston Churchill, Bob Hope, Marlene Dietrich, Joan Crawford, Jack Benny, David Bowie, John F. Kennedy, Dwight D. Eisenhower, Franklin D. Roosevelt, Yma Sumac and, of course, Marilyn Monroe, with and without clothes. Tom Kelley had a way of making his subjects feel comfortable behind the camera. He would bring his wife with him to his shoots to create a more soothing and relaxed atmosphere. Kelley served on the panel of judges at the Miss Universe...

"The School" The Bahamas 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6 - $1...

Benno Thoma's color image of a Vietnamese woman on her bike was taken in Hanoi. It is a painterly image created through photographic technique. This impression is #1 of an edition of...

Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the ...

Selenium-toned gelatin silver print Signed, titled, dated, and numbered in pencil, verso Also blindstamped with artist's name and edition number, recto 8 x 8 inches, image size (Ed...

Underwater nude photograph of a young woman processed in an abstract black and white symmetrical composition. Original gallery quality archival pigment print on archival paper sig...

Bowling (Ghost Town) - 2020 Sketches of a downtown disappearing. 40x40cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polaroid. Signed on back wit...

S 07-09 is a limited-edition photograph by French contemporary artist Riccardo Varini. This photograph is sold unframed as a print only. It is available in two sizes: *20 × 30 cm (...

"Twilight, Kyoto, Japan" is a unique (one-of-a kind) photo-based mixed media sepia toned print with hand manipulation on hand-edged Japanese artist's...

Dreamer - Signed limited edition archival pigment print - Edition of 8 Photography : 1989 Bichromate print : 2015 Pigment print : 2020 This image was captured on film. The ne...

Excellent hand printed photograph by the master Brett. Signed and dated in pencil.

Vintage Photo of Painting -Portrait is a vintage photograph realized in the early 20th Century.  The photo belongs to Albumen of historical painting, photographs, meticulously captu...

Museum quality fine art print of David Bowie in the Scary Monsters Clown costume from the official Duffy Archive. Printed from the original negatives on Fuji Baryte heavyweight pape...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Presenting a captivating pair of abstract black and white floral photographs: 'Lily in Charcoal' and 'Lily in Charcoal No.2.' Each image is meticulous...

Sarah 2 - Signed limited edition archival pigment print - Edition of 5 Photographed in Brighton, England in 1989 This image was captured on film. The negative was scanned creati...

Nobuyoshi ARAKI (*1940, Japan) Untitled (Erotos), 1993 Gelatin silver print Sheet 101.6 x 76.2 cm (40 x 30 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo...

Sepia-toned gelatin silver print Signed and numbered, verso 20 x 24 inches, sheet (Edition of 35) 26 x 39 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...

Mint Condition Hand printed silver gelatin photograph by artist. Gift from artist

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

"Flying the Kite of Happiness" is a joyful and expressive 1970 oil painting by celebrated Denver modernist Edward Marecak (1919–1993). Known for his...

This ominous landscape shot depicts silhouetted trees against a cloudy, gray sky. The scene captures the uneasy, mysterious feeling before a major storm. Pete Kelly finds his inspi...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Misty Blooms is a black-and-white botanical still life by Ugnė Pouwell, shaped around repetition, soft condensation, and the pull of shadow. A clustered constellation of small blosso...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose Picayo. The opening reception will be held Wednesday, November 7th, from 6:00pm to 8:00pm. The exhibit will run through January 6, 2019. In this exhibition, Picayo seeks to revive the concept of unadulterated beauty captured as a single moment in time. An unapologetic user of film, Picayo prides himself on his avoidance of digital processing for personal work. When asked why it remains his preferred medium, Picayo answers, “Digital is so overpoweringly real; photography is more magical to me.” For Picayo, Polaroid film is a medium where he can capture something as is – a moment in time. Just to hold the photograph in his hands is enough. 25 Years of Polaroids showcases Picayo’s most iconic work. This exhibit includes personal photographs of Cuba from 1994, Polaroid image transfers showcasing his impressive use of visual texture and his eye for fashion. Also included are his Atget-esque tree portraits from a New Jersey public arboretum in 2012. Additionally, a selection of 8” x 10” Polaroids from Mugshots 2008, will be included, exploring how a person’s soul can be captured in what appear to be basic photographs. The main questions at the heart of Picayo’s photography stem from the mystery of human perception and the precious things that are lost to time. The invitational image, Rotating Doll, 1997, features a multi-paneled display of polaroids which cover an entire length of a wall. These 20” x 24” Polaroids appear larger than life and were given much praise in Picayo’s recent exhibit Polaroids 2016 at The Erie Museum in Erie, PA. This series stems from a collection of children’s dolls Picayo has found over the years, each one with its own strange and authentic story to tell. By cultivating a deteriorated look reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the objects we hold dear and how they fall apart as we try to hold onto them. Picayo speaks of his own influences, crediting photographers Eugène Atget, Walker Evans, and Edward Curtis, Michael Disfarmer, and Torkil Gudnason with impact on both his fine and commercial art. He is well known for his work in fashion, but for Picayo his personal and commercial work are interrelated, each extensions of one another. Born in Cuba, Picayo immigrated to Puerto Rico during his childhood and settled in New York City by the early 80s. After receiving his BFA from Parsons School of Design, Picayo began his professional career as a commercial photographer, shooting for magazines such as Vanity Fair, Sassy, Taxi, and Connoisseur. Picayo’s work has since appeared in Harper’s Bazaar, L.A. Style, New York Times Magazine, Esquire, Rolling Stone, NY Magazine, HG, and Elle Décor. Picayo has held nine solo exhibits to date at the Robin Rice Gallery. Esquire Magazine...

The Song You Would Hear by Marcy Palmer presents a bouquet of wildflowers, illuminated in a background of gold. This photograph is made of 24k gold leaf o...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

An original 1920s gelatin silver print by famed photographer Tina Modotti, showing a drawing of soldiers and families by Clemente Orozco. Photo is stamped “Photographs-Tina Modotti ...

In this early photographic series, Dubravka Lazić turns her lens toward a subject rarely treated with such a quiet dignity: domestic cats. Shot in 2005, these portraits mimic the fo...

In this early photographic series, Dubravka Lazić turns her lens toward a subject rarely treated with such a quiet dignity: domestic cats. Shot in 2005, these portraits mimic the fo...

Ghost Souls III • 2022 • Edition of 18 prints in 3 different sizes. A collaboration of photographer Angelika Büttner and visual artist Laure Laferrerie. All prints are numbered and ...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Marilyn in the wedding veil Bern Stern print on photo paper inkjet technique paper dimension: 48 X 33 cms dimension photo: 26 X 38 50 copies photo of 19...

Tigran Tsitoghdzyan is especially interested in how people interact in this era of technology and social media. His “Mirrors” series suggest a close examination of self, and yet hand...

Descent into Fusion is an abstract study of fusion as a universal event: two separate fields drawn into one outcome. Built through layered charcoal on paper, the image follows a clea...

Ed. of 10, includes white frame. "Iron Lady" is part of Nathan Coe's Double Exposure series. Coe was inspired to create his double exposures while flying over Nantucket and seeing h...

Artist Gerald Laing and his wife Galina Golikova, nude, 1968. Gerald was a close friend of Jack Mitchell and the photos were taken to celebrate their wedding. Vintage silver gelatin ...

French Tulips X-Ray Photography on Dibond Lambda Print Flowers Still Life Colors - Perspex Front UV Resistant More sizes available The photography of Arie van ’t Riet...

Roger Ballen Desperados, from the series 'The Theatre of Apparitions', 2009 One sided Texflex Lightbox, Powder coated Ferro Black Printed on fabric Lightbox 100 x 100 x 9 cm (39 3/8 ...

Roger Ballen Hallucination, from the series 'The Theatre of Apparitions', 2010 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 86 x 9 cm (39 3/8 x 33 7/8 x 3 1/2...

Roger Ballen Moonrise, from the series 'The Theatre of Apparitions', 2011 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 86 x 9 cm (39 3/8 x 33 7/8 x 3 1/2 in.)...

In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Realm (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 true size solarized gelatin silver print printed at artist darkroom in Los Angeles (10 days handling time) original photograph accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography...