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Photorealist Sculptures

PHOTOREALISM

A direct challenge to Abstract Expressionism’s subjectivity and gestural vigor, Photorealism was informed by the Pop predilection for representational imagery, popular iconography and tools, like projectors and airbrushes, borrowed from the worlds of commercial art and design.

Whether gritty or gleaming, the subject matter favored by Photorealists is instantly, if vaguely, familiar. It’s the stuff of yellowing snapshots and fugitive memories. The bland and the garish alike flicker between crystal-clear reality and dreamy illusion, inviting the viewer to contemplate a single moment rather than igniting a story.

The virtues of the “photo” in Photorealist art — infused as they are with dazzling qualities that are easily blurred in reproduction — are as elusive as they are allusive. “Much Photorealist painting has the vacuity of proportion and intent of an idiot-savant, long on look and short on personal timbre,” John Arthur wrote (rather admiringly) in the catalogue essay for Realism/Photorealism, a 1980 exhibition at the Philbrook Museum of Art, in Tulsa, Oklahoma. At its best, Photorealism is a perpetually paused tug-of-war between the sacred and the profane, the general and the specific, the record and the object.

Robert Bechtle invented Photorealism, in 1963,” says veteran art dealer Louis Meisel. “He took a picture of himself in the mirror with the car outside and then painted it. That was the first one.”

The meaning of the term, which began for Meisel as “a superficial way of defining and promoting a group of painters,” evolved with time, and the core group of Photorealists slowly expanded to include younger artists who traded Rolleiflexes for 60-megapixel cameras, using advanced digital technology to create paintings that transcend the detail of conventional photographs.

On 1stDibs, the collection of Photorealist art includes work by Richard Estes, Ralph Goings, Chuck Close, Audrey Flack, Charles Bell and others.

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Style: Photorealist
Alexander The Great's Siege Tent, Halicarnassus, ca. 333 BC, Miniature Room
Located in Chicago, IL
Halicarnassus was an ancient Greek city in Caria, in Anatolia. It was located in southwest Caria, on an advantageous site on the Gulf of Gökova, which is now in Bodrum, Turkey. The city was famous for the Mausoleum of Halicarnassus, ranked as one of the seven wonders of the ancient world. Halicarnassus was loyal to the Persians and formed part of the Persian Empire until Alexander the Great captured it at the siege of Halicarnassus in 333 BC. Here, the Kupjack Studios have meticulously researched the era and have gone to painstaking detail to present this miniature version of Alexander's Tent. Based on a scale of one foot equals one inch, each piece of furniture, rug, decoration is fabricated with exacting detail. Kupjack Miniatures Alexander's Siege Tent, Halicarnassus, ca. 333 BC, circa 2003 mixed media 24.50h x 22.75w x 18.50d in 62.23h x 57.78w x 46.99d cm KJK004 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...
Category

21st Century and Contemporary Photorealist Sculptures

Materials

Mixed Media

Lovebomb
Located in Palm Desert, CA
A sculpture by Marc Quinn. “Lovebomb” is large scale, floral sculpture of orchids, photo laminate on aluminum, in a palette of of bright colors by British conceptual artist, Marc Qui...
Category

Early 2000s Photorealist Sculptures

Materials

Laminate

Marc Sijan Hyperrealist Contemporary Plaster Sculpture Woman and Champagne Glass
Located in Surfside, FL
Marc Sijan (American, born 1946) Hyper realistic wall sculpture. titled and dated on verso "Champagne Glass" 1986 Limited edition number 14/95. Features a Art Deco style girl in ...
Category

1980s Photorealist Sculptures

Materials

Acrylic Polymer, Glass, Plaster

The People, signed 3D photo realist mixed media sculpture of people viewing art
Located in New York, NY
Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...
Category

1970s Photorealist Sculptures

Materials

Plastic, Plexiglass, Mixed Media, Etching, Screen

Palette with Ink Pencil Eraser
Located in Burlingame, CA
In the world of ceramics, Richard Shaw is a professor and the master of trompe l’oeil (French for “fool the eye”) sculpture, a style often associated with paintings intended to give ...
Category

21st Century and Contemporary Photorealist Sculptures

Materials

Porcelain, Glaze, Underglaze

Paint Palette with Spilling Dixie Cup
Located in Burlingame, CA
In the world of ceramics, Richard Shaw is a professor and the master of trompe l’oeil (French for “fool the eye”) sculpture, a style often associated with paintings intended to give...
Category

21st Century and Contemporary Photorealist Sculptures

Materials

Porcelain, Glaze, Underglaze

Spilling Pepsi Cup with Coffee Lid and Five of Spades
Located in Burlingame, CA
In the world of ceramics, Richard Shaw is a professor and the master of trompe l’oeil (French for “fool the eye”) sculpture, a style often associated with paintings intended to give a convincing illusion of reality. Shaw's work replicates everyday objects (such as tin cans, playing cards, and cutlery) in porcelain. He then glazes these components and groups them in unexpected and even jarring combinations. While interested in how objects can reflect a person’s identity, Shaw also poses questions regarding the relationship between appearance and authenticity. Spilling Pepsi Cup with Coffee Lid...
Category

21st Century and Contemporary Photorealist Sculptures

Materials

Porcelain, Glaze, Underglaze

Marc Sijan Hyper Realist Contemporary Cast Acrylic Resin Sculpture Portrait Bust
Located in Surfside, FL
A cast acrylic sculpture titled Chin Up by American artist Marc Sijan. This sculpture is made from acrylic and portrays the upper torso of a clothed woman wearing a bandana over her ...
Category

20th Century Photorealist Sculptures

Materials

Resin, Lucite, Acrylic Polymer

Seated Figure
By John DeAndrea
Located in Long Island City, NY
John De Andrea was a leading proponent of the Hyper-Realism movement in the 1960's and 1970's. This extraordinarily detailed painted resin sculpture of ...
Category

1970s Photorealist Sculptures

Materials

Fiberglass, Polyester, Oil

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Marc Sijan Hyper Realist Contemporary Cast Acrylic Resin Sculpture Portrait Bust
Located in Surfside, FL
A cast acrylic sculpture titled Chin Up by American artist Marc Sijan. This sculpture is made from acrylic and portrays the upper torso of a clothed woman wearing a bandana over her free-flowing hair. Her eyes are closed and her head is tilted up as if in bliss. The sculpture is mounted on a metal rod, on a Lucite block Marc Sijan, Serbian American artist and sculptor born 1946. Known for his hyper-realistic portrait sculpture. He received his Bachelor's degree in art education from the University of Wisconsin in 1968, then went on to complete a Master of Science in Art degree three years later in 1971, undertaking an intense study of anatomy and biology. He lives and works in Milwaukee, USA. Sijan works within the tradition of figurative sculpture, but uses a modern approach. His meticulous creative process begins with the construction of a plaster mould from a live model. He then uses a magnifying glass to sculpt the interior of the mould in order to assure that each detail is super realistic and accurate, before casting the figure in resin. Realistic flesh tones are then achieved with multiple layers of oil paint and varnish, a process that takes around six months to complete. His sculptures are so life-like as to almost be on the verge of movement. He mostly depicts people that are often overlooked by our society such as blue collared workers or cleaning staff, turning the ordinary into extraordinary works of art. Sijan, a Milwaukee-based artist, carries on the tradition of a very old form, but his approach is very modern. His realism recalls the work of the Greek sculptors in its bold expression of human energy and poise. Sijan's method is distinct and exacting. First, he works from live models, to produce a negative mold in plaster, and sculpts the interior with special tools and a magnifying glass to assure accurate detail. Then, he casts the figure in a polyester resin. To achieve realistic flesh tones, Sijan applies 25 coats of paint --- and adds varnish. Sijan uses oil painting in the final stages of the work. "The goal is to achieve depth, yet translucency," he says. "It can't be flat. The chest and throat texture is different from that of the arms, legs and stomach. Facial skin differs from that on the torso." Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is considered an advancement of Photorealism by the methods used to create the resulting paintings or sculptures. Belgian art dealer Isy Brachot coined the French word Hyperréalisme, meaning Hyperrealism, as the title of a major exhibition and catalogue at his gallery in Brussels in 1973. The exhibition was dominated by such American Photorealists as Ralph Goings, Chuck Close, Don Eddy, Robert Bechtle and Richard McLean; but it included such influential European artists as Domenico Gnoli, Gerhard Richter, Konrad Klapheck, Gottfried Helnwein and Roland Delcol. Since then, Hyperrealisme has been used by European artists and dealers to apply to painters influenced by the Photorealists. It is also called super-realism or hyper-realism and painters like Richard Estes, Denis Peterson, Audrey Flack, and Chuck Close often worked from photographic stills to create paintings that appeared to be photographs.His creations have been featured in galleries, museums and special exhibits all over the world such as the Smithsonian Museum of Modern Art in Washington, D.C, the San Francisco Museum of Modern Art, the Philadelphia Museum of Modern Art, the Milwaukee Art Museum, the Delaware Art Museum, The Butler Institute of American Art And many more. Bruce Helander, the White House Fellow of the National Endowment for the Arts: “Hyperrealism came into vogue in the 1970s with the works of Duane Hanson and Carole Feuerman, whose recreations of everyday people were in a class of their own. Artist John De Andrea...
Category

20th Century Photorealist Sculptures

Materials

Resin, Lucite, Acrylic Polymer

Photo Realist Trompe L'Oeil Nude Male Portrait Painting & Sculpture Shozo Nagano
Located in Buffalo, NY
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Photorealist sculptures for sale on 1stDibs.

Find a wide variety of authentic Photorealist sculptures available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Richard Shaw, John DeAndrea, and Marc Sijan. Frequently made by artists working with Ceramic, and Glaze and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Photorealist sculptures, so small editions measuring 9 inches across are also available. Prices for sculptures made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $5,000 and tops out at $300,000, while the average work sells for $14,000.

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