Drawing Photography

Excellent hand printed photograph by the master Brett. Signed and dated in pencil. Dry mounted on board.

Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create...

Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten co...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

24 x 50" 8-ply mat for an additional $185.00 - Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photo...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition. He has also photographed extensi...

In the Wake of the Bind – 2016 We often speak of old, neglected buildings in anthropomorphic terms as having “good bones”. As such, the specter of death already haunts the languag...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

Signed, numbered and titled on recto. Signed, titled, stamped on verso. Gelatin Silver Print Edition of 25

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 44 x 65" unframed (112cm x 165cm) 2022 Edition 1/8 *Should you wish the photograph to be ...

In this early photographic series, Dubravka Lazić turns her lens toward a subject rarely treated with such a quiet dignity: domestic cats. Shot in 2005, these portraits mimic the fo...

Vintage Photograph of a Painting  is a black and white vintage photo realized by an anonymous artist in the mid-20th Century. Good condition. The artwork belongs to a series of pho...

Nude-  Guzzi Beppe is a black and white vintage photo, realized in the 1954. Good conditions, with some decoloration spots and aged margins. It belongs to a historical album includ...

Marie Craig’s “New York Skyline” is a pen and ink drawing of the skyline of New York City on a unique cyanotype photograph of leaves and blossoms which has been toned to fade away ar...

Photograph of a Painting by Beppe Guzzi is a black and white vintage photo realized by an anonymous artist in the 20th Century. Good conditions except for some minor fixings. The a...

Olive tree - Signed limited edition archival pigment print - Edition of 8 Photography : 2012 Bichromate print : 2012 Pigment print : 2020 Sunny photograph of an olive tree with ...

Finnish Photographer Christoffer Relander’s We Are Nature series blurs the line between the natural world and the human form to such a degree that it is impossible to tell where one ...

"911 Targa", photography by Nick Veasey. Born in 1962, Nick Veasey is a British photographer who lives and works in London. Mainly known for his use of X-rays, his photographs have ...

Presenting a captivating pair of abstract black and white floral photographs: 'Lily in Charcoal' and 'Lily in Charcoal No.2.' Each image is meticulous...

'Delphinium in cut' 100x100 cm Limited edition 2 of 5. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withstand ...

Sepia-toned gelatin silver print Signed and numbered, verso 20 x 24 inches, sheet (Edition of 35) 26 x 39 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Gentle moment of a white Camargue horse looking out of his white stable window A lone white ethereal horse peaks its head out of the stables in Camargu...

This piece is an offset photolithograph, originally shot by Bert Stern in 1967, and printed at a later date. It was photographed for the New York City Ballet production by George Ballachine, "A Midsummer Night's Dream" starring Arthur Mitchell...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Sepia toned gelatin silver print Image size: approx. 8 x 8 in. Mat size: 20 x 16 in. Signed, dated and numbered in pencil on mount margin Signed, titled, negative date, print date an...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistication and whimsy. Whether she’s shooting for brands like Dove, Diet Pepsi, Credit Suisse, L’Oreal, Tampax and Ligne Roset or diverse collaborative partners like Badgley Mischka, DSW, Kate Spade, Macy’s, Neiman Marcus and Target, Liz gives even the most familiar, everyday scene a fantastical twist. She transports us from the realm of the ordinary into the extraordinary. Starting with a no-nonsense approach, she lets the magic happen in front of the lens as simply as possible to keep the unexpected as human as possible. Liz’s personality is evident in her work as a photographer and director: at every turn, a sense of playfulness and polish, scaffolded by a carefully calculated vision. She meticulously compiles inspirations and influences, ranging from the everyday to the magnificent, making each image more inventive than the last. Liz Von Hoene is part of the Trunk Archive...

S 07-09 is a limited-edition photograph by French contemporary artist Riccardo Varini. This photograph is sold unframed as a print only. It is available in two sizes: *20 × 30 cm (...

Finnish Photographer Christoffer Relander’s We Are Nature series blurs the line between the natural world and the human form to such a degree that it is impossible to tell where one ...

Bowling (Ghost Town) - 2020 Sketches of a downtown disappearing. 40x40cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polaroid. Signed on back wit...

Mint Condition Hand printed silver gelatin photograph by artist. Gift from artist incsribed in pencil on verso Signed on recto.

Archival pigment print (Edition of 8 + 2 APs) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Inspired by Karl Blossfeldt’s “The Alphabe...

Archival pigment print (Edition of 8 + 2 APs) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Inspired by Karl Blossfeldt’s “The Alphabe...

'Notre Dame 2' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and artis...

Lullaby is the second chapter of a larger body of work that pushes further the themes and ideas explored in the series Paranoia. Again this collection of images was arranged ‘a poste...

Silent Forms 150 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph was created in the dye-sublimation printing on brushed aluminium technique. Th...

Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the ...

Onishi Tree Shadow and Clouds, Study 2, Hokkaido, Japan by Michael Kenna is a 8 x 8 inch* silver gelatin print, available in an edition of 25. *Please note: the measurements of this ...

"The School" The Bahamas 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6 - $1...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...