Fiberboard Abstract Sculptures

This green, purple, and grey wall-hanging abstract sculpture titled "All the same" is an original artwork by Joey Slaughter made of acrylic ...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

acrylic on linen 24 x 24 x 2.5 inches Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple ge...

Paisley and floral patterned wall sculpture by Jessica Godisak (American, b. 1977). This dimensional piece is constructed of several wood forms joined together. There is empty space ...

Infinite Diversity Aqua Geometric Wall Sculpture Features A Bold Three Dimensional Design With Interlocking Circular Forms That Evoke The Movement Of Ocean Waves And Marine Life. Cre...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and ...

"You Have the Right to Remain Silent" Wood Panel Original Painting and Carving Elaborate collage, painting and carved sculpture by Mickey "Kano" Kane (American, 20th century). In Yo...

This textured abstract diptych by Teodora Guererra features a light, cool palette with subtle warm pink accents throughout. The artist layers thick strokes of paint using a palette k...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

acrylic on linen 45.5 x 45.5 x 5 inches b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are...

This sculpture consists of hundreds of bent-laminated D-shaped pieces glued to a plywood substrate. The piece is hung using a series of aluminum z-clips. The sculpture come apart in...

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...