Plastic Abstract Sculptures

Robert Segal’s abstract sculpture offers a particularly fertile ground for experiments in shape, color, proportion, and technique. He steps away from non-traditional sculpting method...

"Clue #4" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas stretchers. Clue #4 measures...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

**ATTENTION** This piece can not be shipped. It need to be sold in California where the showroom is located in Los Angeles. California residents will receive free w...

"Abstract Visage I" Abstract Sculpture 18" x 8" inch by Ibrahim Abd Elmalak Double-faced Fiberglass Signed & Dated Sculptures that mostly depict his characteristic figures of femi...

This white color PVC artwork in fact is full of colors that capture the light: under every carved lines are visible the presence of jellow color and blue color. In the 1966 Estuard...

This beautiful, contemporary mobile sculpture is made from steel with different moving parts that reflect the light and throw shadows on to the wall and that turn and move with wind....

Title: Lantern Column IV Year: 1998 - 2014 Medium: Mold blown glass, cast polymer, steel, cast iron Size: 60 3/4 inches Price: $10,000. Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

"Abstract Calligraphy" Abstract Sculpture 31.5" x 20" x 35" in by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo University, he mixes between p...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

SUNSET is a summer-inspired wall sculpture by Vera Vizzi that fuses foam clay, acrylic paint and enamel on a 45 × 45 × 7 cm fir wood panel. The composition depicts an aerial tennis c...

Concrete, paint, oil pastel and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Biomorphic yet industrial style to Dena Paige Fischer's sculptural votive candle holder. The stacked cubes are painted and smooth, piled upon one another into a column, or as the artist calls it, a totem. The pastel pigmented concrete in peach and lavender looks almost soft. This sculptural votive candle holder is a functional and decorative tabletop art...

"Ut Tenebras" is an original sculptural work in a painted wooden frame by Paige Smith (A Common Name). The piece is solid resin dyed and cast by the artist and measures 18in x 12in ...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

Elza Mayhew (1916-2004) was known for her abstract bronze sculptures, many large scale, that were described by Colin Graham of the Art Gallery of Greater V...

FOCUS is a public art sculpture about photographic vision and how it shapes the way we see the world. It is concerned with the viewer’s growing visual perception and bodily experienc...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

"Obsidian Geode" is an original work from Paige Smith's ongoing series of geode sculptures. The piece is solid resin cast by the artist and painted. This work measures 8in x 7in x ...

Rhomboid, 2001 Laminated acrylic Signed and dated: Vasa / 2001 9.5" H x 4.5" W x 2.5" D (size is approximate) Vasa Velizar Mihich (born 1933), known as Vasa, is an American artist based in Los Angeles, California. Born in Yugoslavia, Vasa has lived in Los Angeles since his arrival in the United States in 1960. He is an academically trained painter and was a professor at the University of California, Los Angeles UCLA in the Department of Design and Media Arts. He taught theories of color to understand interdependence and interaction of color and form, color and quantity, color and placement, and after-image. In the 1960s, Vasa developed techniques for working with cast laminated acrylic forms based on simple Euclidean shapes. These prisms of luminous construction are created by composing colored planes within these geometric forms. To fully appreciate these works of art, it is essential to observe them from different angles―the sculptures dimensionality contributes to an ever-changing appearance. Now retired as a professor emeritus, Vasa focuses on his conceptual art practice. His studio, designed to accommodate the technology required for his work, is located in the heart of Los Angeles. He makes laminated acrylic sculptures that reflect and refract light. He has had solo exhibitions at galleries in the United States, Japan, Italy and Serbia, including the Museum of Contemporary Art, Belgrade, the San Diego Museum of Art, and the Palm Springs Desert Museum. Vasa is best known for his sculptures made from colored pieces of the plastic, poly(methyl methacrylate), which is also known as acrylic and by the brand names Plexiglas and Lucite. Untitled from 1975, in the collection of the Honolulu Museum of Art, demonstrates the effect of these minimalist sculptures. His work straddles the West Coast Light and Space art movement, Artists such as Robert Irwin, James Turrell, John McCracken, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, and Lita Albuquerque...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Davide Quayola (Italian, b. 1982) "Laocoon Fragment #8_005.003" 2016 Made of Iron, epoxy, fiberglass, mirror-polished steel & wood. Dimensions: 19.7 x 11 x 15.75 inches (50 x 28 x 40 cm) Base Plate Dimensions: .8 x 23.7 x 23.7 inches (2 x 60 x 60 cm) base From the signed and numbered edition of 3 "Quayola employs technology as a lens to explore the tensions and equilibriums between seemingly opposing forces: the real and artificial, figurative and abstract, old and new. Constructing immersive installations, he engages with and re-imagines canonical imagery through contemporary technology. Landscape painting, classical sculpture and iconography are some of the historical aesthetics that serve as a point of departure for Quayola’s hybrid compositions. His varied practice, all deriving from custom computer software, also includes audiovisual performance, immersive video installations, sculpture, and works on paper. His work has been performed and exhibited in many prestigious institutions worldwide including V&A Museum, London; Park Avenue Armory, New York; National Art Center, Tokyo; UCCA, Beijing; How Art Museum, Shanghai; SeMA, Seoul; Palais de Tokyo, Paris; Ars Electronica, Linz; Sonar Festival, Barcelona and Sundance Film Festival. Also a frequent collaborator on musical projects, Quayola has worked with composers, orchestras and musicians including London Contemporary Orchestra, National Orchestra of Bordeaux, Ensemble Intercontemporain, Vanessa Wagner, Jamie XX...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

Biomorphic yet industrial style to Dena Paige Fischer's sculptural votive candle holder. The stacked cubes are painted and smooth one with a natural cleave, piled upon one another into a column, or as the artist calls it, a totem. The pastel painted plaster in lavender and pale yellow looks almost soft. The piece is smooth and the bold navy blue and taupe paint embellish the abstract geometric design. This sculptural votive candle holder is a functional and decorative tabletop art...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Plexiglass and color screenprint multiple, circa 1970. With the artist's signature incised and numbered 85/125 at the base.

Multi dimensional tower sculpture (polymorph screen print on folded PVC) on brass base. Hand signed by Yaacov Agam. Hand numbered 66/150 (slightly faded - see pic). Size: 34.25 x ...

Title: Lantern Column I Year: 1998 - 2014 Medium: Mold blown glass, cast polymer, steel, cast iron Size: 41 3/4" inches Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Varco is a mixed media wall sculpture by Vera Vizzi that explores the emotional depth of the sea through a vivid interplay of texture, gesture and color. Composed in foam clay, plast...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Artwork made in Suede Venetian paint, latex, Cedar wood, MDF & wax Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Othe...

This Enamel on aluminum in plexi box by Jay Phillips, is a structural contemporary work. Phillips cut and folded his materials to form overlaps and projections. His use of bright colors reflected his early Southern California art...

"Maybe" is an abstract artwork by Stan Olthuis composed of acrylic paint on polystyrene mounted in a painted wood frame. Maybe measures 26" high by 30" wide by 2.5" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The circles, the discs, almost touch but not quite. The artist's obsession with geometry and shapes in proximity is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint. From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains." Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies. His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan. Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

Peeks, Mixed Media Sculpture by Dutch artist Hans Van Meeuwen. Artist Commentary: The face peeking out between the boxes is on both sides. It peeks ...

Artwork made with Latex washes, Enamel, Birch, MDF & lacquer Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art ...

Artwork made with latex washes, Birch, MDF & lacquer Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in ...

Mint 24" x 36” x 1”-2020. Mixed Media – Wood, paint, lacquer on MDF Mint is an elegant modern and minimalist contemporary wall sculpture. It is constructed with birch panels and acr...

Artwork made with birch, wax and acrylic washes Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, ...

Artwork made with Suede Venetian paint, latex, Cedar wood, MDF & wax Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Ot...

Artist Commentary: As a continuation of the screens series, I experimented with adding air between layers to show the organic process and the play with not only reflected light from behind, but also shadow. (Photo files include one angled shot, and one closeup.) Keywords: abstract, transparent, brush...

The artist intends to modifie the human landscape with the abstract presence of his artworks. The point of starting to think this artwork, we can say that it is the same of the Fran...

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

Hydrocal, pigmented concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Wood, window screen, plaster, joint compound, polymer and acrylic paint

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Arman Temps 2 (Mecanismes de montres) 1976 Accumulation of watch parts on three sheets of Plexiglas, encased in a box Dimensions: 18.125 h × 18.125 w × 4.375 d in (46 × 46 × 11 cm) H...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

From the newest original works by Zammy Migdal, these wall objects hang as sculpture on the wall, each one unique, forming its own fluid story. This dark gray work is from a series ...

Part of Zammy Migdal's newest works these abstract unique square framed installtions are white on white with mounted three dimensional elements on French linen and framed to hang on ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

The sculpture is a part of the series - Forward to the Future. The core idea of this project is to encourage people to use infinite and environmentally friendly natural energy. The ...