Shirine Gill Art

Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...

Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...

Edition 6/15 Archival pigment print “Water’s Edge” a collection of photos by Marian Crostic defines the power of the ocean and the land which borders it. Having spent much of her l...

Edition 2/15 Archival pigment print “Water’s Edge” a collection of photos by Marian Crostic defines the power of the ocean and the land which borders it. ...

Large scale photograph by Michael Banks - Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Water element 3 - Limited Editions of 5 , signed + nu...

Best described as paintings from a camera, John Duckworth’s Landscape Abstracts evoke the sea, forest, marsh, and sky in rich bands of saturated color. This body of work captures the...

‘Florist’ originally called ‘dead flowers’, was created using the flowers from my girlfriends ‘Zoom’ backgrounds over the space of several months. Usually scanned the moment she cons...

Breach Inlet 65259 40" x 26" Seascape Fine Art Photography Framed in Plexiglass Signed *inquire for additional size and frame options* Best described as paintings from a camera, Jo...

Golden Girl 2 Large scale photograph by Michael Banks - Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered...

Archival pigment print.

Atlantic is a fine art seascape photograph that is mounted in plexiglass. This photograph is shown in its original state as taken and was not digitally manipulated in post. Atlantic 34" x 72" Seascape Fine Art Photography Mounted in Plexiglass Best described as paintings from a camera, John Duckworth’s Landscape Abstracts evoke the sea, forest, marsh, and sky in rich bands of saturated color. This body of work captures the essence and natural beauty of the region, where vibrant colors flow through the landscape as subtly as the southern seasons flow into each other. The humid summers bring brilliant green marshlands and graceful, fast-moving thunderstorms of purple and gray, while colder months deliver warmer, gentler tones and calm, serene sunsets. At every glance these photographs transport you through their colors - each image telling a unique story of the horizon through both aesthetic and process. The Landscape Abstract series is a combination of three of John’s loves: creative process, nature, and bicycles. Almost all of these images were created during regular bike rides throughout the region. Intended to reveal a memory more than an exact record, the series is part of John’s ongoing meditation with nature. Certain images appear to subtly move when given ample time to sit quietly before them. John Duckworth’s works transcend the line between realism and abstraction. His photographs are infused with an intimate knowledge of nature, a passion for pure color, and a rhythm drawn from life itself. His trademark style involves abstracting the photographic image to lend the work a much lauded painterly appearance. By providing the viewer a sense of place, yet obscuring the details, he allows each individual to step into the image and bring forth their own visual history. The ensuing narrative is enriched through the power of memory, infusing a personal creative process with universal appeal. Duckworth's art imparts a calming, meditative and contemplative quality intended to elicit a deeper consideration of ourselves and our environment. He is most well known for his quietly abstract landscape photography of the Southeast coast, wherein the images read as luminous, rhythmic color field paintings. More recently his work has become immersive multimedia experiences involving video, music, performance, painting, and photography. More recently, his long-standing meditation practice inspired a new body of work culminating in an exhibition entitled "AWAKE" - an immersive multimedia experience guiding each visitor through eight sequential rooms and over 90 original works of art, while wearing wireless headsets playing ambient audio composed for each room. This work is multi-layered and diverse, including photography, painting, screen-printing, airbrush, spray paint, audio, video, design and performance. “I wanted the exhibition to be alive - as I sat in meditation 2-5 hours a day for two months I was changing, transforming myself as part of the process.” John Duckworth lives and works in Johns Island...

Best described as paintings from a camera, John Duckworth’s Landscape Abstracts evoke the sea, forest, marsh, and sky in rich bands of saturated color. This body of work captures the...