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Scale Prints and Multiples

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Art Subject: Scale
Segno Zodiacale Bilancia - Original Screen Print by Sergio Barletta - 1973
Located in Roma, IT
Segno Zodiacale Bilancia is an original screen printh on grey paper realized by Sergio Barletta. Signed on the lower left margin. In good conditions ...
Category

1970s Contemporary Figurative Prints

Materials

Screen

Libra - Original Woodcut by P. C. Antinori - 1970s
Located in Roma, IT
Zodiac Signs - Libra is original Black and white woodcut, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original xilography of Piero...
Category

1970s Figurative Prints

Materials

Woodcut

Libra - Screen Print by Sergio Barletta - 1973
Located in Roma, IT
Libra is a screen print on grey paper realized by Sergio Barletta. Signed on the lower left margin. In good conditions except for fairly consumed edges. The artwork represents t...
Category

1970s Modern Figurative Prints

Materials

Screen

Ancient Roman Fresco Herculaneum - Original Etching G. Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good...
Category

Late 18th Century Old Masters Figurative Prints

Materials

Etching

Ancient Roman Fresco Herculaneum - Original Etching G. Casanova - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Casanova in the 18th Century. Signed on the plate. Good conditi...
Category

Late 18th Century Old Masters Figurative Prints

Materials

Etching

Libra - Screen Print by Sergio Barletta - 1973
Located in Roma, IT
Libra is a screen print on grey paper realized by Sergio Barletta. Signed on the lower left margin. In good conditions except for fairly consumed edges. The artwork represents the...
Category

1970s Modern Figurative Prints

Materials

Screen

Libra - Screen Print by Sergio Barletta - 1973
Located in Roma, IT
Libra is a vintage poster on silvery paper realized by Sergio Barletta. In good conditions The artwork represents the zodiac sign. Sergio Barletta (1934) is an Italian cartoonist...
Category

1970s Modern Figurative Prints

Materials

Screen

Zodiac Sign Bilancia - Offset by Sergio Barletta - 1973
Located in Roma, IT
Zodiac sign Bilancia is an offset vintage poster on silvery paper realized by Sergio Barletta. In good conditions The artwork represents the zodiac sign. Sergio Barletta (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography...
Category

1970s Modern Figurative Prints

Materials

Offset

Zodiac sign Bilancia - Offset by Sergio Barletta - 1973
Located in Roma, IT
Zodiac sign Bilancia is an offset vintage poster on silvery paper realized by Sergio Barletta. In good conditions The artwork represents the zodiac sign. Sergio Barletta (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography...
Category

1970s Modern Figurative Prints

Materials

Offset

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"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
Located in Soquel, CA
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
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