Tapestry Sculptures

Vase blue flower. 2017. Stone mass, h 17,5 cm, diam. 21.5 cm

Drop. Small abstract sculpture from porcelain, h 12,5 cm

Marlene Hoffman, Galleria 70 Handmade in Columbia. El Clervo y el Torro Tapestry. Bears gallery label verso and signed with initials on front in weave, MH. Dimensions: Height: 82 inches X Width: 82 inches. (size is approximate label has 2.15 X 2.15 meters) Hand made, hand woven horse hair and wool spectacular textile wall hanging by pioneering woman artist and art dealer of Latin America art, Marlene Hoffmann. It consists of a horsehair design handwoven onto a wool handmade back. (this is a sort of tapestry, not the Aubusson or Gobelin type but more of a 3D sculptural wall piece.) She is considered a pioneer in the field of Colombian textile art, in company with Olga de Amaral and Stella Bernal. She owned and directed an influential gallery on Bogota Colombia for many years. She is on the Metropolitan Museum in NYC timeline of world art. In the 1960s, Pop Art inspired artists. Gloria Valencia de Castaño invented and that invited designers to show what fashion would be like in the year 2000, inspired by masters of Colombian art, such as Enrique Grau, Alejandro Obregón, Felisa Burstyn, Cecilia Porras, Omar Rayo and David Manzur...

“Iris Blue Folds” is a deep blue colored wall sculpture made with burlap on wood. The folds are carefully arranged from a single piece of burlap. This creates a dynamic artwork where...

“Ballet Pink Folds” is a light pink/flesh colored wall sculpture made with burlap on linen. The folds are carefully arranged from a single piece of burlap. This creates a dynamic art...

Sculpture Close to Heart 2 Limited edition of 12 Mediums: old pine, steel, acrylic hand painted, oil CLOSE TO HEART - Collection Working on the series I used a “wood with history”...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and ...

Sculpture YASU Limited edition of 12 Mediums: burnt wood and brass Discover the stunning artistry of Zlata Kornilova with this exquisite sculpture crafted from burnt wood using the...

Untitled, Series "The Way" - Handwoven Linen and reflective yarn textile, 470 x 70 cm, 2014 - Contemporary Wall Object , Very Long Format This Object is entirely constructed on a w...

TAKI-KASURI FOLDS from Chloe Hedden’s Fold Series explores the tension between softness and structure through the poetic manipulation of handmade Japanese fabric on linen. In this sc...

acrylic on linen 24 x 24 x 2.5 inches Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple ge...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...