Head Art

Evans, Walker (American, 1903–1975). JAMES AGEE, OLD FIELD POINT, LONG ISLAND, NEW YORK, 1937. Gelatin silver print. This example was offerd at Christies in 2018; catalogued by the...

Otto Fenn (1913-1983). Andy Warhol, 1956. Gelatin silver print, 9 7/8 x 10 inches; 11 x 14 sheet. Studio stamp, verso. Biography: Otto Fenn photographed fashions, decorations and food for Harper’s Bazaar, Town & Country, Good Housekeeping, Ladies’ Home Journal, McCall’s, House Beautiful and House and Garden magazines. Among the celebrities he photographed were Tallulah Bankhead, Jackie Gleason, Sid Caesar, Bette Davis, Yves Montand and Rosalind Russell. He also did Lord & Taylor’s advertising photography. Mr. Fenn served as chairman of the Sag Harbor Historic Landmarks District. He lived in the Nathan P. Hand house, which dates to the 1600′s and is named for a whaling captain who once owned it. Since 1964 Mr. Fenn and Mr. Krug operated the 1964 Sag Harbor Antiques Shop. Born in Manhattan, Mr. Fenn grew up in Lincoln Park, N.J. He studied at the New York School of Design and taught painting there. Early in his career he made sets for summer theater and backgrounds for fashion sittings and painted murals for the 1939 World’s Fair and the passenger ship America...

A stunning oil painting scene depicting figures by the beach in a sunny day at Nice, France done in the 20th Century. The vibrant colors and impressionistic brushwork is done with bo...

Title: Pyrenean Village Artist: Manuel Zamora Muñoz (1928-2006) Technique: Oil on canvas Dimensions: 25.6 x 39.4 in Support: Canvas Framing: Unframed Signature: Signed in the lower r...

You will find this young man good company! It is a pleasure to study his thoughtful, sensitive face. He has a benevolent and real presence. To my mind, he certainly has an artistic nature - he looks like a thinker, poet and/or musician. Dating from what the French call the Romantic Period, the early 1800s, our painting is monogrammed AG and may be attributed to Auguste Glaize. Born in Montpellier, Auguste Glaize studied under the painters Achille Devéria and Eugène Devéria. He came to be one of the great French Romantic painters of the early 19th century, marking his career with important history paintings and cycles of monumental religious...

Circle of Thomas Hudson (1701-1779) British. 18th Century Bust Portrait of a Lady, Oil on Canvas, Inscribed on a label verso, canvas: 30" x 25" (76.2 x 63.5cm). frame: 30 x 25 in...

Circle of Jean Honore Fragonard (French 1732–1806) An Exceptional Painting of Three Putti and Fire, circa 1795. Masterfully painted in the late ...

Publisher GKM. Unframed. Edition of 140 ex. Signed by the artist. Free shipment worldwide. Adami is the maestro of the unadulterated line,” writes the Swedish poet Lasse Söderberg i...

Denied Warhol Flowers, (Yellow) Silkscreen Painting by Charles Lutz Silkscreen and acrylic on canvas with Denied stamp of the Andy Warhol Art Authentication Board. 48 x 48" inches 20...

New World Order by BATIK Satirical pop art artwork featuring Vladimir Putin, VP J.D. Vance, Donald Trump and Elon Musk in WW2 war rooms. BATIK is a London based fine artist and im...

The Rolling Stones, taken in London by Gered Mankowitz. An outtake from the shoot for the front cover of the 1967 Rolling Stones album, Between The Buttons . The photograph was take...

Women is a contemporary artwork realized by Artist of the mid-20th century Mixed media Includes frame

Richard E. Miller 1875-1943 American Young Woman in Interior Signed "Miller" (lower right) Oil on canvas Richard E. Miller's Young Woman in Interior exemplifies the artist's exce...

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...

Victor Arimondi (1942-2001). Portrait of Grace Jones, 1975. Period print measures 8.5 x 11.25 inches; 10 x 13 inches framed. Artist studio stamp on ver...

Rufino Tamayo, Mexican (1899 - 1991) - Cabeza Sobre Fondo Verde, Portfolio: Rufino Tamayo 15 aquafuertes, Year: 1979, Medium: Etching, signed and numbered in crayon, Edition: 14/...

Celeste Benitte (b.1937)- original pastel. Signed to the lower left. Presented in a contemporary white frame with card mount. Labelled to the reverse. On paper.

Takashi Murakami Flowers Drawing 2018: A unique Takashi Murakami hand-drawing featuring the artist’s 2 most iconic motifs: Flowers & DOB. This work was executed in 2018 on the interior front page of the 2018 exhibition catalogue: Takashi Murakami: The Octopus Eats Its Own Leg. Hand signed and dated. Medium: Felt tip marker drawing on a removed interior exhibition catalog page (Takashi Murakami: The Octopus Eats Its Own Leg). Approximate Dimensions. 11.25 x 9.5 inches. Signed and dated in ink on the lower edge. Unique. Very good overall condition. Provenance: Private collection, Washington, D.C. Swann Auction galleries New York. Takashi Murakami (American/Japanese, b.1962) is a painter and sculptor famous for his integration of Fine Art, commercialism, Japanese aesthetics, and cultural criticism into his work. Murakami received his BFA, MFA, and PhD from the Tokyo National University of Fine Arts and Music, where he studied Nihonga (traditional Japanese painting). He first gained recognition as a sculptor during the early 1990s, exploring otaku (the Japanese term for an obsession with anime and cartoons) and the contradictions between contemporary Japanese society and American culture in his work. In 1996, he created the Hiropon Factory in Japan, which later developed into Kaikai Kiki Co., Ltd., a large art-making and artist management corporation. Murakami is also a curator and a critical observer of Japanese art. In 2000, he founded the "superflat" movement, a post-modern style drawing inspiration from Japanese manga (comics created in Japan), graphic design...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Artist: Walasse Ting Title: Grape Flavor Year: 1979 Print - Lithograph on Somerset paper   21'' x 28.75'' Edition: Signed in pencil and marked 198/200 Image size: 17.5" x 26" inches ...

Divine Nude No.14 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It is available in 2 dimensions: ...

Untitled 2021 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 8 x 6 inches (20.3 x 15.2 cm), image 17.5 x 14.5 inches (44.5 x 36.8 cm)...

Original vintage poster: The U.S. Marines Want You. This military vintage poster is archival linen-backed and in fine condition, ready to frame. There is no date, artist, or printer'...

Brigitte Anne-Marie Bardot, born 28 September 1934, often referred to by her initials B.B. is a French animal rights activist and former actress, singer, and model. Famous for portra...

Boldly colored portrait of a woman on a sofa by Nealon A. Mundt (American, 1939-2015). A woman is reclining on a dark blue sofa, with a pink wall in the background. The woman is wearing a white top and a pink skirt, with a red bandana on her hear. Her skin is rendered in a fauvist style, mixing bold yellows and greens with skin tones. There are paintings hanging on the wall behind the sofa. Signed and dated in the lower right corner. Titled, signed, and dated on verso. Presented in a wood frame with a linen fillet. Canvas size: 24"H x 36"W Nealon Mundt...

Well painted 1950's mid-century modern English portrait of a nude woman laying on a bed. The artist was a portrait and figure painter active during the 1950s-1960s Oils on artists ...

Toy Soldier #5 (Prone Position) by Yoram Wolberger Additional information: Medium: 3D digital scanning, CNC digital sculpting, Reinforced Fiberglass Composite, Urethane Dimensions: ...

Original mixed media painting by Adam Baranello. Size 36 x 36 in. Offered unframed. Mixed media, acrylic, spray paint on canvas. Multidisciplinary artist Adam Baranello creates mus...

Keith Haring Andy Mouse Bearbrick: 400%: A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's 'Andy M...

The Godfather - Original 1972 Lobby Card #6 Vintage Godfather Lobby Card: The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluc...

19th Century Portrait Miniature, Young Man in Blue Coat As is

George Hurrell Anna May Wong Taken in 1938, printed at a later date Silver Gelatin print Hand signed by Hurrell in ink Edition: 184/190 from the edition of 190

I observed that her beauty comes from embracing herself. Her flexibility to switch from night to day and her open alms of embracing the two seasons. Therefore, embrace yourself like...

Carlos Gamez de Francisco’s "The House at the End of the Road" is a striking blend of hyperrealism, figurative surrealism, and imaginative narrative art. This 12-inch round acrylic p...

This 2009 photograph features a beautiful red-haired woman, titled Salome (a temptress who lures men away from salvation). The photograph is from John Stoddart’s, “Risqué” series, wh...

Terry O'Neill's photograph of Brigitte Bardot in Spain is a timeless portrayal of the iconic actress exuding effortless allure. Captured in black and white, Bardot is depicted from t...

This is a fibre glass sculpture by the noted Chinese artist, Xie Ai Ge, that is hand laid with 99.99% gold leaf, varnished. This piece is for 1 item of "G...

Dasha & Mari - Subathe 40x40" inches oversize C print - numbered and stamped limited to 100 only. Sumptuous, sensual with erotic undertones, this is a beautiful fine art image from the twin artists duo from Kiev. Steeped in fashion iconography and with more than a dash of Helmut Newton - these works are fast becoming collectable. About the artists : DASHA & MARI are award-winning photographers, twin sisters from Kiev, Ukraine. Specialise in Fashion, Art Nude and Psychological Portrait. They have an extensive experience in fashion industry in London, Paris, Milan and Berlin. Art photography they create has a cinematic feel, it is original and storytelling. HEARST Magazines UK have selected them for the Master's Photography program in Cambridge, UK. Artists have received a Masters Degree from Kingston University, London, UK in 2018. HONORS & AWARDS PARIS PHOTO 2018, Fashion Nude Expo. Collective exhibition. Paris, France MA Art + Design Exhibition The Brick Lane Gallery, London UK 2018 13th Annual Black & White Spider Awards 2018 - Nominee in Fine Art The Game 12th Annual Black & White Spider Awards 2017, Beverly Hills, CA - Winner in Fashion category 11th Annual International Color Awards , Beverly Hills, CA 2017 - Nominee in Fashion category HOME GALLERY, Personal Photography Exhibition 'FUTURO EROICO'. Salerno, Italy 2017 10th Annual INTERNATIONAL COLOR AWARDS 2017, Beverly Hills, CA - Winner, Honorable Mention in Fashion category FASHION 2ND PLACE WINNER (PROFESSIONAL), FAPA 2016 FINE ART PHOTOGRAPHY AWARDS PHIFEST Exhibition of Photography, Milan, Italy 2016 Photography Exhibition at SALONE DEL MOBILE 2016 - Milan, Italy Photography Exhibition at 55th annual week of Design in Milan in co-operation with SM Samuele Mazza Outdoor Collection and Ipe Cavalli. Exhibition at The ART BOWL GALLERY, Amsterdam 2016 10th Annual Black & White Spider Awards 2015, Beverly Hills, CA - Nominee in Fashion MONOCHROME AWARDS 2015 - Honorable Mention (Professional) in Fashion / Beauty Finalists of the HASSELBLAD MASTERS AWARDS 2014 8th Annual INTERNATIONAL COLOR AWARDS, Beverly Hills, CA - Nominee in Fashion category International Color Awards 2014 Sony World Photography Awards - Shortlisted in the Fashion category 2012, London, United Kingdom. Solo Exhibition in Russia 2011 Art Nude Photography Exhibition 'SECRET GARDEN', Ryazan city, Russia. PUBLICATIONS & PROJECTS NORMAL magazine (France), OPENEYE magazine (France), ELLE Magazine UK, THE COMMISSION LONDON (UK), THE HUFFINGTON POST (US), PH Magazine (Canada), INSIDE BRACKETS (Paris), IDOLL Magazine (USA), Professional Photographer (UK), CHIC LIFESTYLE Magazine (Mexico), BOREALIS (Canada), PORTFOLIOS Magazine (Spain), The View Magazine (Netherlands), ZEPHYR Magazine (US), NOCTIS Magazine (UK), VOGUE ITALIA (Italy), HOLISTIC FASHIONISTA (LA, US), TARTARUS Magazine (US), IT-MAGAZINE (Switzerland), AFTER NYNE Magazine (UK), ARCHIDESART Magazine (UK), NIF Magazine, WHY NOT Magazine, POLISART Magazine (Portugal), PLAYBOY Photo Awards (Ukraine), BIZZARE Magazine (UK), Sensual Photography (France), All About Models (Paris, France), BLUR Magazine (Croatia), IDOLE Magazine (France), ART HOUSE (Monaco), etc. SAMUELE MAZZA - Luxury Interiors and Furniture (Italy), GIOFFRE (Italy), VERTIGE (Italy), VICTOR WILDE...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cirque, Lithographies Originales. Published by Les Édition...

“Does it Get Better?” is a hauntingly beautiful question that echoes the collective longing of humanity. It's an emotional inquiry that arises from the depths of our darkest moments ...

Mark Gonzales Supreme Skateboard Deck 2017: Dimensions: 31.5 x 8 x 0.5 in. (80.01 x 20.32 cm). Medium: Offset print on Maple Wood. Printed artist signature & Supreme logo on reverse. New in its original packaging, excellent overall condition. Provenance: Acquired directly from Supreme New York. From a sold out limited edition of unknown. Mark Gonzales (b. Southern California 1968) Mark Gonzales aka Gonz, first entered the skateboarding world at the age of 13, and by the age of 16 he had featured on the cover of Thrasher, riding an Alva board. He soon switched to Vision, where he graduated to pro status and won the 1985 Oceanside street contest. He is often described as the greatest skateboarder of all time, and even more often as the most influential, and is undoubtedly a true pioneer of modern street skateboarding. Gonz’s affiliation with Supreme goes way back to the stores beginning on Lafayette Street, NYC. Whenever overseas on skate trips, Mark would often send postcards to the late Harold Hunter and the rest of the crew at “Supream” (his misspelling), featuring his own doodles and musings, some of which would later make it on to items of clothing from the brand. The Gonz...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity About Artist Oluw...

Finally got my hands on something by Louis Braquet. He has multiple commissions this year and I've been unable to get anything new. He had held on to thi...

Lifeline - 2020, Edition of 7 plus 2 Artist Proof 20x20cm Archival Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-888. Not mounted....

image size: 8 x 10 inches Young Nude Man in Bed Unique Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom left...

Nicolas LOIR (Paris, 1624 – 1679) Penitent Saint Mary Magdalene Oil on canvas, 58 x 71 cm Unsigned Circa 1665–1675 Trained under Simon Vouet and later Sébastien Bourdon, Nicolas ...

The beauty of the human form is captured is this dynamic bronze sculpture of a Muay Thai Fighter. Dean Kugler Ancient Art bronze 18h x 9w x 7d in 45.72h x...

Jack Pot is a lithograph on paper, 9.5 x 6.25 inches image size. From the edition of 395, numbered 266/275 (there were also 100 Roman and 20 AP). Framed in a contemporary, silver-ton...

A finely painted picture, possibly of the penitent Mary Magdelane, painted in oil on to a copper plate and dating to c1750. Condition Two old touch ins, tiny chip to the forehead...

Male Portrait, oil on board. Unsigned. Presented in a decorative gilt effect frame with painted cove. (Provenance: Studio Sale, George Weissbort).

Pierre-Yves Tremois Thésis and Pelée Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very goo...

T E Pencke original oil painting on canvas “Paris scene” . In good condition some chips in the corners of the frame . Painting measures 40x29

This Richard Vernon Goetz Drawing on Paper from the mid-20th Century features a standing female nude rendered in black and grey cross-hatch lines of Charcoal and Conté Crayon. The we...

Elizabeth Taylor with Sunglasses for "Giant" 1955 by Frank Worth This iconic and elegant portrait captured by celebrity photographer Frank Worth features actress Elizabeth Taylor o...

Portrait of a boy is an original drawing in pencil realized by Anthony Roaland in 1982. Hand-signed and dated by the artist on the lower right margin. The artist depicts a delicate...

Greta Garbo "Mata Hari" Film Photograph by Clarence Sinclair Bull, 1931 A black and white photograph, matte finish, double-weight paper, depicting a 1931 shot of the star titled 'Mata Hari,' printed decades later from the original negative, penciled in the lower left corner "A.P.," Estate stamped and blind embossed in the lower right corner "Clarence Sinclair Bull," further blind embossed in same corner "The Kobal / Collection," verso with the photographer's black ink credit stamp, verso further with two "Edward Weston" black ink credit stamps dated "1981" and "1992," originally from the John Kobal Collection. Greta Garbo was a Swedish-American actress. Regarded as one of the greatest screen actresses of all time, she was known for her melancholic, somber persona, her film portrayals of tragic characters, and her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. Clarence Sinclair Bull was born in Sun River, Montana, in 1896. His career began when Samuel Goldwyn hired him in 1920 to photograph publicity stills of the Metro-Goldwyn-Mayer film studio's stars. He is most famous for his photographs of Greta Garbo, taken between 1926 and 1941. Bull's first portrait of Garbo was a costume study for the silent romantic drama film Flesh and the Devil in September 1926. Bull was able to study with the great Western...

This piece titled "Christian (Brother)" is an original artwork by Alain Jean-Baptiste and measures 60"h x 48"w. This oil work on canvas reflects on the buildup and aftermath Jean-B...

Work on canvas laid down on panel Wooden frame and gilded plaster 100 x 70.5 x 4 cm

Study for David and Goliath c. 1971 Signed, u.r. Pastel on paper 12 x 19 inches (30.5 x 48.3 cm) This work is offered by CLAMP in New York City.