Silver Still-life Sculptures

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars...

'Green Bottle Ochre Seeds' by David Kimball Anderson, 2022. Bronze, steel, and paint, 16 x 6 x 5 in. This sculpture features a square vase cast in bronze a...

Magda Watts (Israeli, b. 1928) Handmade Folk Art Sculpture Old Folks with a newspaper Hand signed to underside, Dimensions: 12"h x 14.5" l x 7.5"d. Magda Watts, Holocaust survivor, dollmaker She grew up in the Hungarian town of Nyiregyhaza, which the war reached in 1944. Jews were herded into a ghetto, where they remained for several weeks. Magda began making dolls while being held in the concentration camp at Auschwitz, Poland in 1944. Her creativity and imagination helped her to survive the horrors of the holocaust and led to an inspirational career in art and visual storytelling. A resident of Eilat, Israel, she is an internationally known artist. Her intricate soft fabric and textile dolls and panoramas bring the people of the shtetl back to life. She has recreated part of the Jewish community of her native Hungary in order that it might never be forgotten. A documentary was made on her life, “Liberation of the Spirit: The Journey of Magda Watts”. The film opens with a close-up of Watts' hands. She is shaping a doll head, pressing creases with a wooden tool into pliable sculpting resin that later will be hardened by baking. With a few nicks and strokes, human features begin to emerge from the shapeless lump. "I don't know why I am making old people," she says. "It is coming out from me. I can't order my hand what to do." She calls her dolls "small human beings. When you see them in half-dark, you see them dancing, speaking, like they are in life." She makes the dolls in batches of body parts, and also makes most of the props that go with them: miniature furniture, musical instruments, tiny leather shoes with wax soles, even treadle sewing machines. Watts survived the Auschwitz death factory, then the labor camp at Nuremberg. It was there that she created the ancestors of the folk-art masterpieces she now crafts, such artful and appealing rag dolls that Nazi guards would swap extra bread for them. That, she says, "was life" for her and her sister Shari, enough to keep them alive. The doll scene is typical of her work: lifelike yet cartoonish figures set in evocative tableaux. She makes them in her workshop in Israel. Starting at $1,500, Watts' soft dolls are sold only in Israel, but collected worldwide. She once made a panorama of the Jewish people's 5,000-year history for an Israel museum, and a violinist doll for concert great Isaac Stern. The dolls are tailors, jewelers, klezmer musicians, seamstresses, musicians, students, rabbis, a cast of characters from the shtetl of a bygone Europe and from small corners of the modern Jewish world. Like Frank Meisler but in fabric and cloth. They laugh and brood, gossip and smoke, fiddle and play cards. Infused, as if by some spiritual alchemy, with the full range of human emotion, they furrow their aging brows in worry and concentration. Soulful eyes gaze both outward and inward. Here and there, figures from her life emerge. "When I make the seamstress, I am thinking of my aunt. She had a little bit of a hunchback. She had a Singer machine and many drawers, with every one something beautiful inside." A careful observer can spot visual jokes in her work. "I'm making the Bible, and (a museum panorama character) is sitting on the camel with a cigarette in his hand. Nobody sees it, but I know it. I made it for myself. I have to make something that makes me laugh." From oven-baked clay and Styrofoam, she’s re-creating her past: rabbis, gossipy ladies, peddlers, jewelers, tailors, old couples and fish vendors from her small village in central Hungary. Nearly all perished during the Holocaust. Most were sent to the gas chambers in 1944 when Nazis overran her country, including some in Watts’ family. Her lifelike creations have been displayed – and sold – around the world. Her creations emerge from the back of her memory. She remembers a gentler Hungary, where Jewish communities thrived before the Nazis came. On one doll’s baked clay face, she paints the knotted frown of a rabbi concentrating on a Torah passage. Another doll grows into a man hawking fish. Women play cards. A stern schoolmaster presides over a class. “They love to love,” she says. She has exhibited with Malcah Zeldis. Her naive, whimsical images contain a number of storytelling devices and attempt to convey a narrative. She is also fond of Mea Shearim...

Collection: Tic Toc... this is not a bomb Edition: 01/15 Description: Handcrafted bomb, consisting on 19 chromed-plated metal explosive cartridges conected by silver-plated wires wit...

SALE ONE WEEK ONLY "El Tren" is a whimsical and playful rendition of a train. It is beautifully glazed in various colors. This particular ceramic was from the collection of Jane and Richard Knight’s Estate. Jane Knight was a famous fiber and textile artist. Richard was a photographer who worked for Eliel Saarinen and Alexander Girard. The Knights and Girard became close friends and it was Girard who gifted “Santa Cruz De Las Huertas Jalisco” to the Knights. Alexander Girard left his personal collection to the Museum of International Folk Art, Santa Fe, NM. The Girards eventually amassed a collection of more than 106,000 objects from across the globe. Their 1978 gift of this collection to the Museum of International Folk art quintupled the size of their collection and prompted the construction of a new wing, which opened in 1982 and houses a mere 10% of the Girard Collection in the permanent exhibition Multiple Visions: A Common Bond, which was designed by Alexander Girard himself. This collection includes numerous multiples and is notable for its great breadth, including traditional arts, popular arts, and paper ephemera. “I believe we should preserve this evidence of the past, not as a pattern for sentimental imitation,” Girard once said, “but as nourishment for the creative spirit of the present.” Indeed, folk art was an important inspiration for Girard’s design work. The renowned Candelario Medrano...

A rare and highly collectible limited re-edition of the iconic “Balloon Dog” sculpture, produced in an exclusive edition of only 500 pieces, following the immensely popular original ...

SALE ONE WEEK ONLY “Santa Cruz de las Huertas Jalisco” is a whimsical, charming and colorfully ceramic rendition painted blue and red of a local bus that traversed the town where the artist Candelario Medrano...

During the 1960s America’s storytelling sculptor, Michael Garman, lived a vagabond lifestyle on the cheap and in the run-down neighborhoods of Dallas, S...

A LARGE ANTIQUE CHALIF (KOSHER SLAUGHTERING KNIFE) Lower East Side New York City c. 1920 Horn handle and long steel blade This is being sold as a Judaica museum artifact. I do not k...

Magda Watts (Israeli, b.1928) Handmade Folk Art Sculpture Tourists. Hand signed to underside, Dimensions: 12"h x 14.5" l x 7.5"d. Magda Watts, Holocaust survivor, dollmaker She grew up in the Hungarian town of Nyiregyhaza, which the war reached in 1944. Jews were herded into a ghetto, where they remained for several weeks. Magda began making dolls while being held in the concentration camp at Auschwitz, Poland in 1944. Her creativity and imagination helped her to survive the horrors of the holocaust and led to an inspirational career in art and visual storytelling. A resident of Eilat, Israel, she is an internationally known artist. Her intricate soft fabric and textile dolls and panoramas bring the people of the shtetl back to life. She has recreated part of the Jewish community of her native Hungary in order that it might never be forgotten. A documentary was made on her life, “Liberation of the Spirit: The Journey of Magda Watts”. The film opens with a close-up of Watts' hands. She is shaping a doll head, pressing creases with a wooden tool into pliable sculpting resin that later will be hardened by baking. With a few nicks and strokes, human features begin to emerge from the shapeless lump. "I don't know why I am making old people," she says. "It is coming out from me. I can't order my hand what to do." She calls her dolls "small human beings. When you see them in half-dark, you see them dancing, speaking, like they are in life." She makes the dolls in batches of body parts, and also makes most of the props that go with them: miniature furniture, musical instruments, tiny leather shoes with wax soles, even treadle sewing machines. Watts survived the Auschwitz death factory, then the labor camp at Nuremberg. It was there that she created the ancestors of the folk-art masterpieces she now crafts, such artful and appealing rag dolls that Nazi guards would swap extra bread for them. That, she says, "was life" for her and her sister Shari, enough to keep them alive. The doll scene is typical of her work: lifelike yet cartoonish figures set in evocative tableaux. She makes them in her workshop in Israel. Starting at $1,500, Watts' soft dolls are sold only in Israel, but collected worldwide. She once made a panorama of the Jewish people's 5,000-year history for an Israel museum, and a violinist doll for concert great Isaac Stern. The dolls are tailors, jewelers, klezmer musicians, seamstresses, musicians, students, rabbis, a cast of characters from the shtetl of a bygone Europe and from small corners of the modern Jewish world. Like Frank Meisler but in fabric and cloth. They laugh and brood, gossip and smoke, fiddle and play cards. Infused, as if by some spiritual alchemy, with the full range of human emotion, they furrow their aging brows in worry and concentration. Soulful eyes gaze both outward and inward. Here and there, figures from her life emerge. "When I make the seamstress, I am thinking of my aunt. She had a little bit of a hunchback. She had a Singer machine and many drawers, with every one something beautiful inside." A careful observer can spot visual jokes in her work. "I'm making the Bible, and (a museum panorama character) is sitting on the camel with a cigarette in his hand. Nobody sees it, but I know it. I made it for myself. I have to make something that makes me laugh." From oven-baked clay and Styrofoam, she’s re-creating her past: rabbis, gossipy ladies, peddlers, jewelers, tailors, old couples and fish vendors from her small village in central Hungary. Nearly all perished during the Holocaust. Most were sent to the gas chambers in 1944 when Nazis overran her country, including some in Watts’ family. Her lifelike creations have been displayed – and sold – around the world. Her creations emerge from the back of her memory. She remembers a gentler Hungary, where Jewish communities thrived before the Nazis came. On one doll’s baked clay face, she paints the knotted frown of a rabbi concentrating on a Torah passage. Another doll grows into a man hawking fish. Women play cards. A stern schoolmaster presides over a class. “They love to love,” she says. She has exhibited with Malcah Zeldis. Her naive, whimsical images contain a number of storytelling devices and attempt to convey a narrative. She is also fond of Mea Shearim...

Jeff Koons “Balloon Rabbit” – Limited Re-Edition of 500 (XL Size) A rare and highly collectible limited re-edition of the iconic “Balloon Rabbit” sculpture, produced in an exclusive...

Dana Younger's (US based) "Coral Skull" is an original, handmade sculpture that depicts yellow, blue, and red coral emerging from a human skull. About t...