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Style: Jugendstil
Seifert, Victor Heinrich. 1870 Wien - 1953 Berlin “Young athlete with slingshot”
Seifert, Victor Heinrich. 1870 Wien - 1953 Berlin “Young athlete with slingshot”

Seifert, Victor Heinrich. 1870 Wien - 1953 Berlin “Young athlete with slingshot”

Located in Berlin, DE

Seifert, Victor Heinrich. 1870 Vienna - 1953 Berlin "Young Athlete with Slingshot" "David" Large bronze, dark patinated, signed: Prof. V.H. Seifert Height: 71.5 cm, approx. 85 cm h...

Category

Early 20th Century Jugendstil Art

Materials

Bronze

Death and Life / - United in Laughter -
Death and Life / - United in Laughter -

Death and Life / - United in Laughter -

By Hans Frank

Located in Berlin, DE

Hans Frank (1884 Vienna - 1948 Salzburg), Death and Life, 1911. Lithograph, 18 cm x 31 cm (depiction), 25.5 cm x 38.7 cm (sheet size), signed “H.[ans] Frank” in pencil lower right and inscribed “Tod und Leben” lower left. - darkened, remains of an old mounting on the verso - United in Laughter - Here, Hans Frank refers to the skull as a vanitas motif. In Renaissance and Baroque portraits, this motif symbolizes the transience of the sitter, whose head has become a skull over time. Penitents, such as St. Jerome, often hold skulls in melancholy contemplation. Here, however, the boy stands up for life itself. He boldly grabs the skull and laughs at the absurdity of life and death. The laughter of death joins the laughter of life, and vice versa. The child's thumb penetrates the skull's cheekbone to illustrate the inseparable connection between death and life. About the artist Hans Frank studied at the Vienna School of Applied Arts from 1902 to 1906 and then studied painting under Franz Rumpler at the Vienna Academy of Fine Arts from 1907 to 1911. In 1911, he received a substantial travel grant from the emperor, which he used to travel to Switzerland, Paris, London, Belgium, the Netherlands, and Germany. After serving in World War I, Frank moved to St. Marein im Mürztal, returning to Vienna in 1925. He took further study trips to Italy, southern France, and the Austrian countryside. In 1927, Frank became a member of the London Society of Color Printers. An exhibition of his work at the Medici Gallery in London brought him international recognition. He joined the Pasadena Printmakers Society of California and established contacts in Canada. In addition to his highly regarded paintings, Frank primarily worked as a graphic artist. He created over 300 prints and developed a new gradient technique for the fern woodcut with his twin brother, Leo Frank...

Category

1910s Jugendstil Art

Materials

Paper

Malua Rosea Multiplex (painting monochrome Grey vintage lady Botany flowers)

Malua Rosea Multiplex (painting monochrome Grey vintage lady Botany flowers)

By Rudolf Kosow

Located in Quebec, Quebec

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic composition, dream, men , romantic, flesh tones, portrait, earth tones, tonalist, nostalgia, early 20th century, naturalist, illustration, woman, flora, grey art, yellow shoes...

Category

2010s Jugendstil Art

Materials

Canvas, Oil

Eugene Laurent (French, 1832-1898) Diana the Huntress
Eugene Laurent (French, 1832-1898) Diana the Huntress

Eugene Laurent (French, 1832-1898) Diana the Huntress

Located in Berlin, DE

LAURENT, Eugene, (French, 1832-1898): Diana the Huntress, bronze, 64 cm high, signed, resting on a black marble base, in an antique dress with her hunting dog. Patinated bronze....

Category

Late 19th Century Jugendstil Art

Materials

Bronze

Marine Painting by Karl Schön, Oil on Canvas, Early 20th Century
Marine Painting by Karl Schön, Oil on Canvas, Early 20th Century

Marine Painting by Karl Schön, Oil on Canvas, Early 20th Century

Located in Berlin, DE

signed oil on canvas Full name Karl Adolph Schön, sometimes Carl Schön. • Born 7 September 1868 in Berlin, died 10 December 1945 in Berlin. • He was a German marine painte...

Category

Early 20th Century Jugendstil Art

Materials

Oil

Kalliope record Machine slot Machine 10 Plates included
Kalliope record Machine slot Machine 10 Plates included

Kalliope record Machine slot Machine 10 Plates included

Located in Berlin, DE

The automaton has been completely overhauled and tuned. The spring housing has been adjusted. Comb has been completely tuned. The case has been overhauled. 10 plates are included...

Category

Late 19th Century Jugendstil Art

Materials

Metal

Troubadour, from The Mastersingers of Nuremberg

Troubadour, from The Mastersingers of Nuremberg

Located in Middletown, NY

Stipple point etching on tissue-thin handmade Japon paper, 7 5/8 x 5 inches (193 x 126 mm), full margins. Signed, titled, dated, inscribed and numbered 10/25 in pencil, lower margin....

Category

Early 20th Century Jugendstil Art

Materials

Handmade Paper, Etching

Raoul Fançois Larche Patinated bronze figure of a woman
Raoul Fançois Larche Patinated bronze figure of a woman

Raoul Fançois Larche Patinated bronze figure of a woman

Located in Berlin, DE

FRANCOIS-RAOUL LARCHE 1860 SAINT-ANDRÉ-DE-CUBZAC - 1912 PARIS Signed on the base with "RAOUL LARCHE," foundry mark "SIOT DECAUVILLE PARIS FONDEUR," and number "R 276." Total height...

Category

Early 1900s Jugendstil Art

Materials

Bronze

Forest idyll / - Soulmate -
Forest idyll / - Soulmate -

Forest idyll / - Soulmate -

By Rudolf Kaesbach

Located in Berlin, DE

Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Forest idyll, around 1915. Bronze, gold and golden brown patina, with cast plinth, mounted on a marble base (5 cm high), total height 36 cm, dimensions of the bronze: 31 cm (height) x 17 cm (length) x 12 cm (width). Weight 4,6 kg, signed on the plinth "R.[udolf] KAESBACH". - a few rubbed areas, overall in excellent condition for its age - Soulmate - The bronze sculpture depicts a young woman in an intimate exchange with a deer that accompanies her. The animal pauses to turn toward her, while the nude beauty slows her pace to look into the deer's eyes and tenderly caress it with her hand. The woman and the deer are in inner harmony. Even though her lips remain motionless, she speaks the language of the animal with which she is deeply connected. The golden patina, which contrasts with the more naturalistic coloring of the deer, gives the young woman the appearance of a saint, even if she cannot be identified as such. At the same time, she evokes memories of Diana, the goddess of the hunt, or a nymph. But she lacks the ferocity. In her innocent naivety, she is more like a vestal virgin, who is not at home in the solitude of the forest. And yet, the young beauty, moving unclothed in the heart of nature, looks like a priestess with her hair tied up and a carefully carried bowl on her way to a sacred grove. In order to open up the above-mentioned associations, Kaesbach deliberately designed the female figure in such a way that she cannot be identified as a specific person. He has created an allegory of natural femininity, characteristic of Art Nouveau, in which the deer is far more than a companion animal. It displays the same gracefulness as the young woman, and the inner resemblance between the two makes the deer appear as her other self. In animal terms, it embodies her inner being, which also gives the deer an allegorical character. About the artist Rudolf Kaesbach studied sculpture at the Hanau Academy and worked in a bronze foundry in Paris in 1900. In order to work as an independent artist, he opened a workshop in Düsseldorf, where he cast bronzes from models he designed. In 1902 he made his debut at the German National Art Exhibition in Düsseldorf. The following year Kaesbach went to the academy in Brussels. There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald and devoted himself to life-size marble sculptures and the design of bronzes. From 1911, he regularly presented his works at the major art exhibitions in Berlin, as well as in Düsseldorf and Malmö. Between 1936 and 1939, he also created models for the Rosenthal porcelain factory. From 1939 to 1944, Kaesbach was represented at the major German art exhibitions in Munich. GERMAN VERSION Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Waldidyll, um 1915. Gold und goldbraun patinierte Bronze mit gegossener Plinthe, auf einem Marmorsockel montiert (5 cm Höhe), Gesamthöhe 36 cm, Maße der Bronze: 31 cm (Höhe) x 17 cm (Länge) x 12 cm (Breite). Gewicht 4,6 kg, auf der Plinthe mit „R.[udolf] KAESBACH“ signiert. - vereinzele beriebene Stellen, insgesamt in einem altersgemäß ausgezeichneten Zustand - Seelenverwandtschaft - Die Bronzeplastik veranschaulicht eine junge Frau im innigen Austausch mit einem sie begleitenden Reh. Das Tier hält inne, um sich zu ihr hochzuwenden, während die nackte Schönheit ihren Schritt verlangsamt, um dem Reh ebenfalls in die Augen zu schauen und es zärtlich mit der Hand zu liebkosen. Die Frau und das Reh sind in einem inneren Gleichklang. Auch wenn ihre Lippen unbewegt bleiben, spricht sie die Sprache des Tieres, mit dem sie auf eine tief empfundene Weise verbunden ist. Die im Kontrast zur naturalistischeren Einfärbung des Rehs aufstrahlende goldfarbene Patina lässt die junge Frau wie eine Heilige erscheinen, auch wenn sich nicht als Heilige identifizierbar ist. Zugleich ruft sie Erinnerungen an die Jagdgöttin Diana oder eine Nymphe hervor. Dafür fehlt ihr allerdings die Wildheit. In ihrer unschuldigen Naivität gemahnt sie vielmehr an eine Vestalin, die freilich nicht in der Waldeinsamkeit zu Hause ist. Und doch wirkt die sich unbekleidet im Herzen der Natur bewegende junge Schönheit wie eine Priesterin, die sich mit hochgebundenem Haar und der vorsichtig getragenen Schale und dem Wege zu einem Heiligen Hain befindet. Um die gennannten Assoziationen zu eröffnen, hat Kaesbach die Frauenfigur bewusst so gestaltet, dass sie nicht als konkrete Person identifizierbar ist. Damit hat er eine für den Jugendstil charakteristische Allegorie natürlicher Weiblichkeit geschaffen, bei der das Reh weit mehr als ein Begleittier ist. Es weist dieselbe grazile Anmut wie die junge Frau auf und der innere Gleichklag der beiden lässt das Reh als ihr anderen Ich erscheinen. Es verkörpert – ins Animalische übertragen - ihr inneres Wesen, wodurch auch dem Reh ein allegorischer Charakter zukommt. zum Künstler Rudolf Kaesbach studierte an der Akademie Hanau Bildhauerei und war im Jahr 1900 in einer Pariser Bronzegießerei tätig. Um sich als eigenständiger Künstler betätigen zu können, eröffnete er in Düsseldorf eine Werkstatt, in der er Bronzen nach selbstentworfenen Modellen goss. 1902 debütierte er auf der Deutschen Nationalen Kunstaustellung in Düsseldorf. Im Folgejahr ging Kaesbach an die Akademie nach Brüssel. Dort wurde er von der zeitgenössischen belgischen Bildhauerei, insbesondere vom Werk Constantin Meuniers, inspiriert. Zurückgekehrt zog er nach Berlin, wo er im Villenviertel Grunewald ein Atelier eröffnete und sich neben dem Entwurf für Bronzen der lebensgroßen Marmorbildhauerei widmete. Ab 1911 präsentierte er seine Werke regelmäßig auf den Großen Berliner Kunstausstellungen, aber auch in Düsseldorf und Malmö. Zwischen 1936 und 1939 fertigte er zudem Modelle für die Porzellan-Manufaktur Rosenthal an. Von 1939 bis 1944 war...

Category

1910s Jugendstil Art

Materials

Bronze

Woman's Head (Vrouwekop), Marguerite Adolphine Helfrich
Woman's Head (Vrouwekop), Marguerite Adolphine Helfrich

Woman's Head (Vrouwekop), Marguerite Adolphine Helfrich

By Jan Toorop

Located in Fairlawn, OH

Woman's Head (Vrouwekop), Marguerite Adolphine Helfrich Drypoint, 1897 Signed lower right in pencil: J Toorop; by later hand Toorop's model for this print was Marguerite Adolphine H...

Category

1890s Jugendstil Art

Materials

Drypoint

L'Abondance Art Nouveau Sculpture, Regule, Signed, Early 20th Century
L'Abondance Art Nouveau Sculpture, Regule, Signed, Early 20th Century

L'Abondance Art Nouveau Sculpture, Regule, Signed, Early 20th Century

By Vincent Desire Faure de Brousse 1

Located in Berlin, DE

Regule / a metal casting alloy 73 cm signed Vincent Désiré Faure de Broussé, "L'Abondance", large Art Nouveau sculpture, reguleVincent Désiré Faure de Broussé, 1834 - Paris - 19...

Category

Early 20th Century Jugendstil Art

Materials

Other Medium

Hebe Par Drouot Edouard Drouot  (French, 1859-1945)
Hebe Par Drouot Edouard Drouot  (French, 1859-1945)

Hebe Par Drouot Edouard Drouot (French, 1859-1945)

Located in Berlin, DE

Bronze, beautifully cast, patinated. Above a fluted round base, the figure of the Greek goddess of youth. Hébé is depicted here rising in a tight-fitting robe before an eagle, the sy...

Category

Early 20th Century Jugendstil Art

Materials

Bronze

Von Der Pflanze Zum Ornament
Von Der Pflanze Zum Ornament

Von Der Pflanze Zum Ornament

Located in Wilton, CT

30 plates of floral designs from the Jugendstil period

Category

Early 1900s Jugendstil Art

Materials

Lithograph

Yellow Blouse (drawing paper vintage girl back portrait hair yellow article)

Yellow Blouse (drawing paper vintage girl back portrait hair yellow article)

By Rudolf Kosow

Located in Quebec, Quebec

keywords; surrealism, portrait, oil painting, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic composition, dream, tones, portrait, tonalist, nostalgia, early 20th century, naturalist, illustration, grey art, young woman, hair, hair bun...

Category

2010s Jugendstil Art

Materials

Paper, Color Pencil

Woman with Hat, Oil on Canvas, Jugendstil, 20th Century, 100x90 cm
Woman with Hat, Oil on Canvas, Jugendstil, 20th Century, 100x90 cm

Woman with Hat, Oil on Canvas, Jugendstil, 20th Century, 100x90 cm

Located in Berlin, DE

oil on canvas 100x 90 cm unsigned It depicts a woman wearing an ornate hat and is characterized by vivid, unnatural colors and an expressive painting style.

Category

20th Century Jugendstil Art

Materials

Oil

Poster for the Saxon Trade and Art Exhibition, Dresden 1896
Poster for the Saxon Trade and Art Exhibition, Dresden 1896

Poster for the Saxon Trade and Art Exhibition, Dresden 1896

Located in Fairlawn, OH

Poster for the Saxon Trade and Art Exhibition, Dresden 1896 Color lithograph poster mounted on heavy linen, 1896 Signed in the stone lower left corner (see photo) Proof before additi...

Category

1890s Jugendstil Art

Materials

Lithograph

Abutilon  Auicennae (drawing paper botany nostalgic lady chignon hair bun plants

Abutilon Auicennae (drawing paper botany nostalgic lady chignon hair bun plants

By Rudolf Kosow

Located in Quebec, Quebec

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic composition, dream, flesh tones, portrait, earth tones, tonalist, nostalgia, early 20th century, naturalist, illustration, grey art, young woman, hair, hair bun...

Category

2010s Jugendstil Art

Materials

Color Pencil, Paper

Jugendstil art for sale on 1stDibs.

Find a wide variety of authentic Jugendstil art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Rudolf Kosow, Gerald Berghammer, Rudolf Bauer, and Talavera Ballon. Frequently made by artists working with Paper, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Jugendstil art, so small editions measuring 2.76 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $200 and tops out at $149,500, while the average work sells for $1,700.