Abstract Geometric Sculptures

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

Hydrocal, pigmented concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Cast concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

As a colorist for her husband Roger Capron, Jacotte Capron was quickly drawn into the world of ceramics, on which she applies tints and shades to create unique harmonies. In 1952, Ro...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

FOCUS is a public art sculpture about the viewer’s growing visual perception and bodily experience. It consists of two large rectangular-shaped pieces, one placed in a vertical posit...

This sculptural wall piece is crafted from two interlocking wooden elements forming a single 50 cm circle. The surface is deeply carved with an intricate network of intersecting line...

This sculptural wall piece consists of two wooden segments forming a divided circle. The surface is entirely hand-carved with a dense geometric grid, creating a rhythmic, almost arch...

This wooden wall sculpture is part of the “Tectonics” series. The series explores structure, tension, and the relationship between surface and depth. Through carving and controlled ...

This wooden wall sculpture is part of the “Tectonics” series. The series explores structure, tension, and the relationship between surface and depth. Through carving and controlled ...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

Original monochrome wall sculpture exploring texture, repetition and organic growth through densely intertwined sculptural forms. This unique wall sculpture belongs to Elizabeth Art...

This geometric wall sculpture features blue hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansiv...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition. Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more. A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm. “I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.” In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time. She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition. Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more. A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm. “I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.” In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time. She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Finesse and delicacy are what characterize best Antonin Anzil’s artistic practice. Paper as a medium seems incompatible with the idea of engraving or sculpturing; and yet. Using a sh...

Little sculpture by the south france sculptor Edmond Vernassa. Signed. Né à Nice, le 3 septembre 1926, Vernassa dessine et sculpte dès son plus jeune âge. Il obtient un CAP d’électr...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

Finesse and delicateness are what best characterize Antonin Anzil’s artistic practice. Using a sharp tool to carefully pull the fiber of the paper from the front, the artist gives bi...

The
 natural 
world
 is 
her 
inspiration, 
giving
 special 
attention
 to 
reflect 
movement
 as 
a 
way
 of
 exploring
 not
 only
 physical
 but
 emotional
 change.
 Orozco's consi...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...

"Non-Dual Reflective Form XVI" is a one-of-a-kind ceramic sculpture by Paige Stewart, finished in a matte white glaze, whose tall, elongated form rises with quiet authority to an arc...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...