Roberto Lugo Art

The artist says of her work... Arrested Symphony is an exhibition incorporating sculptures, reliefs, drawings and hanging works that explore the theme of injustice that is at the roots of the predatory gem and mineral excavation industry. While at a residency in Knoxville, Tennessee, I discovered that Oakridge was only 30 miles away. Oakridge played a key role in the development of the Atom Bomb and the Manhattan Project. I began an exploration and comparison of Uranium and Emeralds. These minerals look very much alike, beautiful but dangerous on their effect on civil conflict. Colombia my birthplace, has the finest Emeralds in the world. The mining of Emeralds was an important element in the continued colonization of the region. Emeralds have helped to fund the more than 60-year conflict which has taken over 450,000 lives and displaced about 5.7 million people. Uranium has brought destruction to a level which altered the future of warfare. The developments made during the Manhattan Project led to the death of about 700,000 people and its effects are still felt around the world. I use Colombia as an example, however this situation is repeating itself in many parts of the world. Sierra Leone, Liberia, the Republic of Congo, the Central African Republic and the Democratic Republic of Congo are all involved in brutal civil conflicts fueled by Blood Diamonds. This project will make visual the human cost extracted with these minerals, once exposed to the light of day they can never be unearthed. My practice is an ongoing object-based exploration through which I create artworks which are organic and improvisational constructions that are infused with hope and renewal. The hand-crafted artworks are poetically and intricately crafted, creating an intimate repository for the individual and collective memory and implement the human body as a symbol and expression of nature, vulnerability and power. The work encourages viewers to reconsider social and historical narratives especially when dealing with the aftermath of Colonialism and raises critical questions about the politics of erasure and exclusion. ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues including Smack Mellon Gallery, Neuberger Museum of Art, Bronx Museum of Art, Queens Museum, El Museo Del Barrio, MoMA PS1, Socrates Sculpture Park and White-box Gallery in New York City. Nationally Cortes exhibitions include Cleveland Art Museum, OH, CSU Galleries at Cleveland University, OH, Helen Day Art Center, VT and The Lorenzo Homar...

Brian Russell Jobe (American, b. 1981) is an artist and non-profit director based in Knoxville, Tennessee. Jobe's studio practice is focused on sculptur...

Ruth Duckworth Full Tea Service (INV# NP3746), 1972 Stoneware and glaze teapot: 8.25 x 7 x 3.5” creamer: 3.25 x 2 x 2.25” sugar bowl: 1.5 x 3.25” approx. cup: 3 x 2.5 x 1.75” approx....

Oil on canvas sculptural cushion, textile relief portrait, soft wall sculpture: this small-format work translates figurative painting into a stitched, padded object. Executed in oil ...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Dive into the whimsical realm of mystique with this utterly enchanting totem. Crafted with meticulous detail, this...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

Abstract Organic Form, Glazed Ceramic Sculpture, Pink, Floral Shape, Japanese Aya Mori was born in Aichi Prefecture in Japan in 1989, and lives and work in Aichi. She studied at Aic...

A ceramic canoe shape perforated and marked emerges from a plinth next to a tapestry of blue and light brown that repeats the vertical canoe shape. The title of this mixed media work...

Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...

Title : Coffee Jar Materials : Terracotta, slips, terra sigillata, glaze Date : 2017 Dimensions : 6x7.5x7.5 Description : Wheel thrown and altered, terracot...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...