Plexiglass Abstract Sculptures

Greg Chann Hygge, 2024 acrylic and ink 26 x 20 x 1.25 in. (cha033)

a mesmerizing sea of blue, green and ocre color tones from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique abstractions Iris I...

a mesmerizing sea of light amber, emerald and aqua color tones, from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique...

CARLOS CRUZ-DÍEZ - COULEUR À L’ESPACE NOVA Date of creation: 2012 Medium: Chromography on PVC and steel Edition: 75 Size: 52 x 12 x 12 cm Condition: In perfect conditions, brand new ...

Jose Margulis is a contemporary artist whose work explores the space where art, science, and philosophy meet. Best known for his three-dimensional geometric constructions, he works w...

This small sculpture is made of 5 individual pieces that stack together to create a standing sculpture. Each piece is made of cut and buffed plexiglass. Colombian-born, Atlanta-bas...

Blue Skies by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 12x12x2 filled with bright colors and dimension. It is on a wood frame and wired f...

CARLOS CRUZ-DÍEZ - COULEUR À L’ESPACE ARIEL Date of creation: 2011 Medium: Chromography on PVC and steel Edition: 75 Size: 52 x 12 x 12 cm Condition: In perfect conditions, brand new...

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

a mesmerizing sea of dark green and brown tones from an ongoing photography project since the late 1990s, capturing the details of the human eye and a pupil's unique abstractions Ir...

a mesmerizing sea of light blue and acqua color tones from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique abstracti...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Pink Sojourn One This contemporary abstract wall sculpture is crafted from layered acrylic and plexiglass, merging painting with sculptural form into a vibrant, light-reactive compo...

a mesmerizing sea of abstract grey blue and aqua water color tones, from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's un...

Jose Margulis is a contemporary artist whose work explores the space where art, science, and philosophy meet. Best known for his three-dimensional geometric constructions, he works w...

Jose Margulis is a contemporary artist whose work explores the space where art, science, and philosophy meet. Best known for his three-dimensional geometric constructions, he works w...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Artist: Jesus Rafael Soto, Venezuelan (1923 - 2005) Title: Mirroire d'Artiste Year: 2005 Medium: Mirrored Glass and Silkscreened Plexiglass Wall Sculpture, signature and number ...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

Victor Vasarely (9 April 1906 – 15 March 1997), was a Hungarian-French artist, who is widely accepted as a grandfather and leader of the Op art movement. In 1928, he enrolled at Sán...

Roses By The Sea by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 16x16x2filled with bright colors and dimension. It is on a wood frame and wi...

Claudia Meyer is a Swiss Artist and visual Art creator who expresses her creativity through two distinct and converging visual Art fields, one being Contemporary Fine Art and the other being “Industrial” Art inspired by new realism. Early on Claudia Meyer trained as a graphic designer at Hochschule für Gestltung and Kunst in Luzern, and spent a year in Stuttgart, Germany where she made the acquaintance of Anton Stankowski...

Liam Gillick, Recessed Discussion Stream Plexiglas and MDF Edition of 30 12 x 50.1 x 20 cm (4.7 x 19.7 x 7.9 in) Signed and numbered on Certificate of Authenticity In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. Gillick’s work exposes the dysfunctional aspects of a modernist legacy in terms of abstraction and architecture when framed within a globalized, neo-liberal consensus. His work extends into structural rethinking of the exhibition as a form. He deploys multiple forms to expose the new ideological control systems that emerged at the beginning of the 1990s. "By making the abstract concrete, art no longer retains any abstract quality, it merely announces a constant striving for a state of abstraction and in turn produces more abstraction to pursue." -Liam Gillick Gillick’s work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere. This colorful Plexiglas...

Linda Stein, Heroic Journey 602 - Contemporary Wonder Woman Colorful Sculpture Linda Stein started her Knights of Protection series after she was forced to evacuate her New York dow...

CARLOS CRUZ-DÍEZ - CHROMOINTERFERENCE MANIPULABLE CARIBE Date of creation: 2014 Medium: Screen print on plexiglass Edition: 99 Size: 40 x 35 x 10 cm Condition: In perfect conditions,...

FELIPE PANTONE - SUBTRACTIVE VARIABILITY COMPACT Date of creation: 2022 Medium: PMMA, UV inks Edition: 200 Size: 47 x 45 x 5 cm Condition: In mint conditions, brand new inside its or...

Carlos Cruz Diez Three element transchrome 2011 Plexiglass Sculpture Editions La Difference Paris 49 of 75 21 x 5 x 5 in Signed, dated, and numbered at the publisher label at the bot...

CARLOS CRUZ-DÍEZ - CHROMOINTERFERENCE MANIPULABLE LA DIFFERENCE Date of creation: 2011 Medium: Screen print on plexiglass Edition: 99 Size: 40 x 35 x 10 cm Condition: In perfect cond...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Epitafios Plexiglass wall sculpture Dimensions: 10.25 in. H x 9.5 in. W x 1.4 in. D One of a kind Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture, and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

Linda Stein, Brush Swivel 64 - American Feminist Contemporary Chair Black Red Sculpture Linda Stein has been addressing the theme of Power/Vulnerability for more than five decades....

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Yoshiyuki Miura was born in Fukuoka, Japan, in 1958. In 1985, he graduated in sculpture art from the Tokyo National University of Fine Arts, he then mo...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Etapas 1-3 and black box by Alejandro Valencia Plexiglass Overall dimensions: 38 in. H x 9.5 in. W x 3 in. D Epitafos dimensions: 10.25 in. H x 9.5 in. W x 1.4 in. D Etapas 1-3 individual dimensions: 9.25 in. H x 6 in. W x 3 in. D Unique 2017 Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

Linda Stein, Specimen 94 - Mixed Media Collage Contemporary Wall Sculpture Diorama This diorama was made in the 1970s as part of Linda Stein's Missives series--a body of work born f...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Elza Mayhew (1916-2004) was known for her abstract bronze sculptures, many large scale, that were described by Colin Graham of the Art Gallery of Greater V...

Mon Levinson (1926-2014). The Edge V, 1965. Plexiglass, acetate and paper. 24 x 24 x 3 inches. Minor scuffing on surface of plexiglass. Original gallery label affixed en verso. Unsig...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Bedazzle 2006 Porcelain, luster, plexiglas, rhinestones, feathers 8" x 8" x 18" Signed COA provided Rain Harris uses her artistry with material to create a conversation between good taste, beauty, and tawdriness. By developing a piece with unrefined materials and bringing it to the point of refinement, she is creating art that asks where good and bad taste meet. This contemporary ceramic piece features a delicate array of porcelain flowers, berries, and leaves mounted on an organically shaped wooden plinth. The light green resin reflects the image of the porcelain bouquet.

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Akiko Sugiyama (Japanese/American, B.1947) Collage, Lucite Shadow Box Painting, mixed media Japanese paper sculpture in plexiglass display box...

Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Epitafios by Alejandro Valencia Plexiglass Measures: 9.25 in. H x 18 in. W x 3 in. D Individual size: 9.25 in. H x 6 in. W x 3 in. D Unique 2017 Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

FOCUS is a public art sculpture about photographic vision and how it shapes the way we see the world. It is concerned with the viewer’s growing visual perception and bodily experienc...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Mystery is a unique Statuario Carrara marble and plexiglass sculpture by contemporary artist Francesca Bernardini. The dimensions are 10 × 40 × 30 cm (3.9 × 15.7 × 11.8 in). The scu...

Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...

Blue Sojourn One 32 x 32 x 2.75 inches / 81 x 81 x 7 cm This contemporary abstract wall sculpture is created with layered acrylic and plexiglass, combining painting and sculptural r...