Color Art

Julio Tejada was born in 1971 in the city of Moca in the Dominican Republic, where he received his first artistic education in the school of Fine Arts. From an early age, Julio Teja...

"Drift 10" Landscape Photography 20" x 30" Edition 8/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Signed and numbered by the artist Comes...

Landon Nordeman is inspired by the work of Garry Winogrand and William Eggleston. Nordeman's unique point of view, characterized by National Geographic senior picture editor Sadie Q...

"Something And/Or Nothing? - Circle" is a figurative landscape photograph with hues of green, yellow, and black. Born in Philadelphia, Andrew Herzog is a multi-disciplinary artist and designer currently working in New York City. Herzog creates a variety of works that explore the relationship between the viewer and the artist with themes of accessibility and prioritized sight, often taking the form of photographs, books, films, site-specific sculptures and interactive performances, objects and drawings. Herzog defines “prioritized sight” as how we choose, consciously or unconsciously, the things we see; what we engage or empathize with; and what we understand or misinterpret, with varying degrees of implication. Herzog received an MA in Graphic Design from the Savannah College of Art and Design. He was the co-founder and partner at the design and technology studio HAWRAF, and led projects at the Google Creative Lab focusing on AI, creative tools and accessibility. Also, Herzog is adjunct professor at the School of Visual Arts in New York. Herzog has lectured and exhibited works at the A4 Art Museum, Chengdu, Sichuan, China; The Franklin Institute, Philadelphia, PA; Q21 MuseumsQuartier Wien, Vienna, Austria; and The National Museum of Art of Romania; among others. Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Eliason...

Landon Nordeman is inspired by the work of Garry Winogrand and William Eggleston. Described by New York Magazine's The Cut as their "backstage photographer extraordinaire," Nordeman...

Claire Clarkson's "Blue Ivy" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies. Her ...

Claire Clarkson's "Blue Ivy II" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies. H...

In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in...

A beautiful work of art depicting flowers and plants by Ruth Epstein. The artwork celebrates flora and botany, showcases the enduring fascination and art...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

Artist's comment: "This painting symbolizes the "No Surrender" in the face of terrorist attacks If these last ones make thousands of deaths, they do not come to end of our unconscious "and collective and archaic" which believes in the vigilantes, in the super-heroes, these mutants which we protect. Cat Woman, "right in her boots", certainly looks to the left, the past that she integrates but also to the right, a future that she will make better. The predominance of "green" and the fact that there are more "white runs" than "black runs" brings just what we need: hope. Twin Towers...

ROULLAND T (aka SKRED) Small blaze tags (4mm) white and pink, forming a human skull. Each tag is placed so as to touch the blaze of the same color. Black background Very beautiful w...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'the eyes, the ears', 2005 Lambda print Sheet 101.6 × 101.6 cm (40 × 40 in.) Edition of 6 Signed by the artist Kawauchi burst...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'the eyes, the ears', 2005 Lambda print Sheet 30,5 x 25,4 cm (12 x 10 in.) Edition of 6 Signed by the artist Kawauchi burst o...

Color spray-paint aquatint on airbrushed paper Image Size: 40”x 29”; Paper Size: 40” x 29” Edition of 25

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...

In the mysterious dance of green shades, where darkness intertwines with light, the "Green Dream" is born. This canvas is like a dream in the depths of a forest kingdom, where each i...

Artist Commentary: Using ICM (In-Camera Motion) and a long-duration shutter speed, I created this collection of impressionistic landscapes through a moving bus window while visiting...

“REFRACTED LIGHT SERIES” are composed of stacking multiple clear sheets, each one individually hand etched. The pieces reveal themselves through a meditative, self-informing process....

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York Abstract Expressionism, Wong wields various free and fluent but forceful strokes and creative washing on canvas atop the heritage of her personal Zen calligraphy; in some cases, Cymn has collaged with traditional Chinese papier-mâché. Through the layering of multiple marks, colors and textures, or being used by perspective, she is able to balance her own spontaneity and control to accomplish the desired effect. When Wong applies to blend her canvas with splash-ink, free dyeing and deliberate sealing, her aim is to create a vivid and immersive sense of expanded spectrum that integrates the outsider viewers with the painting landscape. These stylistic elements combine to create an organic entity that is dynamic, engaging, and deeply contemplative. In exploring the blending entity of art and poetry as extrinsic “landscape” and intrinsic “soundscape”, the brushstrokes are hereby given fresh impetus by a single-unity involvement. Every brushstroke reflects an outer and inner state of creativity. Meanwhile, this embodied experience opens up a transformation and imagination of mindset. Wong declares, “By embracing plainness, simplicity and intimacy, my art emerges an insight for cultivating a cross-boundary ecological ethos. In most recent development of my paintings, I have been focusing on several key areas that are driving for a creative exploration. Firstly, I am placing a greater focus on the bean sprout as a central element of her work. The bean sprout is a crystalized symbol. Its unique shape evokes the numbers "0" and "1". The "0" of the bean sprout represents nothingness or emptiness, a void spectrum that is co-birthed with “1”. The "1", on the other hand, represents possibilities and growth. By incorporating the shape of the bean sprout into visual language, I link the binary concepts of "0" and "1" to convey a sense of stillness, calm, and openness in the other area of "0". Meanwhile a motion, another state of change comes birth in the open area of "1", building in a dynamic interplay between these two facets for growth and inherent continuously in every subsequent moment. Secondly, I attempt to create an alternative way of revealing the insightful wisdom of Zen philosophy, in a fusion of fluidity and freedom of abstract expressionism, siding along with the contemplative practice of Zen calligraphy. This integration of meditative peace and passionate energy presents a fresh landscape that is holistically dynamic and contemplative, evocative and reflective. The Zen strokes that feature prominently refer to the hope of splashing an endless creativity at any stage of life. Thirdly, in organizing a larger-scale of art forms, I gradually move to create a sense of unity and wholeness that highlights a stimulating dimension of cultural diversity in my painting canvas. Moreover, I strive to develop a stronger sense of spatiality by leaving white space blank within the compositions, which provides a stimulated sense of circulation and contingency, for an experimental interaction of fulfilling the gaps of different 3-D dimensions in life. Last but not the least I embrace my intuition of self-awareness under my personal practice of integrating multiple refreshing technical elements, that always plunging into the fundamental questions of man’s existence and the nature of living being. I appeal to the worldly communities for a spirit of connection and resonance that may well go beyond the surface of my painting art.” From 2022 to 2023, Cymn has extended a soul karma in her Washington saloon that spearheads to create a masterfully-suited-style of global ethos. The ethos showcases her accomplished selfhood of aesthetic views blending with both Eastern and Western cultures and languages. Wong attempts to vitalize the diversity of built-in imageries and present the visual art communities via a dynamic interaction of natural human passion with the uncontrollable social environment and the universe. In fact, Cynm’s lifelong commitments to bilingual poetry and expanded visual art have been widely applauded in multiple international platforms whereas her English...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 5/6 on verso. In the series ‘Weights & Measures’ (2003) Andrew George turns...

This painting captures the beauty and serenity of a verdant scene in an early morning. At the center of the canvas, a plump bean rest. Meanwhile its contours, being chaotic but inviting, are rendered with sweeping shape and lines, evoking a feeling of jerking. The texture-seal technique creates a surrounding foliage heave and turn, symbolizing a vast potential for growth and switch. The Zen calligraphic freehand brush-strokes highlight a sense of energy and vitality, reminding of an intricate inter-connectedness between agents of transient flow and change. From 2022 to 2023, Cymn extended a soul karma in her Washington saloon that spearheads to create a masterful suited style of American ethos. The ethos showcases an accomplishment in self-realization of aesthetic views of both Eastern and Western cultures. Wong attempts to vitalize certain built-in imageries and present the visual world via a dynamic interaction for human passion with the environment and the universe. In retrospect about the reciprocity between poetry and art, Cymn’s artistic attainments are expanding into a vivid oasis that she has been stimulated in an international platform. Three turning points of creativity for Cymn Wong...

This abstract color photograph of a book at the top of a pine tree amidst the devastation of the historic tsunami that hit Thailand in 2005 is from the series "Things Fall Apart...

Original scratchboard drawing by artist Nelson Tucker. Framed.

This minimalist coastal painting distills sea and sky into their simplest forms, evoking calm, space, and stillness. Subtle textures and gentle gradients suggest movement without exc...

Sasha Bezzubov, “Water 45” 40"x55", edition of 5, available unframed, hand signed by the artist on the reverse. Please inquire about framing options. large scale photograph, taken w...

edition of 5, hand signed by the artist on the reverse. silver gelatin print, taken with a large format camera in Arctic Alaska. This minimalist waterscape gives poignant imagery to...

edition of 5, hand signed by the artist on the reverse. silver gelatin print, taken with a large format camera in Arctic Alaska. This minimalist landscape gives poignant imagery to ...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

C Print Photograph, signed on reverse available as 30"x45" edition of 5, framed and mounted in high quality shadow box frame with natural wood finish. This is from Stephe...

20"x30" C-Print photograph edition of 5, signed on reverse This photograph is featured in a current exhibition of photographs by the artist, "Stephen Mallon" depicting the SS Uni...

C Print Photograph, signed 30"x45", edition of 5 available unframed please inquire about additional print sizes This photograph is from Stephen Mallon's series: "The R...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

House and Trees, Oil on Canvas Painting by Bernard Meninsky, circa 1925 Additional information: Medium: Oil on canvas 61 x 51 cm 24 x 20 1/8 in Signed Provenance Sale; Phillips, Lo...

Pintura de Jeff Engberg con las siguientes dimensiones: 60 x 100 cm Técnica: Óleo sobre tela

Original acrylic painting on canvas.. Hand signed on front, titled on verso by Todd Goldman. Canvas is stretched. Canvas size: 36 x 36 inches. Artwork is in excellent condition. ...

Feel like biting into an apple, life, the forbidden fruit? I chose to play with green glazes for this invitation. This sculpture is an imaginary nose.

With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...

This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...

The painting is being offered with a work and authenticity certificate

Yoshinori MIZUTANI (*1987, Japan) Yusurika 039, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper Sheet 145.6 x 97 cm (57 3/8 x 38 1/4 in.) Edition of 3 plus 2 artist's...

From the artist, "My abstract work intrigues me the most. I like the experimental aspect of playing with a variety of materials (light, fabric, paper and glass) to create compos...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Simeon, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by An...

RISAKU SUZUKI (*1963, Japan) Water Mirror 18, WM-836, 2018 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 59 1/8 in.) Frame 123.8 x 153.8 x 5.7 cm (48 3/4 x ...

Jessica Carroll is an Italo- American sculptor (b. 1961), member of an artistic family (her father was a painter, her mother a writer and her grandfather directed the movie Totò, Pep...

Rinko Kawauchi Untitled, from the series 'Illuminance', 2009 C-print Image 19,7 x 29,8 cm (7 3/4 x 11 3/4 in.) Sheet 25,4 x 30,5 cm (10 x 12 in.) Frame 26,5 x 31,5 x 2,5 cm ( 10 3/8 x 12 3/8 x 1 in.) Edition of 6 (#1/6) Reminiscent of Japanese photography of the 1960s Rinko Kawauchi’s work is the search for the sublime amid the banal. Her series ‘HANABI’ (Japanese term for ‘firework’) depicts the photographer's vision of a fireworks show. The breezes of summer nights, the footsteps of children running alongside a riverbank, clouds portending warm showers and the sweet smell of apple candy are at powerfully nostalgic, at once both beautiful and melancholy. We are drawn in by a dance of lights and colors, and in the blink of an eye, an elegant and sensory party draws to a close, leaving us wondering what Kawauchi saw in the fireworks, and what lies beyond them. Kawauchi, currently one of the most famed contemporary female Asian artists...

The artist thinks of their paintings primarily as landscapes. Lately, these landscapes have taken on a more manufactured feel rather than organic. At first glance, the subjects may a...

Yoshinori MIZUTANI (*1987, Japan) sakura 011, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper 145.6 x 97 cm (57 3/8 x 38 1/4 in.) Edition of 3, plus 2 AP print only ...

Yoshinori MIZUTANI (*1987, Japan) sakura 015, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper 97 x 145.6 cm (38 1/4 x 57 3/8 in.) Edition of 3, plus 2 AP; Ed. no. 1/3...

Silkscreen on canvas with diamond dust. Hand signed, dated, and numbered on verso by the artist. Edition of 25. Canvas is stretched. Artwork is in excellent condition. Certificate ...

Yoshinori MIZUTANI (*1987, Japan) colors 030, 2013 Archival pigment print on Hahnemuhle Fine Art Baryta paper 27 x 18 cm (10 5/8 x 7 1/8 in.) Edition of 5 plus 2 AP; Ed. no. 2/5 prin...

Michael WOLF (1954 – 2019, Germany) back door 01, 2003 Archival Pigment Print on Hahnemuehle art rag paper 40.6 x 50.8 cm (16 x 20 in.) Edition of 9, plus 2 AP; Ed. no. 4/9 Michael Wolf was born in 1954 in Munich, Germany. He worked and lived in Paris and Hong Kong where he died in April 2019. The focus of Michael Wolf’s work is life in mega-cities. His projects document both the architecture and the vernacular culture of metropolises. Born in Munich, Wolf grew up in Canada, Europe, and the United States, studying at UC Berkeley and at the Folkwang School with Otto Steinert in Essen, Germany. He moved to Hong Kong in 1994, where he worked for eight years as a contract photographer for Stern magazine. Since 2003, Wolf has been focusing on his own projects, publishing over thirty books of his work. His work is held in many permanent collections including the Metropolitan Museum of Art in New York, the Brooklyn Museum, the San Jose Museum of Art in California, the Museum of Contemporary Photography in Chicago, the Museum Folkwang in Essen, the Hong Kong Heritage Museum, and M+ in Hong Kong. back door: The dark back alleys that crisscross the city are home to objects that, at first glance, seem to be discarded—the random detritus of the man-made world. Under the scrutiny of Michael Wolf's photographic eye, these objects become fascinating installation pieces, while the abstract patterns of the buildings reveal the beauty and order that underlie the apparent chaos of the city. Thought-provoking texts by Kenneth Baker and Douglas Young explore the choices that people make of lifestyle, form, function, identity, and design, as well as the notion of Hong Kong as a brand. – Art, Cityscape, Architecture, City, Michael Wolf, Street Photography, Colour Photography, Hong Kong, Pink Blanket...

RISAKU SUZUKI (*1963, Japan) Water Mirror 16, WM-653 2016 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 2/5 Framed ‘Water Mir...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-739 2017 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 1/5 Framed ‘Water ...

I made these paintings in response to a prediction for a change in the colour of the sky and oceans as a consequence of man-made climate change. This idea described by Peter Ward in his book Under a Pale Green Sky is based on his study of the great mass extinction events of the past. For many of these extinction events the earth’s chemistry changed the sky to green and the oceans purple. My personal memories are often tied to colour – my first recollection is of an orange cup being handed to me, and I can vividly remember the very first time I was able to wield colour with a red crayon. As a painter, I acutely feel the significance of this change in colour of the world’s landscapes...