Stone Abstract Sculptures

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Unity in Diversity 2008, stone wear, 90х35x42 cm Gray abstract sculpture from stone

Earth by British sculptor Ian Thomson. Thomson's travels have provided inspiration for his work. He holds degrees in Architecture and Philosophy & describe...

The Mezcala culture refers to an ancient Mesoamerican civilization based in the southern Mexican state of Guerrero, particularly within the upper Balsas River region. Though not well...

Refined white marble statue from the first half of the 20th century. This is a very high quality copy of a work by the great Italian sculptor Giacomo Ginotti (1845-1897). Known as Th...

Bronze on a slate composite base Unique variation Stamped with monogram signature and uniquely numbered 921B The natural bronze edges are finely rubbed before lacquering for protecti...

AMERICA MARTIN "Flowers for Warhol Tall" Sand Blasted Pepper Marble Size: 21.5 x 17.5 x 7 Inches Edition: 1/1 Experimenting with line weight and function as a tool for two dimens...

Round Mountain Landscape, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a majo...

Medium: bleached poplar, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vis...

The sculpture “Metamorphosis” embodies the idea of change, transformation, and the flow of life. Its smooth, graceful lines create a sense of dynamism, while the combination of a mir...

Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level, the work ...

"QUILL II (Slate Rocker)" by John Van Alstine NY State slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone a...

Masatoyo Kishi (Japanese‑American, 1924 - 2017) was an artist whose career bridged East and West, combining his early studies in physics and mathematics with a long‑standing commitme...

Provenance Acquired by the gallery directly from the artist Description Resting upon a golden cushion, this two-faced subject has the look of a mask that one would be able to wear. ...

This contemporary bronze portrait sculpture by Swiss-American artist Roger Reutimann explores the intersection of permanence and erosion, strength and vulnerability. Cast in bronze a...

Named "Prince d'Égypte", this sculpture was created by artist Lutfi Romhein using locally sourced stone from Aveyron, France. Dimensions & Weight : This artwork has a total height o...

Medium: walnut and white concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visu...

This elegant marble sculpture by Étienne Hajdu transforms stone into a fluid, abstract form that conveys both movement and serenity. Smooth, flowing contours and carefully designed n...

Sisyphean Circle (Tank) Granite/galvanized and powder-coated steel, aluminum 113" (height) x 75" (width) x 30" (depth) Stone and metal, usually granite or slate, and found object st...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin...

Bronze / slate composite / pulverized metal leaf. Individual variation. Stamped with monogram signature and uniquely numbered 914D The natural bronze is finely rubbed and lacquered f...

Freedom is a unique Alabaster and rope sculpture by contemporary artist Peter Brooke-Ball, dimensions are 23 × 21.5 × 17.5 cm (9.1 × 8.5 × 6.9 in). The sculpture comes with a certi...

Medium: mahogany, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual lang...

Carlos Aguilar y Linares, Mexican Sculptor (1945-2010) Sculpture chose him. In his hands and his soul he always had the necessary impulse to create wi...

The script in this sculpture is from the song “Tiny Dancer” by Elton John The sculpture is made with Carrara marble and iron and it is 49.2 kg In Lluís Cera’s sculptures, soft, vo...

Architectural female bust sculpture exploring anthropotecture through cement, figurative portraiture and collectible sculptural design. LarA 001 is part of José Perozo’s ongoing Lar...

Variegated white marble, abstract model of a crouching figure on ebonized wooden base, signed by Hyam Myer (English 1904-1978).

This monolithic contemporary stone and glass sculpture lights up at night. The rugged beauty of David Perrett’s sculptural work has found a place in many notable public collections....

Matt Devine 1763 Study #1 Steel w/ Powdercoat on Concrete Base (Indoors/Outdoors) 18" x 9.5" x 9" Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Bor...

Lorri Acott’s impressionistic figurative sculptures reside in private and public collections throughout the US and abroad. A favorite of collectors and critics alike, Lorri’s work re...

Lofty 19th century Fleur de Lis long a symbol of French royalty, hand carved in stone,having a classical base,as a garden ornament with a perfect time earned organic patina.

Veulen Pony Horse Bronze Sculpture Contemporary Animal New In Stock About Jits Bakker (1937–2014) Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer,...

Concrete Head Unique Figurative Abstract Geometric Figure Grey Contemporary In Stock Concrete head is a figurative, abstract, geometric, figure, grey po...

10" x 16" x 4" Small Riverstone, Pigmented, and Sealed Steel Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these ...

Peter D. Cole (Australian, b. 1947) Symbols of Landscape, 1987 Mixed metal, enamel and marble signed P.D. Cole and dated 21 x 6 1/2 x 6 in (53 x 16.5 x 15cm) Provenance: Macquarie G...

Gabriel Mendoza Niño-Niña (Boy-Girl), 2020 Bronze on marble base 15.50 x 11.30 x 5.20 in Edition XII of XII Sculpture can be shown on two sides: front side is a girl and back side i...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin...

Riverstone, pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major fo...

Naum Knop (Ukrainian-Argentinean, 1917-1993) Modernist Brutalist bronze figural sculpture with heavy verdigris green finish. Melted forms in the shape of an abstract pretzel like twist. Affixed to white stone plinth. Artist signature, "NK" side of base. Good condition, shows rich green patina and aged oxidation. Measures approximately 17.5 in. x 19.5 in. x 6.5 in. Naum Knop, Argentine sculptor, was born in 1917 in Buenos Aires, into a Jewish family of Russian origin from Ukraine. His childhood was spent in the neighborhood of La Paternal where his father had a carpentry workshop, a space in which he made contact for the first time with the technique of wood carving. After finishing elementary school, he worked with the teacher Luis Fernández and soon after he dedicated himself to furniture design. Around 1935, he entered the Manuel Belgrano School of Fine Arts . Between 1941 and 1942 he attended the course for graduates taught by Alberto Lagos and Alfredo Bigatti at the National School of Fine Arts and continued his training between 1942-1945 at the Ernesto de la Cárcova High School with Soto Avedaño, Carlos de la Cárcova and José Fioravanti. At this time he put his works in dialogue with other young artists such as Libero Badii and Aurelio Macchi . Around 1947 he made his study trip abroad. He goes to California, United States, where he enters the Art Institute of Los Angeles. At the same time visit museums and galleries. In January 1948 he organized his first exhibition abroad, held at the Hall of Arts in Beverly Hills in Los Angeles. During this period he toured Chicago and then New York. That year he traveled to Europe; his itinerary includes France, Italy, Switzerland and England. As a result, he came into contact with the work of Henry Moore, Hans Jean Arp, Jacques Lipchitz, Constantin Brancusi, Umberto Boccioni, Henry Laurens, Ossip Zadkine. Artists who have an impact on the young Knop and whom he honors in his subsequent production. He returned to Argentina in 1949 and installed his workshop where he worked on ornamental carving and on pieces in which he oscillated between a synthetic figuration and abstraction. In 1956 he began his successful participation in salons , obtaining numerous awards at the national and municipal level. In 1959 he participated in the shipment to the 5th São Paulo Biennial and since then, to the success achieved at the local level, the multiple exhibitions carried out in the international field have been added. The exhibitions in Tel Aviv , Jerusalem and Rome (1966) stand out; Dusseldorf (1977); Los Angeles and Palm Spring (1981); New York (1986), San Pablo and Los Angeles(1989). During this period, his work matured, while he began to experiment with the direct wax technique, obtaining textured surfaces similar to welds that gave it a strong abstract expressionist feature. In parallel to his personal production and to the small models, the artist receives private and public commissions for which he works on large-scale sculptures and murals. Around 1967, the architect Mario R. Álvarez summons him to participate in a closed competition for the creation of a work to be located in the General San Martín Cultural Center . Libero Badii and Enio Iommi participate with the artist ; the bronze Reclining Figure Knop is chosen. Among the large-scale monuments it is worth remembering the piece Los tres soles temporarily located in Recoleta in 1984 and later installed in Maryland, United States; as well as Seated Figure (Reminiscence of Michelangelo) located in the shield of a private building in 1970. To these are added the numerous murals in which he experiments with various materials and techniques such as casting in bronze, openwork and reliefs in wood and work in cement. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop, Aldo Paparella, Enrique Romano, Eduardo Sabelli, and Luis Alberto...

This is a great sculpture with real gravitas and elegance. A great conception in terms of the forms and planes. Can be a star piece in a room - stone and surface are very attractive! Active primarily in the mid to late 20th century, Leo De Beer...

"Relic" by Michael Thacker British, 21st Century Mandale Fossil Limestone with Gold Leaf Sculpture size (HxWxD): 13.5 x 9 x 5 inches

Sezione Aurea-C3 is a unique monumental sculpture by contemporary artist Mattia Bosco. This sculpture is made of Cave Michelangelo statuary marble and 23.8-carat gold leaf, dimension...

Objects found in historical institutions are reexamined and reinterpreted. Landscape paintings once used to romanticize and to politicize notions of manifest destiny, are now recreat...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars...

Nicholas Licausi says of his work… “My artistic practice is driven by a fascination with emerging technologies and their capacity to redefine the frontiers of art, architecture, and...

In this piece, two breeze blocks stacked on top of one another make the base of the sculpture. On top of these breeze blocks is a flat, rectangular steel...

Smooth surfaced, engineered white marble sculpture flecked almost imperceptibly with grey has been sculpted into an elegant abstracted wave. Pierced by three openings the graceful sh...

Charon's Steel Styx Passage, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a ...

Born in Pasadena and raised in Orange County, Elizabeth Turk earned her M.F.A. at the Rinehart School of Sculpture, Maryland Institute College of Art in Baltimore. In Turk’s work, the shape of the line is created by extreme loss. That is, the reductive process of carving creates a positive, fragile form in which the absence of the original material is a focus. Turk encourages us to consider how nature has shaped these organic materials long before the artist’s manipulation of them into new forms. When viewed as components in a complex natural system, their singular beauty and inherent mystery is revealed. Turk compels us to view works of art not only as objects to be coveted and collected, but also as expressions of the natural world and our evolving relation to it. A recipient of numerous awards, including a MacArthur Foundation Fellowship (2010), a Barnett and Annalee Newman Foundation Fellowship (2010), and a Smithsonian Artist Research Fellowship (2011), Turk is internationally recognized for transforming her signature medium of marble into strikingly intricate objects that defy convention and challenge our preconceptions of what marble can do. Through the use of electric grinders, dental tools...

Sisyphean Circle XXV, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major f...

riverstone, pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major fo...

Sinuosity sculpture. Wall mount or pedestal mount. Mid Blue metallic finish. 21"x18"x7" keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common material...

Artist: David Jaworsky, American Title: Attitudes Year: 1991 Medium: Blown Glass and Bronze with a Marble Base Size: 31 x 20 x 24 in. (78.74 x 50.8 x 60.96 cm) Base: 16 x 2 x 16 ...

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Arise. Stone mass, porcelain, h 61 cm White abstract sculpture from stone mass

Pointe (Kyklos III) slate and pigmented and sealed steel 46" (height) x 20" (width) x 8" (depth) Stone and metal, usually granite or slate, and found object steel are central in my ...

Pablo Atchugarry "Untitled" 2016 Pink marble from Portugal Signed to the base 13 1/2 x 13 x 6 1/2 in Provenance: Gallery Enlace Arte Contemporaneo Exhibited: “PABLO ATCHUGARRY. Mem...

Sisyphean Circle (Diagonally Down), John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these material...

'Bride' is an original springstone sculpture signed by the Zimbabwean artist Brian Nehumba. Brian was trained in the Shona stone carving traditio...

American sculptor Robin Antar has been called “Brooklyn’s answer to Andy Warhol.” Her mission is to create a visual record of modern American culture through commonplace objects as she explores the question, “What is America?” Meticulously carved in stone, a hamburger with fries, an American-made work boot, denim jeans and a giant "Ballpark Frank...