Francisco Toledo

La domadora

1980's

Artist proof, aquatint, mixed intaglio engraving by the Russian/American artist, Nahum Tschacbasov. Pencil signed and dated lower right, 1947. Artist Proof. Condition: good; slight...

Guillermo Silva Santamaria, Colombian (1922 -2007) - Despues de la Corrida, Year: circa 1963, Medium: Etching with Aquatint on Fabriano Cotton paper, signed, titled and numbered in...

André Masson, French (1896 -1987) - Dark Yellow Composition, Medium: Aquatint (unsigned), Image Size: 13 x 9.5 inches, Size: 15 x 11.25 in. (38.1 x 28.58 cm), Description: From t...

André Masson, French (1896 -1987) - Light Blue Composition, Medium: Aquatint (unsigned), Image Size: 13 x 10 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), Description: From the co...

André Masson, French (1896 -1987) - Feuilles Épaisses, Year: 1958, Medium: Etching and Aquatint, Image Size: 8 x 6.75 inches, Size: 9.25 x 7.75 in. (23.5 x 19.69 cm), Description...

Andre Masson, French (1896 - 1987) - Embleme, Year: 1942, Medium: Etching and Aquatint, signed and numbered in pencil, Edition: 5/30, Image Size: 9.5 x 8.75 inches, Size: 18.25 ...

TECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 8pm 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

TECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 10pm 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

TECHNICAL INFORMATION Roberto Matta Archer, from Transports 1976 Etching aquatint 18 x 23 in. Edition of 100 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed ABOUT THE ARTIST The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

TECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 8am 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.