Art Deco Figurative Sculptures

ABOUT Beautiful and impressive Art Deco statue of a dancing woman with cymbals. Circa 1935. Original title "Danseuse Aux Cymbales". Signed “Fayral” on base which is the pseudonym of...

Stunning, original Art Deco bronze of a male archer by the well known French sculptor, Pierre Le Faguays. Condition is very good. Verde green finish over bronze patina. Slight rubbed...

A French Art Deco dark green patinated metal figure titled "Ondine" by Pierre Le Faguays using his pseudonym Fayral. Beautifully executed and posed, she is holding a draped cloth in ...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Elegance Year: 1982 Medium: Bronze Edition: 100/250 Numbered, 12 AP, 9 HC Size: 15 inches Condition: Excellent Inscription: Incised...

Claire Jeanne Robertine Colinet (1880 Brussels - 1950 Asnières-sur-Seine), Juggler, around 1920. Brownish patinated bronze with gilded balls on a round, multi-profiled stone base (10...

Georges Lavroff, Russian (1895 - 1991) - Panthère à l'affût, Year: circa 1925, Medium: Bronze sculpture on marble base, signature inscribed at base, Size: 4.5 x 21 x 4 in. (11.43 ...

PROF. ERNST SEGER 1868 Neurode - 1939 Berlin STANDING SEAMSTRESS Very rare bronze with exceptional figure representation. Bronze, dark patinated, on a square marble base (H. 3 cm)....

Franz Iffland (1862 Tempelhof - 1935 Berlin), Javelin thrower, after 1910. Olive-black patinated bronze with cast plinth mounted on a white-veined black marble base (7 cm high). Tota...

Cornucopia pays homage to the great goddesses of abundance and fortune, with a modern twist – rather than showing the bounty of the earth overflowing from the horn, this Cornucopia o...

Demetre Chiparus Egyptian Dancer, ca. 1920 Bronze, enamel, gilt metal, and marble 29 in Signed to base 'Chiparus'

Torso of a woman by Auguste HENG (1891-1968) Sculpture in pink marble stone Signed on the base " A. Heng " Presented on an olive-wood base France circa 1925 height 34,5 cm height ...

Panther sniffing by Georges GUYOT (1885-1972) Sculpture in bronze with a nuanced greenish black patina signed on the base " Guyot " cast by "Susse Frs Edts Paris" (with the foundry ...

Albert Wein was born in New York in 1915 and was the only son of an accomplished woman artist, Elsa Wein. Her influence and intense commitment to nurturing the young Albert's seeming...

Portrait of boy, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Tuscan Sculptor. Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 31 cm. The...

Loet Vanderveen, Dutch (1921 - 2015) - Thoroughbred, Medium: Bronze sculpture, signature and numbering inscribed on bottom, Edition: 235/500, Size: 4.75 x 8 x 4 in. (12.07 x 20.3...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Rigoletto Year: 1988 Medium: Bronze Edition: 145/375 Size: 19.75 x 18.13 x 5.75 inches Condition: Excellent Inscription: Incised wi...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: La Femme A La Panthere Year: 1981 Medium: Bronze Edition: 43/250 Numbered, 12 AP, 9 HC Size: 15 inches Condition: Excellent Inscrip...

Artist/Designer; Manufacturer: Erte (Romain de Tirtoff) (Russian/ French, 1892-1990) Marking(s); notes: signed; ed. 270/375; 1990 Materials: bronze Dimensions (H, W, D): 21.5"h, 9.25...

Panther sniffing by Georges GUYOT (1885-1972) Rare sculpture in bronze with a nuanced dark brown patina Signed on the base " Guyot " Cast by " Susse Frères Editeurs Paris " (with the foundry mark) France circa 1935 height 33,5 cm length 49 cm depth 12 cm Biography : Georges Lucien Guyot (1885-1973) known as Georges Guyot was a French animal artist. From an early age, he showed artistic abilities, but the modest conditions of his parents did not allow him to study art. He was doing his apprenticeship with a woodcarver. Guyot then excelled at copying works of the fifteenth, sixteenth and seventeenth centuries, but soon he showed a special attraction for nature. This attraction led him to the Jardin des Plantes in Paris where he could study wild animals and translated his observations into sculpture and painting. As a famous figure of Montmartre, he was the host of the Bateau-Lavoir from the time of Cubism. In 1931, Georges Guyot joined the group of "The Twelve", created by François Pompon and Jane Poupelet, gathering sculptors like Marcel Lémar, Paul Jouve, André Margat, Jean-Claude de Saint-Marceaux, Georges Hilbert, or even the painter Adrienne Jouclard...

Polar Bear by François POMPON (1855-1933) An original edition sculpture made in white enameled porcelain biscuit. Stamped in the paste "S 1927 DN" (S for "Sèvres" – dated 1927 – DN...

Dance of Carthage by Claire-Jeanne-Roberte COLINET (1880-1950) A bronze sculpture with gilded patina Signed on the base " Cl.J.R. Colinet " Old Per...

Wonderful Italian sculpture representing a seated maiden. The artwork rests on a square marble base Signed on the base “Gaetano Martinez Roma” According a written opinion by Prof. Al...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Rigoletto Year: 1988 Medium: Bronze Edition: 345/375 Numbered, 37 AP Size: 8 x 7 inches Condition: Excellent Inscription: Incised w...

CLAUDE LALANNE (1925-2019) Pomme Bouche, circa 1975 Ed. 250 pcs Bronze with a golden patina 13.5 x 12 x 11.5 cm Monogrammed, signed and numbered underside : CL, Lalanne, 177/250 ...

Ary Bitter (1883 Marseille - 1973 Paris), Girl with Kid, around 1930. Green patinated bronze with cast plinth loosely mounted on a white-veined dark green marble base. Dimensions of the plinth: 5 cm (height) x 80 cm (length) x 24 (width), dimensions of the bronze 28 cm (height) x 72 cm (length) x 18 cm (width). Weight of the bronze 18.2 kg, total weight 39.2 kg. Signed “Ary Bitter.” on the plinth and stamped “L N Paris J L” by the foundry Les Neveux de Jacques Lehmann...

This is a rare statement piece that commands that eye. It is of museum quality will be the centerpiece of any space. Masterfully crafted details of the human form are finely rendered in a pre-art deco style. Hans Harry Liebmann...

Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris. He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher. Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris. The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children. The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated. He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models. Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened. Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear and American Bison were exhibited, and in 1943 he showed a marble Polar Bear and plaster Pelican. Sculptures of Dimitri Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev's Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers. Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time. After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt...

Loet Vanderveen, Dutch (1921 - 2015) - Antelope, Medium: Bronze sculpture, signature and numbering inscribed on bottom, Edition: 408/500, Size: 6 x 7.5 x 3 in. (15.24 x 19.05 x 7...

"Femme de luxe" (Bronze) by Erte Type: Sculpture Media: Patina on Bronze Dimensions: 13 3/4" High Year Produced: 1986 Edition Size: 500 Numbered, 35 AP Edition Number: 13/500 In Exce...

Antique French Art Deco Bronze bust sculpture of a beautiful young woman, by Marcel Andre Bouraine (1886-1948), and cast by the Etling foundry, Paris, circa 1920. The bronze depicts...

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1930s Music (attributed), brass and wire construction, c. 1936, 28 x 14 x 5 inches; perhaps exhibited at Hollywood Riviera Gallery, 1936 (third prize); provenance includes Estate of Jon Spencer Helfen (Los Angeles, CA About the Sculpture In 1935, Philip Paval bought a box of metal in a “blind auction.” Paval, a painter, sculptor, and jeweler, had hoped the box contained silver. To his dismay, it was brass. Seeing an opportunity, Paval started to make sculptures from the brass sheets. His subjects included Cinema, Hollywood, Radio, Dance, Aviation and Music. The works were well-received with the Hollywood crowd and critically acclaimed. Actor and comedian, Ben Bard, purchased four of them for his theater, and novelist and screenwriter, Vicki Baum ordered four more for her drawing room. Movie director King Vidor also purchased them. Los Angeles Times art critic, Arthur Millier, described Paval’s “contraptions” as “ingenious, decorative, different.” Paval exhibited these works for several years in the late 1930s, including at the American Artists’ Congress Gallery in Los Angeles in an exhibition called Formalism and Abstraction in 1938 and at a solo show at Stendahl Galleries in 1939. The appeal of these works must have been irresistible, as a 1936 Los Angeles Times article noted, “Two feet of brass art has been stolen from the Hollywood Riviera Galleries. The work is an abstraction. It portrays the spirit of music and rested on the grand piano in the main hall. The work of Philip Paval, it won third prize in the current gallery exhibition at the gallery.” One can only wonder whether this is the “contraption” which was pilfered from the gallery nearly one hundred years ago. Given the description of the work, its subject matter and size, it seems likely. About the Artist Philip Paval was a sculptor, painter, and jeweler. Born in Denmark, Paval was apprenticed to a silversmith and studied art in Denmark. He immigrated to the US in 1919 and first worked as a merchant seaman in New York. The following year, Paval settled in Los Angeles where he later opened his own jewelry shop featuring works he designed and produced. Paval became a favorite in the entertainment world, making a good living selling silver...

Hermann Volz (1847 Karlsruhe - 1914 ibid.), Naked warrior with short sword, c. 1935. Partially (?) patinated bronze with cast plinth mounted on a black marble base (6.8 cm high). 32....

"Mercury" NYC 1931 Bronze 5th Ave Traffic Light Sculpture American Art Deco WPA In the late 1920s, Joseph Freedlander was asked by the City of New York ...

An Art Deco bronze relief in the style Swedish Graze by an unknown artist inspired by Carl Milles modern classicism. The concept of Swedish Grace was introduced by the English archi...

Antique Pair of Russian Wolfhounds/Borzois Dog Portrait Sculptures by Scalini (aka Scali; Italian, 20th century) circa 1930's Patinated spelter 9 x 14 inches (on bases) Though rath...

This pair of bronze sculptures of Atlas with Globe & Armillary Sphere are of high cast quality. Pairs have sold for over 700,000 Euro. Their condition is excellent for age and has ve...

Cobra, Unknown, 20th century, Bronze, Animal, Snake, Design, art deco, Cast

A fine & large antique French Art Deco Bronze leaping stag sculpture/statue, by Georges H. Laurent (1880-1940), circa 1925. Georges H. Laurent was known for his animal subjects and t...

Bogota's Glory by Henri Bouchard (1875-1960) Sculpture in bronze with a nuanced yellow-brown patina Signed "H. Bouchard" on the base Cast by "Siot" (stamp) France circa 1927 height...

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime ...

Two Figures (Mother and son) 9" x 17" terracotta sculpture, signed lower left mounted to wood panel, 15 1/2" x 23 1/2" George Aarons (born Gregory Podubisky, in St. Petersburg, Russ...

Bruno Zach (1891 Zhitomir - 1945 Vienna), Gladiator ready for battle, c. 1930. Blackish patinated bronze with silver-plated helmet, shield rim and shield pommel mounted on a fluted m...

**Diogenes.** **Terracotta sculpture, 1939, Giorgio Rossi (1894-1981): Tuscan Sculptor.** **Material:** Hand-modeled terracotta by the artist. **Unique piece.** **Dimensions...

By Commission. Casting and custom paint will take approximately 4 months. I have to get in line with my paint expert. Cape Lady is a polished bronze casting painted with Glasurit, a hand sprayed car paint. It is BMW white and BMW black. It is a limited edition of 15 with 2 artist proofs. The current edition available would be 6/15. It was cast from an original wood carving by David Hostetler...

A very elegant antique Art Deco bronze sculpture, statue by Josef Lorenzl, Austria, 1925. This beautiful bronze sculpture portrays a beautiful young woman, she is modeled as a nude t...

A rare Art Deco patinated metal sculpture modelled as an athletic male walking alongside a stylized lion utlizing cubist elements. The work is set on a black polished stone base whic...

Fennec seated, head turned by Edouard-Marcel SANDOZ (1881-1971) Bronze with a nuanced dark brown patina signed on the tail "E. Sandoz" cast by "Susse Frs Edts Paris" (with the found...

This superb French Art Deco wooden panel or wall-mounted sculpture features a spectacular Venetian mask and was hand-crafted in the 1930s. The sculpted panel boasts finely detailed c...

Ferdinand Preiss (German, 1882 - 1943) Hoop Girl & Sonny Boy Cold-painted bronze Circa 1930, Art Deco Period Dimensions: 8.18 Inches Tall x 4.65 Inches wide x 2.75 inches deep. ...

Artist: Marian Weisberg, American XXth Title: Opossum Year: circa 1969 Medium: Resin-cast Sculpture, signature inscribed on base Size: 7 x 7 x 3.5 in. (17.78 x 17.78 x 8.89 cm)

Bronze on a marble base It bears Mayo's signature. Trademark Fondart - Lagana Napoli. “Of the first sculpture, a group of highly vigorous original artistry, all that remains is Ada...

Jean Didier Debut: 1824-1893. Well listed 19th century French sculptor. He has had auction results over $17,000. We believe this fabulous bronze gladiator to be very rare as we could...

French Art Deco bronze sitting nude by F. Trinque, 1930. A gorgeous Art Deco woman stretching her arms and drying her back with a towel possibly after a swim or bath with a rich gold...

'Spirit' by Carl Payne. Edition of 25. A small desktop bronze sculpture of a reclining nude figure captures the timeless beauty of the human form in a moment of repose. The sculptor ...

Whether in the draping of a silk gown worn by an opera diva, or in the sparkle of an intricately beaded headdress worn by a woman of society, Erté had an exceptionally acute visual memory of every detail of his early design creations. It was no wonder then that his fashion designs were so adeptly applied to the sculpture format. In Mermaid, we have a fine example of how Erté carried the technical possibilities of the sculpture medium to a new level. This attention to detail added to his legend as one of the Twentieth Century’s foremost artist-designers, with work represented in the collections of the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, the Paris Opera House, the Smithsonian Institution and the Victoria and Albert Museum, London. Through Mermaid, Erté takes us beyond the female form by choosing the intriguing legendary sea creature whose upper body is that of a woman, and whose lower body is that of an aquatic creature. In quintessential Erté style...

Anonymous, Sun God Ra (bookend), 16 x 13.5 x 6 cm (depiction), 17.5 x 13.5 x 8 cm (with pedestal), patinated brass, c. 1935. - Nose slightly rubbed, otherwise very good condition ...

Panters An imposing statue of a couple of panters by Irenée Rochard (1906-1884). A fine quality, much sought-after terracotta which was edited by Reveyrolis Paris.  Before casting, ...

An Art Deco bronze with a rich chocolate brown patina of a figure of a goalkeeper. The figure is stretching up to parry away the football, on an integral hexagonal base. C. 1925, sig...

GILBERT LEDWARD, RA, PRBS (1888-1960) Tennis, Golf, Shooting, Ice-Skating, Dreaming – Proposed Design for Decorative Frieze in the Italian Drawing Room at Eltham Palace, commissioned by Stephen Courtauld Signed and dated July 9th 1933 Watercolour and pencil 12.5 by 49.5 cm., 5 by 19 ½ in. (frame size 36 by 67 cm., 14 ¼ by 26 ¼ in.) Exhibited: The artist’s daughter; London, The Fine Art Society, A Centenary Tribute, Feb 1988, no. 43. Gilbert Ledward was born in London. He was educated at St Mark’s College, Chelsea. In 1905 he entered the Royal College of Art to study sculpture under Edouard Lanteri and in 1910 he entered the Royal Academy Schools. In 1913 he won the Prix de Rome for sculpture, the Royal Academy’s travelling award and gold medal, which allowed him to travel in Italy until the outbreak of the Wold War I. During the war he served as a lieutenant in the Royal Garrison Artillery and was appointed as an official war artist in 1918. Following the war he was largely occupied as a sculptor of war memorials including the Guards Division memorial in St James’s Park and the Household Division’s memorial in Horse Guards Parade. In 1934, supported by Eric Gill and Edwin Lutyens, he established a company called Sculptured Memorials and Headstones, which promoted better design of memorials in English churchyards. His war memorials after World War II include one in Westminster Abbey to the Submarine Service, Commandos and Airborne Forces. Ledward was Professor of Sculpture at the Royal College of Art (1927-1929) and in 1937 was elected at Royal Academician. He became President of the Royal Society of British Sculptors and a trustee of the Royal Academy. The present work is a design for an intended decorative frieze for the Italian Drawing Room of Eltham Palace. In 1935 the remains of the medieval royal palace of Eltham was rescued from decay by Stephen and Virginia Courtald who built an ultra modern Art Deco house to adjoin the existing Great Hall. They employed the architects John Seeley and Paul Edward Paget and the fashionable Mayfair interior designer the Marchese Peter Malacrida to design the strikingly glamorous 1930s interiors of the new house. The dramatic entrance hall was created by the Swedish designer Rolf Engstromer...

"Fascination" Art Deco Bronze Recast After Louis Icart, Dancing Woman on Marble Base Inspired by the iconic etchings of Louis Icart (1888–1950), this exquisite bronze sculpture title...