Shorts Photography

Fisher Ross Sauna, ca. 1977. Print measures 8 x 10 inches. 2026 digital print from the original in the Fisher Ross Archive. From an edition of 15 on archival paper produced by th...

Sardinian Holiday Selvaggia Borromeo enjoys a yachting holiday on the Costa Smeralda in Sardinia, 1967. Gorgeous print measuring 40 x 30 inches / ca 101 x 76 cm's. Estate Stamp...

Kristine DeBell is a  vintage photo, realized b Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

Tennis in The Bahamas, 1957 by Slim Aarons 16 x 16" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Tennis in the Bahamas, 1957" is a beautiful Limited...

Savannah Skateboard by Alain Le Garsmeur A man shows his balance skateboarding down the street in downtown Savannah, Georgia, USA, 1983. Paper size 20 x 24 inches / 50 x 60 cm Print...

Gelatin silver print S. 11 x 13 1/2 in. (27.9 x 34.3 cm) Edition: 6/85 Estate-stamped and numbered on the reverse Unframed, excellent condition

'George Hamilton' American actor George Hamilton holidays in Saint-Tropez, on the French Riviera, August 1977. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection E...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

Little Darlings (Till Death do us Part) - 2005 38x37cm, Edition of 10, plus 2 artist proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label, artist Inve...

' Cola Café ' Limited Edition Archival Pigment Print Children wait outside a cafe with Pepsi Cola sign in Tegucigalpa, Honduras, Central America, 1981. Note all prints are limit...

Something (Till Death do us Part) - 2005 40x40cm, Edition of 10. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory number: 9445. Not mou...

Three Wait on Dock, Cherry Grove, Fire Island, NY 1978 Signed, titled, dated, and numbered, verso Gelatin silver print (Edition of 5 + 2 APs) 20 x 16 inches (Edition of 5 + 2 APs)...

Army Of Me II - Oversize limited edition - Pop Art - Muhammad Ali by the London based contemporary pop art image creator and artist, BATIK. Measures 40 x 30" inches / 101 x 76 cm ...

Kristine DeBell is a  vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy graffiti with as much accuracy as possible, including the texture of the walls where the stencils were on and the windows on the buildings here in Los Angeles. Most were recreated “in situation”, without any photo shop. Only two works “The Maid” and “The Lovers” required minimal photoshop. Nick is English as is Banksy but based in Los Angeles so finding brick walls or a sash window was fun to find for the shoots. All photographs are printed to order and signed, with a certificate of authenticity signed by Wallspace. They are printed on 20”x16”paper with a border included - be aware that images may not all be exactly the same size as the imagery has different layouts. The paper size will be framed to the same size. The paper is a heavy weight fine art paper Entrada. fine art print...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

The Juncture (Till Death do us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventor...

Cadiz - Signed limited edition archival pigment print, Edition of 10 ( 5 available) People walking on the beach of Cadiz, Spain This image was captured on film. The negative was ...

Artist: William Wegman (American, b. 1943) Title: Bird Dog, 1990 From the Bird Dog Suite of 4 Photolithographs Medium: Photolithograph Dimensions: 24" w x 26" h, image size 19.5 x 19...

Spring Break, 1950s by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Spring Break is a Limited Edition Estate Stamped Digital C...

Crabbing In The Hamptons 1956 by Toni Frissell Family and friends enjoy crabbing a a beach in The Hamptons, Long Island's play spot. Oversize 30 x 20" inches / 76 x 51 cm paper si...

Germany, 1936 – Photograph by Heinz Pollmann In this charming moment captured by Heinz Pollmann, a young boy gazes up in awe at a confident Fox Terrier perched proudly atop the folde...

Gelatin silver print This artwork is offered by CLAMP, New York.

Kristine DeBell is a  vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

George Platt Lynes Photograph #1 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photogra...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

"Betty Slade Dives" by Fox Photos/Getty Images England's champion woman diver, Betty Slade, doing a back dive from the springboard, during training at Wood Green baths. Unframed Pa...

Willie Nelson, taken in 1977 during a running race in Austin Texas. Taken by photographer, Scott Newton Scott Newton recalls, "Willie Running Race (For Stehlin Foundation Cancer Benefit-Run For Your Life) outside the Austin Opry House entrance on Academy Drive, Austin TX...

World Series Parade, New York City, 1954 by Leonard Freed, is an 11" x 14" gelatin silver later ("lifetime") print, signed on verso (back of print) by the photographer and stamped (magnum). The photograph is handprinted by Leonard Freed. Parade by Freed captures the joy of two majorettes en route in the streets of the city for the celebration of the New York Giants...

Girl Blowing Bubble Gum, Wall, South Dakota by Michael Ormerod is a stunning Color Print on Hahnemuhle Paper in an Edition of 20 in this size. Sta...

Untitled, from Women are Beautiful Portfolio, by Garry Winogrand is a black and white gelatin silver print of two women in matching outfits, walking through a park with people staring as they pass by. Edition of 80 Signed, numbered and misc. notations by Garry Winogrand Gelatin silver print Paper size: 11 x 14 in., Image size: 8 3/4 x 13 in. Printed 1981 From the Women are Beautiful Portfolio Garry Winogrand was an American photographer from New York. He is known for his extensive documentation of American life.. Winogrand was the recipient of the various Guggenheim Fellowships and a National Endowment for the Arts Fellowship. His work is included in the George Eastman Museum, Museum of Modern Art, the Whitney Museum of American Art and the Center for Creative Photography...

Brent and Jorge, 90s queer portrait photography, black and white by Victor Carnuccio. Brent and Jorge 1992 Signed, titled, dated, and inscribed, verso; Also studio stamp, verso Ge...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

World Series Win, New York City, 1954 by Leonard Freed, is a 14" x 11" gelatin silver later ("lifetime") print, signed on verso (back of print) by the ...

Iconic Boxing Memorabilia, Authentic Signature For sale is a museum-quality, hand-signed 16 × 20 inch photograph of Muhammad Ali capturing the iconic moment he stands triumphant over Sonny Liston following their legendary 1965 fight. Shot by renowned sports photographer Neil Leifer, this image, often called “Ali Over Liston,” is one of the most celebrated and recognizable photographs in sports history. This piece is personally hand signed by Muhammad Ali, making it a highly coveted collectible for serious sports memorabilia enthusiasts, collectors of fine art photography, and fans of the boxing legend. The glossy print emphasizes the drama and athleticism of Ali’s knockout, immortalizing one of boxing’s most historic moments. Details • Athlete: Muhammad Ali • Opponent Pictured: Sonny Liston • Photographer: Neil Leifer • Image: Iconic “Ali Over Liston” moment, 1965 • Size: 16 × 20 inches • Medium: Glossy photographic print • Signature: Hand signed by Muhammad Ali Authentication Includes a Certificate of Authenticity (COA) from KO Collectibles, a trusted source with over 30 years of experience in Muhammad Ali memorabilia. COA Details: Peter Morkovin 30 Years Dealing in Muhammad Ali Memorabilia 1009 Oswego St., Liverpool, NY 13088 Item No. 24698 Dated: January 5, 2005 The signature of Muhammad Ali is guaranteed authentic per the included certificate. This photograph is a rare, collectible work of art and sports history, ideal for display in private collections, galleries, or offices. A must-have for anyone seeking a combination of fine art photography and legendary sports memorabilia. Keywords / Search Tags: Muhammad Ali, Sonny Liston, boxing memorabilia, signed sports photograph, 16x20 photo...

Germany, in summer 1937 – Photograph by Karl Heinrich Lämmel In this candid and delightfully composed image by Karl Heinrich Lämmel, a woman sits on the bumper of a gleaming Ford V8,...

Fisher Ross 10-Speed, ca. 1977. Print measures 8 x 10 inches. 2026 digital print from the original in the Fisher Ross Archive. From an edition of 15 on archival paper produced by...

"Chihuahuas" by Keystone A small dog's eye-view of two chihuahuas and their owners waiting for judges at Cruft's all-champion dog show. Unframed Paper Size: 20" x 24'' (inches) Pri...

GEORGE BARRIS I4 FROM "THE LAST PHOTOS" ORIGINAL PHOTO FROM ORIGINAL NEGATIVE 16 X 20 INCHES HAND SIGNED BY ARTIST This piece is an original photograph of Marilyn Monroe from the o...

Stay On Target- archival pigment print by the London based contemporary pop art image creator and artist, BATIK. Measures 60 x 40" inches / 151 x 101 cm paper size limited to 3 only this size. signed and numbered by the artist. certificate of authenticity provided. unframed. (Framing available - please enquire) This piece is a modern reworking of the infamous scene in North By North West by Alfred Hitchcock where Cary Grant is hounded by an aeroplane, in this case, a Star Wars Tie Fighter...

Art Shay photographed the community of Brooklyn, IL for Ebony Magazine, 1952. These photographs are the result of that experience. Brooklyn (popularly known as Lovejoy), is a village in St. Clair County, Illinois, United States. Located two miles north of East St. Louis, Illinois and three miles northeast of downtown St. Louis, Missouri, it is the oldest town incorporated by African Americans in the United States. It was founded by freed and fugitive slaves from St. Louis, led by "Mother" Priscilla Baltimore in the period of 1829 to 1839. Its motto is "Founded by Chance, Sustained by Courage". This photograph is framed. Art Shay Brooklyn Twins, 1952 silver gelatin print 14h x 11w in 19.25h x 16.5w in framed ASY15054 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel, photographer; IIT Institute of Design President “I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.” David Mamet

"Betty Slade Dives" by Fox Photos England's champion woman diver, Betty Slade, doing a back dive from the springboard, during training at Wood Green baths. Unframed Paper Size: 40"...

Carrie Mae Weems In the Halls of Justice Edition 3/25 Limited edition Signature Signed, verso Steeped in African American history, Carrie Mae Weems makes alternately searing and te...

Edition of 20 Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where the miseen-scene often subtly references literature and film. Olivar orig...

Archival pigment print Signed and numbered, verso 12 x 12 inches (Edition of 10) 25 x 25 inches (Edition of 10) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Evžen Sobek...

Motorboats in Antibes, 1969 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Motorboats in Antibes' is a Limited Edition Estate ...

Signed in pencil on verso; stamped with photographer's copyright stamp on verso Gelatin Silver Print Paper: 16" x 20", Mat: 20" x 24"

Stay On Target - Hand Signed Limited Edition Archival Pigment Print This piece is a modern reworking of the infamous scene in North By North West by ...

NEIL LEIFER’s photography career has spanned over 50 years since becoming a professional while still in his teens. Beginning in 1960, his pictures regularly appeared in every major national magazine, including the Saturday Evening Post, Look, LIFE, Newsweek, Time and, most often, Sports Illustrated. Leifer eventually became a staff photographer for Sports Illustrated before leaving in 1978 to become a staffer for Time magazine. In 1988 he was made a contributing photographer at LIFE magazine and spent the next two years dividing his time between Time and LIFE. When Leifer left Time Inc. in 1990, his photographs had appeared on over 200 Sports Illustrated, Time, and People covers—at that point, the most ever published of one photographer’s work in Time Inc. history. Neil Leifer is the 2006 recipient of the prestigious Lucie Award for Achievement in Sports Photography. In 2008 he was honored for his outstanding contribution to Time Inc. journalism with The Britton Hadden Lifetime Achievement Award. Leifer has published 16 books, 9 of which have been collections of his sports photographs. Sports, his 1978 Abrams book, is considered by many to be the quintessential sports photography book. His two most recent, Ballet in the Dirt and Guts and Glory—both published by TASCHEN, showcase the very best of Leifer’s professional baseball and football photographs...

'Beach Babe Kelly Grace' Grace Kelly on the set of To Catch A Thief, 1955. (Photo: AKG) mint condition Archival pigment print Measuring 12 x 16 inches...

Cats on the Sidewalk, 1984 by Tria Giovan From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs ...

Elton John, 1973

This images sits on the paper size with a white border to matt over or to frame tot he edge . The image estimate is 26" x 38". on the 30" x 40" paper size . Eternally suspended in m...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Lobster and Crab Catch by Toni Frissell Local fisherman carry their fresh catch of Lobsters and Crab from sea. (Toni Frissell) Limited signature stamped edition print 60 x 40" inch...

Edition of 10 Portrait of John Foster at the beach in South of France. Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where the miseen-scen...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Tennis In The Bahamas 1957 by Slim Aarons Slim Aarons Limited Estate Edition Two women stand talking to a man on the edge of a tennis court in the Bahamas, circa 1957. Behind the main group stand a second group of people talking...

Archival Pigment Print on Cotton Rag Paper Including COA Printed by Eve Arnold's own bespoke printer Danny Pope USA. Illinois. Chicago. A washroom in the Chicago Airport, US actress...