Cottage Art

A beautiful watercolour of English country cottages. Presented in a cream double mount. Signed to the lower-right edge. On wove.

This charming Dutch landscape scene depicts a farm by a river. Chickens wonder towards the water and in the background windmills stand tall against a cloudy sky. Signed indistinctly ...

"Champigny River By Fribourge" is a beautiful oil painted on location in the French Alps by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene in the m...

This is an original unique oil painting, signed by the artist.

Farmhouse. 1985. Oil on canvas. 80x74 cm Henri Klebah (b. 1928.24.X Riga - 1998.) – painter. 1946 – 1949 – studied at Secondary Art school of J. Rozentals 1946 – 1949 – Latvian Stat...

Great antique Italian painting from the second half of the 19th century. Oil painting on canvas depicting countryside landscape of romantic style. Framework that has undergone a cons...

1930s French Impressionist Barbizon School oil on panel view of chickens in front of a cottage by Georges Guerin. The painting is signed bottom right. A charming scene of an idyllic...

Dandelions are blooming. 1981. Oil on cardboard, 40x50 cm Realistic sunny landscape with dandelions and lilacs Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional educat...

A charming oil on canvas of a brightly coloured garden consisting of daisies, poppies and foxgloves with a cottage hidden amongst it. Unsigned. On canvas on stretchers.

Alejandro Rubio Two Palms, 2023 Oil on canvas 40 x 30 inches This one-of-a-kind oil painting on canvas is stretched across wooden stretcher bars.

Summerhouse. Cardboard, oil, 33x48 cm Harijs Veldre (Bullis till 1947) (1927.8.III – 1999.6.V) Harijs Veldre learned in Riga school of applied arts (1942 – 43), in studio of L. Svem...

Acrylic on Canvas, 2005 12 x 16 in. Unframed Signed by Artist, comes with Certificate of Authenticity Good Condition

This peaceful piece depicts a ranch with a green pasture, barns, and a grazing horse. Dark clouds and a pink glow on the horizon suggest the sun has just set. By Jim Rodgers 20" x 3...

Plain air oil on canvas spring painting at Spa, Belgium. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready t...

Carl Frederick Gaertner (American, 1898-1952) Flower Garden, Cape Cod, c. 1940s Gouache on illustration board 17.5 x 29 inches 27 x 39 inches, as framed Carl Gaertner was one of the greatest painters to emerge from the Cleveland School...

unframed size: 35 x 30 cm framed size: 40 x 35 cm Artist Statement: “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During t...

“People sometimes ask me how I start a painting. Starting a painting is easy. I just put down two strokes of color. The interaction between these two marks is the beginning of the di...

"Little House in the Upstate New York Mountains" by C.H. Schmidt is a captivating painting that evokes a sense of rustic charm. Set against the backdrop of the majestic mountains of ...

Clifford Holmes 1876-1963 Country Homestead with Tall Pines and Wildflowers c.1950 Original oil on canvas Dimensions 30" wide x 24" high Signed in ...

Landscape painting with sunny fields and rainy clouds in the background. Studio painting done after the plain air on the location. :: Painting :: Impressionist :: This piece comes wi...

Rural life. 1970s, cardboard, oil, 23.5x36.5 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine an...

Landscape with mountain. Oil on cardboard, 25x35 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National Univers...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

"Spring Sun" is an impressionist painting, oil on cardboard by Maestro Zlata Shyshman. The painting is unframed. “The impressions of Maestro Shyshman's paintings on the viewer is s...

The American landscape – endless skies, calming waters and the varied shores of the East and West coasts - are Cople’s passion and she travels far and wide to capture her subjects. “I love painting the landscape en plein air. In the outdoors, exposed to the sun, wind and rain, you can incorporate not only what you see, but also the sounds and the smells of the landscape. All of this lets me convey the sense of wonder I feel at the subject,” says Cople. Undeterred by nature’s extremes, Cople has painted in blizzards in the Wasatch Mountains of Utah; on the precarious cliffs of Monhegan Island, Maine; in howling gales off the California coast; and, of course, in both summer and winter in her beloved Eastern Shore of Maryland and Potomac River...

A woman walking up the dusty road carrying two baskets. Celebrated as a “painter of light”, Joseph Raymond Wintz (1884-1956) enjoyed a reputation as ...

Signed and dated 12 color lithograph

Winter is serene in this landscape of a barn in winter as it begins to fade and head to spring. Owen Wexler is the artist; this is a limited edition lithograph signed and titled by him.

Printed in Italy by Roberto Hoesch-Milano. Measures 14.75 x 18.75 inches and is Unframed. Good Condition.

The painting "Horse Stable" (60x80 cm), done in oil on canvas, is a large study, painted from life in a decorative manner. The peculiarity of the work lies in its clear and transluce...

This condition is very fleeting. It is almost dusk, and paint mixtures are not visible on the palette. In many ways, you write more from experience and knowledge than from a whim, so...

Farm Fields signed by Georges Bordonave (French contemporary) dated 1970 oil painting on canvas, unframed canvas: 18 x 22 inches condition: very good provenance: from a large private...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Title: Pair of Miniature Watercolors of Frenchay Church and Friends Meeting House by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurement...

Jean-Baptiste COENE Vilvoorde, 1805 - Brussels, circa 1880 Lively landscape by a mountain lake Oil on canvas 38 x 55 cm (53 x 70 cm with frame) Signed and dated lower left "J. Coene ...

Acrylic on Canvas, 2005 12 x 16 in, Unframed Signed by Artist Good Condition

Acrylic on canvas Jean Duquoc is a French artist born in 1937 who lives & works in Belz, Brittany in France. In his work, we can see the skill with which he uses color, moving direc...

Gottfried Seelos, antique oil painting, home of Walther von der Vogelweide. Signed and dated. According to an antique note on the back, the painting come...

"Sanctuary," a 16" x 28" oil on linen creation by Israeli artist Uri Blayer, is a serene portrayal of rustic tranquility set against a lush mountainous backdrop. In this piece, Blayer employs a palette dominated by earthy greens, rich browns, and soft greys, evoking the natural harmony of the rural landscape. The painting’s composition leads the viewer’s gaze across a verdant field to the quaint cottage, a splash of blue on its roof adding a gentle contrast to the surrounding neutral tones. The artwork radiates a calming, almost nostalgic emotion, reminiscent of a quiet life, undisturbed by the bustle of modernity. Blayer’s brushwork combines precision with a gentle looseness that gives "The Little Cottage" a dreamlike quality, inviting one to step into its peaceful world. About the Artist: Uri Blayer is an alumnus of the Telma-Yalin Art School in Israel and furthered his artistic education at Brooklyn College and the Art Students League in New York City. His creative expressions have been displayed in numerous distinguished group shows across the United States and Israel. His pieces are a staple in various private collections, as well as corporate and public entities. In Hawaii, his work graces the walls of the Bank of Hawaii, is featured at the Hawaii State Museum, and is part of the collection of the Hawaii State Foundation on Culture and the Arts. His artistic prowess has been acknowledged with multiple accolades, including a recent grant from the prestigious Elizabeth Greenshields Foundation. For three consecutive years, he has been a selected exhibitor at the Honolulu Academy of Arts Showcase, a testament to his standing among Hawaii's top 100 artists. Notably, Uri's art has garnered critical acclaim in esteemed publications such as The New York Times, The New York Sun, and The Jerusalem Post. Original, 1-of-1. Represented by the American Art Gallery, Carmel-by-the-Sea, California. Keywords: impressionist, realism...

Frameless.

"Farm on Rolling Hills" by August Herman Olson Rolle captures the essence of a rural pasture through a harmonious blend of natural and pastoral elements. Rolle, an American painter k...

I really like this extra wide canvas. I've had it awhile but not sure what to do with it. Perfect for a fish camp. Its gallery-wrapped so it doesn't need a frame. The image is inspir...

Oil on canvas

Rustic old barn hidden among trees somewhere in the countryside. All paintings are completed on 140 to 300lb acid free watercolour paper and using the best artist quality watercolo...

I poured my soul into this piece, capturing the warmth of the sun and the serene beauty of nature. My brushstrokes evoke a sense of peace and invite the viewer to step into a tranqui...

Image dimensions: 48cm x 59cm Framed dimensions: 65.7cm x 79.5cm Signed lower left. A master of bold colours and strong form, Maurice Martin was a key...

Winter landscape with houses, painted by oil on canvas. Sunny and positive. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by th...

Title: Mid-20th Century Post-Impressionist Pastel Village Scene with Cypress Trees by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: 18 inches (height) x 12.75 inches (width) Condition: As is normal with unframed works on paper there are some minor old creases or paper edge curls/ tears - all of which should be covered over or smoothed out once framed; generally very good and sound. Provenance: as with all the works we have by this artist, it has come from the artists estate in France. Description: This expressive Mid-20th Century Post-Impressionist pastel by Anne Marie Migette Perard presents a sun-soaked village scene surrounded by slender cypress trees and rustic Mediterranean architecture. The warm pastel tones—terracotta, peach, ochre, and soft pink—combine with splashes of green foliage and vibrant orange fruit to evoke a summery, southern European atmosphere. While the lower right inscription appears to read "Gzenote," the specific location remains unclear. Nevertheless, the composition strongly suggests a Provençal or Italian hill town...

In this painting, I sought to capture the serene, almost timeless essence of an English village at dusk. My brushstrokes carry the cool tones of twilight, blending with the warm ligh...

A lovely plein air landscape painting from the 1930s of a cabin amongst the eucalyptus trees in Old Laguna Beach, California. Oil on canvas ...

The Stone Cottage, Provence French Impressionist, mid 20th century signed oil painting on board, unframed board: 9.5 x 13 inches condition: very good provenance: private collection, ...

Very well painted oil on artist board painting by “Cappy” Amundsen who painted under many aliases, including F. H. McKay. Signed lower left F.H. McKay. Circa 1955. Condition is excellent. Recently professionally cleaned. Catalda Fine Arts copyright stamp verso. Overall very nicely framed in a period gold leaf ornate frame 15.75 by 13.75 inches in fine condition. The sheer volume of high quality sea and coastal village themed paintings that was on view at the Sag Harbor Whaling Museum several years ago was astounding. The work was by a select group of artists such as André Picot...

Hugues Claude Pissarro b.1935 French Le jardin municipal, Noisy-le-Sec (The Municipal Garden, Noisy-le-Sec) Signed “H. Claude Pissarro” (lower right) Oil on canvas The Pissarro f...

A plein air painting of a landscape painter at work in Tuscany. Framed dimensions: 13 x 17 Artist Bio: Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earli...

Castle on the Hill by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 21 x 26 inches Provenance: all the paintings we have by this artist have come from the artist...

"Homestead with Chickens" is a beautiful Impressionist painting by Charlotte Buell Coman, created in the late 1800s. This artwork beautifully captures a rural scene, highlighting Com...

The French Chateau French School, early 20th century signed oil on canvas, unframed canvas: 22 x 30 inches Provenance: private collection, France Condition: very good condition with...

Beau Temps à Clécy by H. Claude Pissarro (b. 1935) Oil on canvas 50 x 61 cm (19 ³/₄ x 24 inches) Signed lower right, H. Claude Pissarro This work is accompanied by a certificate of ...