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Erté
On the Avenue

1990

$7,850
£6,038.74
€7,009.26
CA$11,070.37
A$12,400.68
CHF 6,513.29
MX$150,788.30
NOK 82,479.47
SEK 78,295.19
DKK 52,312.85

About the Item

On the Avenue was created originally as a gouache and presents a female figure wearing a typical 1920's flapper outfit. During the 1920s, fashion for young women focused less on the female physical form. Dresses stopped at the knee, the hiplines were lowered, and there was less emphasis on the breasts. The look was basically 'tubular,' going from the shoulders straight down to the hem. Young women no longer felt the need to conform to the rigid models of femininity that their mothers accepted. The cloche hat (deriving its name from the French word for 'bell') became a necessity for daytime wear. The small hat fit snuggly over short hair and almost reached to the eyebrows. It was often decorated with a pin in the front or a ribbon. Catalogue - Erté: The Last Works (Dutton, pgs. 172, 207). From the total edition of 462; numbered 297/375 (there were also 50 Roman and 37 AP). The bronze sculpture/casting medium and process is, and has always played, a fascinating part in the history of art, admired by civilization for thousands of years and continuously developed with modern technology. Erté sculpture exemplifies the timeless beauty of this intriguing art form and manifests the artist’s personal unique flair in every bronze creation.
  • Creator:
    Erté (1892 - 1990, Russian)
  • Creation Year:
    1990
  • Dimensions:
    Height: 22 in (55.88 cm)Width: 11 in (27.94 cm)Depth: 8 in (20.32 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Greenwich, CT
  • Reference Number:
    Seller: 2901stDibs: LU2664213541972

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Erté, considered by many as the “Father of Art Deco,” often acknowledged that his love for the theater was a great source of creativity and inspiration. He conveyed in his art a drama with which he lived his life – a dream that came from the very innermost expression of his soul. Just like theater has two faces - comedy and tragedy - Erté was a brilliant showman, as well as a quiet man who sometimes would prefer to be left alone. From a young age, he was immersed in the world of opera, ballet, and theater. When he designed costumes and sets for theatrical productions, it was a lifelong desire that he was fulfilling. “Broadway’s in Fashion” is a fitting tribute to the legendary Broadway from a man who pursued the theatrical in everything he did. In 1978, Erté was honored by the Eugene O’Neill Foundation at a gala celebration in New York entitled “Broadway’s in Fashion” for which Erté designed the poster. This led to a CBS-TV film on Erté narrated by the legendary Diana Vreeland, and an exhibition of his costume designs at the Boston Center of the Arts. This sculpture, in scarlet and black, with white gold embellishments, incorporates the elements for which Broadway is best known. Her elegant and confident posture reveals her costume, which is itself an homage to Broadway – the scarlet robe with gold tassels evokes the stage curtain as it rises to reveal the first act, the male and female dancers, energetically giving their all for each performance, and the Greek masks of comedy and tragedy...
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