Ink Sculptures

"DOUS" series. Sculptures of this series are created for your interior in different colors. It is always important to combine objects with each other. That is why I created a pair...

"JAMÓN JAMÓN VI (Language of Flowers)", 2019, in slipcast glazed, pit smoke fired ceramic by artist Andrew Cornell Robinson, is one of a series...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

White Banana & Apple Ceramic Totem Sculpture For Indoor - Contemporary Art This masterwork is currently on display at the Zimmerman Gallery in Carmel, CA -- "My natural flow with c...

Anne Andersson Sisal fiber wall sculpture Monkey Head (# 1) Hand signed to verso Dated 2009. Measures approx. 11" height x 10" width x 6 1/4" depth. Her sculptures are made of natural sisal Fiber from an agave and meticulously hand painted. The eyes are hand blown glass. Anne Andersson was born in Gothenburg, Sweden, with a great desire to explore Nature and a Passion for Art. She received a degree in science in 1981 from Kjällbergska University in Gothenburg and a degree in Art from the Art Institute of Fort Lauderdale. She now works from her studio in St. Petersburg, Florida as a Sculptor, illustrator and painter. Her work calls to mind the animalia artworks of Henri Maik and Gustavo Novoa. Anne Andersson's artwork serves as an homage to our planet’s charismatic and rare wild animals. Inspired by the majesty and beauty of exotic wildlife, and motivated by an urge to preserve them, Anne’s astonishingly realistic life-size sculptures capture the experience of seeing these animals up close without exploiting them. Her sculpted work using natural materials and clay, provides a humane alternative to big game trophy hunting and taxidermy. She combines her talents in painting, tapestry weaving and illustration with an intuitive attention to the smallest detail to truly bring her sculptures to life. She has created lions, tigers, leopards, jaguars, cheetahs, bobcats, lynxes, pumas, panthers, elephants, rhinos, bears, water buffalo, bison, moose, wolves, coyotes and more—but she feels closest to the big cats. Anne graduated with honors at the Art Institute of Fort Lauderdale in 1989. It was then that she met Don Moore...

Ceramic Numbered 42 from the edition of 75 16.5 × 12 × 12 cm released in collaboration with DDT comes with original shipping box from DDT David Shrigley is a British artist celebrat...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

"The Top Dog" Porcelain Sculpture 20" x 8" x 10" inch Ed. of 699 by Huang Yulong Size with base: H:500mm W:210mm L:250mm Body size: H:390mm W:185mm L:150mm The Top Dog(陶瓷&树脂) Child...

Anne Andersson Sisal fiber wall sculpture Lion's Head (# 13) Hand signed to verso Dated 2009. Measures approx. 22 1/2" height x 14 1/2" width x 10" depth Her sculptures are made of natural sisal Fiber from an agave and meticulously hand painted. The eyes are hand blown glass. Anne Andersson was born in Gothenburg, Sweden, with a great desire to explore Nature and a Passion for Art. She received a degree in science in 1981 from Kjällbergska University in Gothenburg and a degree in Art from the Art Institute of Fort Lauderdale. She now works from her studio in St. Petersburg, Florida as a Sculptor, illustrator and painter. Her work calls to mind the animalia artworks of Henri Maik and Gustavo Novoa. Anne Andersson's artwork serves as an homage to our planet’s charismatic and rare wild animals. Inspired by the majesty and beauty of exotic wildlife, and motivated by an urge to preserve them, Anne’s astonishingly realistic life-size sculptures capture the experience of seeing these animals up close without exploiting them. Her sculpted work using natural materials and clay, provides a humane alternative to big game trophy hunting and taxidermy. She combines her talents in painting, tapestry weaving and illustration with an intuitive attention to the smallest detail to truly bring her sculptures to life. She has created lions, tigers, leopards, jaguars, cheetahs, bobcats, lynxes, pumas, elephants, rhinos, bears, water buffalo, bison, moose, wolves, coyotes and more—but she feels closest to the big cats. Anne graduated with honors at the Art Institute of Fort Lauderdale in 1989. It was then that she met Don Moore...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

Delicate green and pink flora emerge from a pool of milky white light. “Looking Between I” (2022) by Colleen Toledano. Porcelain, flocking, light, resin.

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...