Head Art

Seated Nude Female Signed in pencil, u.l. Ink wash and graphite on paper 11 x 8.5 inches This work is offered by ClampArt in New York City.

A striking monotype depicting the head of a faun in monochrome. Signed in graphite. Presented in a gilt frame. On paper.

Antique American impressionist portrait oil painting. Oil on canvas. Framed. Signed. Measuring: 27 by 21 inches overall, and 15 by 21 painting alone.. In excellent original condit...

America Martin "Shovel and Shellfish" Oil & Acrylic on Canvas 22.5" x 18" Framed Exploring the identity of both her namesake and country, LA-based...

This is the original character study art for the very first Fillmore East concert Poster is signed and dated 1968 by David Edward Byrd. The art is featured on page 74 of the new coffee table book "Poster Child, The Psychedelic Art and Technicolor Life of David Edward Byrd". The poster was for a concert at the Fillmore East featuring, Traffic, Blue Cheer and Buttery. An image of the finished poster is shown in this listing just for reference to the figures. David Edward Byrd created some of the most important and memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters, the art for Jimi Hendrix’s first Fillmore East appearance, The Rolling Stones 1969 World Tour art, The Who’s Performance of Tommy at the New York Metropolitan Opera House and The Fillmore, and The Grateful Dead Swell Dance Concert to name only a few. He also created the poster art for the original location of the 1969 Woodstock music festival . His memorable images were also used for classic Broadway shows like Godspell, Follies and Jesus Christ Superstar to mention only a few. A new coffee table book titled "Poster Child, The Psychedelic Art & Technicolor Life of David Edward Byrd" features his classic Rock and Roll art and Broadway art...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Segoni in the 18th century.Signed on the plate on the lower r...

Clyde Singer captures the moment when two friends open a letter with shocking news. A master of capturing the small and significant moments of everyday life, Singer realistically po...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

Two Medici Society Fine Art prints of preparatory drawing for paintings , Italian/ Venetian school of Giovanni Battista Tiepolo (1696-1770). Handmade pr...

24 colour screen print on 330 gsm Somerset paper with gold leaf Hand-finished with different media Each print in the edition is unique Signed by the artist Edition of 25 72 x 9...

Chris Smith (b.1937) Hard at the Gym 1971 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the ...

Acrylic on canvas In a small, picturesque village, there lived a middle-aged woman who sold traditional herbal drinks, known as jamu. Every morning, before the sun greeted the earth...

Acrylic on canvas Shin Seung-Hun is a South-Korean artist born in 1979 who lives & works in Jeju Island, Korea. He is considered by critics as the new Korean Takashi Murakami. The ...

Staande Nar Standing Fool Bronze Sculpture Shiny Man The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They breathe the atmosphere of a narrative poem...

A personalized and characterized depiction of old master’s paintings. Acrylic on canvas. Soft earth tone colors. 27664-LU2595214704382

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

Kate Moss Amy Winehouse Kentish Town Cafe by Jake Chessum Amy Winehouse captured in a Primrose Hill cafe during a photo shoot with Jake Chessum in February 2004. Jake recalls, “At ...

Antonio Mondino (information from c. 1610 to c. 1626) Title: Mystic Marriage of St Catherine of Alexandria Medium: Oil on canvas Dimensions:...

Print measures 26 in x 24 in In fair/poor condition - water damage found throughout poster Published by Pub. Arthur Rothmann Fine Arts. Printed in Austria, plate signed

This exceptional Murano glass piece was created in 1970 by Alessandro Barbaro (Dorsoduro, 1936), a renowned artist and master glassmaker celebrated ...

This artwork titled "Nevada" is an original lithograph by noted French artist Shan Merry, born 1935. It is hand signed and numbered 97/450 in pencil by the artist. The image size is 15.5 x 14 inches, framed is 32.25 x 29 inches. It is beautifully framed in a custom gold frame, with fabric matting and gold color bevel. it is in excellent condition. Shan-Merry began her artistic studies in 1957 at the Ecole Nationale Superieure des Arts et Metier, in France. By 1972 she was working as a professional fine artist and began exhibiting regularly in prominent art galleries. By the 1990’s her works were included in prestigious international collections and exhibitions in Belgium, Germany, Japan and the United States. She was also a designer for Hermes...

'Reflection', 2011 Alex Katz Etching in color 40.9 x 31 in. / 104 x 79 cm. Edition of 30, Signed by Artist The specific information regarding edition will be provided at the time of...

Gloom is an original drawing in pencil on paper realized by Simon Goldberg (1913-1985). Hand-signed in pencil on the lower right. The state of preservation is very good. aSheet dim...

The Doctor is an original modern artwork realized the 1980s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original pen drawing on Ivory paper. Hand-signed in penc...

Medium: Oil on Canvas Signature: n/a Soldier's Pride was created as a component of Kuppenheimer's six-piece easel-backed World War I advertisement placards for in-store display. These pieces were expertly printed on a coated cardboard substrate so the black background would dramatically display the clothing item. Kuppenheimer & Hart Schaffner Marx...

Vivent les Charivaristes is an original artwork realized by an artist of the Early 20th century. Original lithograph on paper. Good conditions. Image Dimensions: 25.6 x 35 cm. I...

Ledebour from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 54 from the porfolio Ecce Homo published between 1922/1923, edit...

Big head from Ecce Homo is an original offset lithograph, realized by George Grosz. The artwork is the plate n. 15 from the porfolio Ecce Homo published between 1922/1923,edition of...

Wonderful young standing life size realist girl with peacock by Elias Delman (1898-unknown). Oil on canvas, circa 1910. In a period frame, overall with frame 51x43 inches and image...

Sluimer Slumber Bronze Sculpture Portrait Contemporary Classic Mythology The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of model...

Anneke Bogardus "Lion Face" 2023 Entirely hand sculpted. Raku fired. Finished With touches of Oil paint, Pencil, and Acrylic. 67” around, 8” Off the wall. Raku firing is an ancie...

This artwork titled "Juchiteca's Platicando (Juchitecan Women Talking) 1985 is an original colors lithograph on Wove paper by Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered 72/150 in pencil by the artist. The size is 22.75 x 30 inches. It is in excellent condition, 2 small pieces of hanging tape remaining on the back at the top edge of the sheet from previous framing. About the subject: This print, Juchitecas Platicando (Juchitecán Women Talking), depicts three statuesque women from the city of Juchiteca in the state of Oaxaca in southeastern Mexico. Juchiteca is a largely matriarchal society, in that women control the economy and hold positions of power. It is also home to a large Zapotec population, indigenous to the land that became Mexico. Francisco Zúñiga lived within the community of Juchiteca for a period of time and adopted the women of the area as one of the central motifs of his artwork, both on paper and in sculpture. Through his selective coloring, Zúñiga highlights the women’s clothing, including their recognizable huipiles or tunics, conveying the pride in locally made textile art About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein, André Breton and Antonin Artaud. Then as now, Mexico City was a major world capital with the infrastructure necessary to exhibit and expose new aesthetic concepts. For all these reasons it was the most obvious destination of choice for Zuñiga. In Mexico he worked with the painter Manuel Rodríguez...

La Veille Dame, ink on paper by Jean Jansem (1920-2013). Stephanie's gallery's certificate of authentic available. Signed Jansem lower right.

Painting of a farmer's wife, by neo-expressionist/colorist Marcel Cockx. On the back you can see a newspaper article about the painting and the artist himself has also written & sign...

Couple of Lovers is a superb original pencil drawing on cream-colored paper made in 1932 by the Italian artist Ildebrando Urbani. Hand-signed in capital letters and dated in pencil ...

Sumida haru - kakutai is an original artwork realized in 1860 by Utagawa Yoshitaki (April 13, 1841 – June 28, 1899) also known as Ichiyosai Yoshitaki. Two Chuban from a Triptych. M...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

1986-1996 (from Taylor Mac’s “A 24-Decade History of Popular Music”) Decade 22: Songs Popular at the Height of AIDS Costume by Machine Dazzle for Tay...

Echoes, oil on panel, 25 x 24 inches /framed in minimal light wood, 25 x 25 inches. Ready to hang and enjoy. Condition new and excellent. Artist signed, titled and dated. Influenc...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters. In ...

Louis Valtat French, 1869-1952 Portrait of Madame Susanne, the Artist’s Wife Oil on canvas 19 ⅝ by 25 ⅝ in, w/ frame 28 ½ by 34 ⅜ in Initialed lower left Louis Valtat was a French ...

Keith Haring 1958–1990 Portrait of Joseph Beuys 1986 Screenprint on canvas 30⅝ h × 23½ w in (78 × 60 cm) Signed, dated and numbered to lower right ‘58/90 K. Haring 86’. This work is ...

The sculpture is a b/w photographic print on Cardboard. The artwork represents a sculpture.

CASTAING Henri Joseph (1860-1918) Young girl at the source Oil on canvas signed low left Frame gilded with gold leaves Dim canvas : 100 X 66 cm Dim frame : 121 X 86 cm CASTAING Henr...

This highly evocative bronze by Vincenzo Vela captures the deposed Emperor Napoléon on his deathbed, holding a map of Europe and lost in thought about what might have been. Remarkable among most portrayals of the exiled leader, this highly detailed sculpture depicts Napoléon at his most vulnerable. Nonetheless, Vela perfectly captures his still-heroic bearing, which imparts to this work a monumental quality and quiet dignity. The mate to this figure is the colossal marble at the Musée du Château de Malmaison, which was shown at the Paris Salon of 1867. The founder of the verismo movement in Italy, Vela was one of the great exponents of realism in sculpture. Born in Ligornetto, Switzerland in 1820, he studied under celebrated sculptor, Benedetto Cacciatori. He was also influenced both by the work of Tuscan sculptor Lorenzo Bartolini, who seamlessly combined neoclassicism with naturalism and the romantic painting of Francesco Hayez...

Lisa Jack Barack Obama, Occidental College, No. 34, 1980 Signed, dated, and numbered on the reverse Gelatin silver print 12 x 17 3/4 inches Edition 4/75 Provenance: M&B, Los Angeles...

Affen Segun 1993 - Current You & I, 2025 Acrylic and Ankara fabric on canvas 76.2 x 61 cm 30 x 24 in

19th Century Portrait of Young Girl with Spaniel Watercolour Painting English School, 19th century dated verso 1835 watercolour on paper laid on board, under glass, framed Framed: 11...

A rectangular composition unfolds in quiet intimacy, portraying a mother breastfeeding her infant while a loyal dog rests nearby. The palette blends black, grey, blue, and white, sof...

"Figure" is an original drawing with oil painting on ivory-colorated paper by Anonymous Artist of XX Century. In excellent conditions: As good as ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery proudly introduces America Martin’s new series "I See Heroes Everywhere." Addressing the theme of h...

Serigraph in colors on paper. Hand signed lower right by Peter Max. Hand numbered HC IV lower left. Published by AMX Art Ltd., NY and printed by Joseph Kleineman, NY. Printworld D...

'Girl and Cat', lithograph, 1935, edition 33, Fine and Looney 121. Signed, titled, dated, and numbered '5/33' in pencil. A superb, richly-inked impression...

This monumental bust is a museum-quality example of Roman Baroque sculpture. Crafted by the legendary Domenico Guidi and carved from Carrara marble, the impressive portrait captures the visage of Pope Innocent XI, Benedetto Odescalchi (1611-1689). It presents a larger-than-life example of Guidi’s remarkable skill as a sculptor, which ultimately made his workshop one of the most important in Rome during his age. Today, his works are rarely found on the market, particularly his extraordinary works in marble. Pope Innocent XI was born Benedetto Odescalchi into an Italian noble family of prominent bankers. Spending his early years in banking, he eventually turned to the law, earning his doctorate in 1639. His background would serve him well in his service to the papacy, and he became known as a frugal and devout member of the Church. In 1676, he was unanimously elected Pop after the death of Clement X. During his nearly 13-year reign, he instilled his own personal ideals of austerity and frugality onto the Church, with a deep commitment to reform and piety. He is captured here by Guidi in his traditional Pope’s mozzetta and camauro cap. A wide stole is draped over his shoulders, ornamented by acanthus leaves and the coat of arms of the Odescalchi family. It displays Guidi’s mastery over the chiaroscuro effect, particularly in the high level of contrast in his cheeks and his eyes, which Guidi achieved through various methods of high polish. A very similar portrait sculpture of Pope Innocent XI by Guidi can be found in the collection of the Royal Castle in Warsaw. The Warsaw bust belongs to a series of portraits of popes which the Odescalchi family commissioned from Domenico Guidi in the 1690s. Compared to that example, the present bust is far more dramatic, with deeper cut lines and a more precise expression. It is likely that the present piece was seen by the Odescalchi family, who ordered a similar one to be made. The piece was almost certainly intended to be displayed in a niche, given its dramatic cutting and its roughly carved back. Others of Guidi’s busts can be found in important collections throughout Italy, England and the United States, though many of these are lesser bronze repetitions. A bronze bust of the Pope Alexander VIII by Guidi is currently in the collection of the Victoria & Albert Museum (London), while a terracotta version of the same is in the Los Angeles County Museum. A bronze of Pope Alexander VIII can be found in the Princely Collection of Lichtenstein, and his impressive marble papal bust of Clement IX graces the pope’s tomb in Santa Maria Maggiore. The present bust of Pope...

Howard Logan Hildebrandt, 1872-1958 Femme Avec Le Chapeau Plumé, n.d. Oil on canvas 26 ½ x 21 ½ inches Signed (lower right): H L Hildebrandt Provenance Private collection, Detroit A native of Allegheny, Pennsylvania, which later merged with Pittsburgh, Howard Logan Hildebrandt achieved prominence in the art world for his portraiture, and counted esteemed doctors, businessmen, musicians and his own artist-colleagues among his numerous sitters. Born in 1872, his life followed a trajectory similar to other young men in an industrial Pennsylvania town when he went to work at a local stained-glass factory during his teenage years. In 1890, Hildebrandt decided to enroll in the National Academy of Design in New York and although his instruction there was brief, lasting only one season, he took classes in both antique and life drawing and must have felt prepared enough to continue his education abroad in the ateliers of Paris. He studied with Jean-Joseph Benjamin-Constant and Jean-Paul Laurens at the Académie Julian, and also trained at the École des Beaux-Arts, before eventually returning to the United States in the late 1890s to launch his career. Hildebrandt initially settled in Pittsburgh before relocating to New York by 1899, where he briefly kept a studio at the famed Tenth Street Studios and later moved to Carnegie Hall. With the artist’s star rising steadily, Marian A. White, editor of the Fine Arts Journal, praised for his talents in a commentary published in a Pittsburgh weekly: [Hildebrandt] is but thirty-three years of age, yet, through perseverance and industry and an indomitable will, has taken an enviable position among American portrait painters as well as of painters of fisher-folk….Mr. Hildebrandt is an ideal American artist, enthusiastic, energetic, and reveling in painting subjects that are of American type. Beginning in 1905, Hildebrandt was fortunate to gain admittance into newly-constructed buildings being designed specifically for artists rising along New York’s West 67th Street, including the Sixty-Seventh Street Studios, where Henry Ward Ranger and Childe Hassam had spaces, and later the Colonial Studios building, which was commissioned by Robert and Bessie Potter Vonnoh. Counting such luminaries among his neighbors and keeping to an active exhibition schedule, Hildebrandt continued to advance his career. Between 1898 and the mid-1920s, he participated in the annuals of the Pennsylvania Academy of the Fine Arts and the Art Institute of Chicago. Concurrently, he exhibited with the National Academy from the 1890s through the late 1940s, and the titles of paintings shown at these venues suggest the artist was drawn to a variety of themes, from the fishermen and wharves of Gloucester, Massachusetts, to landscape, still life and figural subjects, and finally portraiture, at which he excelled. One of his early portraits, titled Portrait: Miss C and shown at the National Academy in 1902, is thought to be of Cornelia Ellis, a talented miniature painter whom Hildebrandt married that same year. The artist eventually earned the esteemed moniker of National Academician in 1932. In addition to the venues previously mentioned, he showed with the National Arts Club, the Salmagundi Club, the American Watercolor Society and the Allied Artists of America, earning prizes from all four groups. Around 1913, the Hildebrandts began spending summers away from the city in New Canaan, Connecticut, and a few years later built a home on Huckleberry Hill Road near the Silvermine River. Drawn to the idyllic countryside and to the region’s burgeoning artists’ colony founded by sculptor Solon Borglum...

Vintage Photo. Eddie Murphy and Nick Nolte in a Scene from the Movie "Another 48 Hrs." Good Conditions.

On assignment for Life Magazine in 1950, Art Shay photographed Marlon Brando at his family farm in Libertyville, Illinois, just north of Chicago. Looking straight into Art's lens, Brando is innocent of the fame that is about to become his world. He went on to a career spanning sixty years including winning two Oscars for Best Actor. This photograph is unframed. Contact the gallery for framing options. Art Shay Brando Portrait, 1950 silver gelatin print 20h x 16w in 50.80h x 40.64w cm ASY12088 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel, photographer; IIT Institute of Design President “I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.” David Mamet

Henri Hecht MAIK (1922-1993) The lion and the flower Gouache and felt-tip pen on paper Dimensions: 65.5 x 50 cm Signed lower right Mention: Happy birthday Etienne. To Etienne Sa...

Marie-Chantal Claire, Crown Princess of Greece, Princess of Denmark, strikes an extravagant pose above her sister Pia (in yellow). They are lounging in the pool of the Hotel Belair, Cap Ferrat, July 1991. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Internal tags: Vintage Slim Aarons; Coastal, French Riviera, mid-century modern; vintage glamour, vintage french riviera, 1990s...