Jug Figurative Sculptures

Pablo Picasso Ceramic Femmes Fleurs (Women Pitcher), 1948 A.R. 50 is an elegant turned pitcher highlights the graceful form of the female nude. C...

Cruche aux oiseaux (A.R. 456), 1962 Ed. 142/200 pcs H. 22 cm I H. 8 5/8 in White earthenware clay, decoration in engobes under partial brushed glaze black, white and red patina Numbe...

Pair of large late 19th Century Japanese bronze vases with elephant heads handles, and details in dark brown and green patina as shown on the photos.

RARE EARLY MUG SET (INV# NP3734) Roberto Lugo clay, underglaze and glaze approx: 4.5 x 4.5 x 3” each date unknown

Pablo Picasso ceramic Visage de femme (Woman's Face), 1953 is a vibrantly colored pitcher decorated with contrasting saturated greens against chestnut ...

Pichet gravé gris Ed. 500 pcs, 1954 White clay with grey engobe painting, partially glazed in white and black with incised decor. H. 30 cm Stamped underside : Madoura, Edition Picass...

Unique teapot in a dragon shape made from the finest porcelain in 2012 by Ilona Romule, leading sculptor in Latvia About artist: b. Riga, Latvia. Graduated from Latvian Art Academy...

White earthenware ceramic pitcher painted in black, white and grey patina with knife engraving and partial brushed glaze. Inscribed 'Edition Picasso' in black and with the Edition P...

Georges JOUVE (1910-1964) Earthenware zoomorphic pitcher, decorated with black and gray plumage on a white ground, black metallic interior, opening border animated by a green fillet....

'Bird' is an original opal serpentine sculpture by the Zimbabwean artist Samuel Tichafa Masakwa. Trained in the Shona stone carving tradition, the artists here presents an elegantly abstracted water fowl: above the egg-shaped form of the body, the bird's long neck curls outward forming a loop. Such abstracted forms recall traditional African sculpture as well as the work of modern masters like Constantin Brancusi who looked to non-Western sources for inspiration. opal serpentine stone 31.5 x 12 x 11 inches not signed 140 lbs Overall good condition; some scratching Samuel Tichafa Masakwa was born in 1971 on the 15th of September, the first born of nine siblings. He was educated at Zengeza No. Five Primary School and later, Zengeza Four High School. Out of keen interest, he started sculpting at a tender age of fourteen. His cousins were accomplished sculptors, Nicholas Mukomberanwa and Albert Nathan Mambura whose brotherly love nurtured the interest in him to greater heights. During Samuel's school holidays, Albert Mamvura shaped his pending career as an artist by engaging him as his assistant. In 1991 he completed his 'O' levels and began sculpting full-time at Albert's workshop. As an apprentice he learned how to carve Shona abstracts, figures and heads. While he was working with Nicholas Mukomberanwa he had the chance to learn how to clean hidden angles on hard stones like springstone, cobalt, serpentine and the original green opal. In 1996 his cousins advised him to be independent in order to explore the new avenues he was bringing into the field. He discovered he did not have his own trade mark so he went to yet another accomplished artist, Joe Mutasa...

XXth 20 x 25 cm Glazed ceramic signed under the piece

JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fa...

Artist: Mirkò, Italian (1980 - ) Title: Vaso delle Braccia (Three Musicians) Year: 2007 Medium: Painted Terracotta Vase, signed Size: 18 x 19 x 13 in. (45.72 x 48.26 x 33.02 cm)

"Flat Pot X" (2019) Glazed earthenware flat pitcher wall sculpture Hanging system on back side Pastels and earth tones, light minty blue on terracotta clay Certificate of authenticity

XXe Glazed ceramic signed

31" in height roughly 12-15" wide Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

Ceramic piece

Ceramic by Pol Chambost 21 x 10 x 8 cm

Ceramic by Pol Chambost 19.5 x 10 x 7.5 cm

XXth 21 x 16 x 17 cm Glazed ceramic

"SHURA" Aluminum Patina Sculpture 7" x 4" inch by Grigorii Gorkovenko An elegant shape and free lines are combined together to create an image of the...

Clay work was essential in the development of Mesoamerican cultures, not only for its utilitarian value but also for its sculpture, loaded with symbolism as a mirror of the worldview...

Artist : Genevieve E. Flynn Title : Ssssssumptuos Teapot Materials : Sterling Silver Date : 2014 Dimensions : 6 x 4 x 4 in. Description : This teapot is an award winning teapot. In 2015, it was included in the Saul Bell Art...

Artist: Rachel Hubbard Kline Title : Cobalt Whiskey Jug Materials : Stoneware, underglaze, glaze, decals, luster Date : 2017 Dimensions : 9.5" x 6" x 6" De...

Artist: Rachel Hubbard Kline Title : Vintage Rust Whiskey Jug Materials : Stoneware, underglaze, glaze, decals, luster Date : 2017 Dimensions : 8.5" x 4.75...