Gregorio Vardanega

Couleurs en diffusion

Yoshiyuki Miura was born in Fukuoka, Japan, in 1958. In 1985, he graduated in sculpture art from the Tokyo National University of Fine Arts, he then mo...

Yoshiyuki Miura was born in Fukuoka, Japan, in 1958. In 1985, he graduated in sculpture art from the Tokyo National University of Fine Arts, he then mo...

Jose Margulis is a contemporary Venezuelan artist whose work explores the boundaries between two and three dimensional space. Utilizing photography, digital printing, and acrylic she...

Jose Margulis is a contemporary Venezuelan artist whose work explores the boundaries between two and three dimensional space. Utilizing photography, digital printing, and acrylic she...

" Phare de Montreuil " 2022 Unique 23 x 24 x 9 cm Mixed Media Working in wire allows Chedburn to draw in three dimensions; creating lines, curves and volumes to reveal the charact...

Edition: 4/4 Casting date: 2006 Signature and edition engraved on the base Philippe Hiquily is a singular artist, a sculptor, but also a creator of jewellery, furniture, engravings...

Lisbon-based, Miguel Rodrigues is renowed by having developed a highly innovative and personal artistic style: the hyperbaroque. His hyperbaroque scul...

JORGE WELLESELEY From the series: Subterfuges, ”Illumination”, 2018 Aluminum, LED, plexiglass, PLA, concrete 15.5 x 23.5 x 12 in Ed: 2/3 + 1AP Jorge Wellesley (Havana, 1979) Cuban...

An original conceptual sculpture by contemporary artist Dianne Baker, created in 2015 using wood, paint, metal, rubber and plexi.

La Escalera Azul, de la serie Sintesis 1979 Plexiglas and metal Ed 37 of 110 20 x 14 x 5 in Literature: Museo Guggenheim Bilbao. “Soto. The Fourth dimension”. Catalogue published on...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...