Head Art

Plate 13 from La Suite Vollard. Bloch 229. Baer 444. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Printe...

Expressionist Portrait of a Man in a Suit in Pastel on Paper Moody portrait of a man with dark hair by an unknown artist (20th Century). The man is shown with an elongated face and ...

La Rue (The Street) Charles Levier, French (1920–2003) Date: circa 1965 Oil on Canvas, signed l.l. Size: 30 x 24 in. (76.2 x 60.96 cm) Frame Size: 37.5 x 32.5 inches

Pablo Picasso (1881-1973) "Portrait de Jacqueline" 1959 (Baer 1245; Bloch 923) ...

The circa 1970 original poster by René Gruau for Federico Fellini's La Dolce Vita (1960) is a masterpiece of cinematic art and graphic design, capturing the allure and decadence of o...

Executed in 1950, this charcoal drawing on paper by Alexandre Moulis captures the quiet presence of a young figure seen from behind, most likely a little girl distinguished by the la...

Hugh Latimer (c.1487-1555) was an English Protestant preacher. He was Bishop of Worcester during the Reformation and Church of England chaplain to King Edward VI, but was arrested on...

The original exhibition poster from 1954, featuring Vincent Van Gogh's "Le Collégien," showcased a collection of masterpieces from the São Paulo Museum of Art, spanning from Mantegna...

Joseph Louis François Lépine (1867-1943) "Painter at the easel." Oil painting on canvas applied to cardboard signed lower left. Early 20th century French postimpressionist school. Joseph Lépine...

Contemporary ancestor clone portrait exploring memory, ageing and identity through the collision of digital aesthetics, popular culture and figurative painting. Unique Grandmother b...

Terry O'Neill's photograph of Brigitte Bardot in Spain is a timeless portrayal of the iconic actress exuding effortless allure. Captured in black and white, Bardot is depicted from t...

This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 30 x 25 inches, Signed lower right, Signed verso on stret...

I Love You the First Time One of Hall’s most emotionally direct works, this painting confronts intimacy head-on. The title introduces vulnerability even before the viewer engages the image. The figure’s gaze is unguarded, almost confrontational, yet softened by the nuanced handling of light across the face. It is a painting about exposure—emotional as much as physical—and the risk inherent in connection. Nathan Brad Hall...

Firmado por el artista en la parte inferior Se presenta muy bien enmarcada la obra El estado de conservación de la obra es bueno Medidas obra: 65 cm. de altura x 50 cm. de ancho ...

Amy Sillman is an influential contemporary American painter and printmaker whose practice conflates the abstract and the figurative. Born in 1955 in Detro...

Lucifer Evangilans Bronze Contemporary Sculpture Nude Boy Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as ...

This original, large-format exhibition poster by Andy Warhol was produced in 1977 for an exhibition at Ace Gallery. A central figure of the Pop Art movement, Warhol revolutionized th...

Gustaf Tenggren (1896–1970) Sweden Trollkarlens urnyckel (The Sorcerer’s Clockwork Key), 1918 signed and dated lower right “G. Tenggren 1918” watercolour on paper unframed 25 × 23 ...

This reproduction of a classical Hellenistic sculpture, a timeless piece for interior and a garden decoration. Measurement: Torso cm 100 base cm 70.

An exceptional 18th century devotional portrait depicting Christ as the Man of Sorrows, crowned with thorns in a moment of sacred suffering. Rich in biblical symbolism, the compositi...

Frederick II (1712-1786), King of Prussia from 1740 to 1786, is depicted here in miniature. A brilliant military campaigner, Frederick II greatly enlarged Prussia's territories and m...

Michael Stipe - Signed Limited Edition Oversize print NME Cover Shoot July 23, 1996 Los Angeles N.M.E. COVER SHOOT (photo Kevin Westenberg) Unf...

Fine enamel on porcelain plaque depicting a young gypsy woman, rendered with remarkable delicacy and refinement. The composition presents a romanticized female portrait typical of th...

'Napoli' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

Contemporary painting of a nude man reclining by Mark Beard. Double-sided oil on panel Signed in red, u.r. “Bruce Sargeant is a mythic figure in...

This exquisite painting, resembling a precious jewel, serves as an exceptional illustration of the devotional cabinet paintings created by Giuseppe Maria Crespi, a highly original Bolognese artist during the late 17th and early 18th centuries. Crespi's distinctiveness extended beyond his unique style and technique to the subjects he chose to portray. While his portraits and genre paintings often displayed a light-hearted and even irreverent tone, his treatment of religious themes resonated with deep emotion, even in its most inventive forms. This recently uncovered work by Crespi is a typical representation, invoking the tender connection between mother and child, and the Child's destiny, all within a compact and intimate format. Executed on a small scale, the painting showcases Crespi's remarkable sensitivity and mastery of paint, especially evident in the expressive brushwork of the drapery. The restrained and focused composition of the Holy Family allows for contemplation of the figures. Mary cradles the Christ child gently, seemingly presenting him to the viewer, her gaze knowing as the infant holds a diminutive cross, symbolizing his future crucifixion. Joseph appears in the background, emerging from the left side of the frame, gazing upward with folded hands in prayer. Individual motifs from this painting reappear in other works by Crespi, suggesting a synthesis of familiar elements into a vibrant composition. The artist's revisitation of designs throughout his career is evident, and this painting on copper likely belongs to a later period, reflecting stylistic ties to other works and Crespi's increased production of smaller devotional pieces. Distinguished by its cool palette, bold coloration, and the expressive force of the artist's hand, this Holy Family painting...

Fine 19th Century Oil on Canvas Portrait of a Young Woman in large gilt gesso frame .unsigned. Identity of the sitter as yet unknown. The artist has managed to capture her ethereal b...

This romantic late 19th-century portrait depicts a young lady in a flowing tunic, gazing wistfully into the distance. The subject is rendered with soft, diffused brushstrokes and bat...

An accomplished early 20th century charcoal study depicting an elegant lady dressed in fashionable attire as she poses gracefully for the artist. Unsigned. Provenance: acquired with ...

Auguste Rodin, French (1840 -1917) - Buste de Bellone, Year: 1883, Medium: Etching, signed in pencil, Image Size: 5.25 x 3.5 inches, Size: 13 x 9 in. (33.02 x 22.86 cm), Frame Si...

After Carlo Dolci (1616-1686) Saint Agnes of Rome with the Lamb, oil on canvas. Presented in a gilt effect frame. Unsigned. Image size: 89 x 73cm.

Portrait de Rimbaud Jacques Villon French (1875–1963) Date: 1962 Drypoint Etching on thin laid paper, signed in the plate lower right Image Size: 9 x 6.5 inches Size: 12.5 x 9.5 in...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Arobieke Tomiwa...

Quis Mihi Iniuriam Facet Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world...

A rare and important Italian alabaster bust sculpture of Jesus Christ, C. 1860 A modeled bust of Holy Christ wearing a crown of thorns, exceptional...

"Sergei," an original oil painting on canvas created in 2016 by Viktoria Savenkova, is an expressive realist portrait rendered with skillful precision and emotional depth. Measuring ...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery)

Country girl - Angelo Granati Italia 2011 - Oil on canvas cm. 90 x 70. This is his reinterpretation of painting "Young Shepherdess" by gratest old master William Adolphe Bouguereau. ...

Outstanding 19th century Italian finely carved Carrara "Statuario" marble sculpture of Antinoo , after the Antique The Capitoline 'Antinous'. Antinous, a young Bithinius favorite...

The Man with the Cigar by Serge Mallet (French, circa 1990) signed lower left oil painting on canvas, unframed canvas measures: 32 x 25.5 inches provenance: private collection, Franc...

This elegant poster for Citronnade à l’Ananas by Leonetto Cappiello perfectly captures the lightness and pleasure of a refined summer beverage. Cappiello’s signature approach—pairing...

"Mindisayo's Gaze" In this best-selling image, a young women in the Rendille tribe of Northern Kenya wears the unique jewelry and ornamentation of this culturally-rich region. The...

This original framed graphic art lithographic poster entitled "Chez Panisse Cafe & Restaurant Seventeenth Birthday" was created by David Lance Goines in 1...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

George Condo, Lost in Time, 2024 22 colour silkscreen with spot colours on 600gsm Somerset Tub-Sized Radiant White paper80.4 x 81 cm (31.65 x 31.89 in) Edition of 98 of 150 Hand-sig...

Lucky, 2023 is a recent archival pigment ink print by Maggie Taylor. All prints are signed and numbered by Maggie Taylor. Maggie Taylor's digital creations are emblematic, afterima...

Homage to René Char is an original lithographic poster created by Pablo Picasso in 1969 for the Musée d'Art Moderne de Céret, France. The poster was engraved by Henri Deschamps...

This exceedingly charming mid-18th-century English oil painting depicts a girl wearing a red gown with a train over a white petticoat. She’s holding a posy or nosegay. Evidently once commissioned for an English country house, the identity of this young lady remains a mystery. Her gown appears to be inspired by the popular ‘robe à la française...

Untitled (Nr. 0423) Photography 24" x 18" Edition of 24 by Ben Cope Signed and numbered by the artist. Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off t...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Antique Grand Tour Plaster Cast after Antonio Canova – Life-Size Figural Group This impressive, life-size antique plaster cast represents one of t...

Jean-Yves Boissé Original Oil Painting On Canvas “still Life”. In good condition measures 28x24

These faces are not portraits of specific people, but emotional records of a collective condition. They carry the weight of fear, disappointment, suppressed anger, endurance, and fra...

A fine early 20th century copy of the Lucanian portrait of Leonardo da Vinci. Presented in an ebonised black frame with a gilt inner slip. Unsigned. On panel. Image size: 20.5 x 15cm.

18th Century German or Austrian School, Portrait of a Lady with Coat of Arms, Original Frame, Circa 1780 Not signed A refined and highly decorative late 18th-century Continental por...

Artist: Jack Graves III (American, 1988-) Title: "Venus de Milo (Aphrodite) Bust" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2026 Medium: Original Acrylic...

Alexandre Auguste Ledru-Rollin (1807-1874) was a French lawyer, politician and journalist who emerged as one of the leaders of the French Revolution of 1848. He is depicted here in m...

Beautiful portrait of a young woman in the manner of Peter Paul Rubens. Oil on oval canvas measuring 12 7/8 x 16 inches. Unsigned. Canvas was originally painted for rectangular for...

This sculpture was created by an unknown Baule artist from Ivory Coast. It depicts a man in a suit with a white hat. He stands with his hands in his pockets. 18 1/2" x 6 1/4" sculpture The Baule or Baoulé are an Akan people and one of the largest groups in Côte d'Ivoire. The Baoulé people are talented in African art. Their sculptures are renowned for their refinement, form diversity and the labor they represent. The sculptures do not only include face masks and human figurines...

This artwork titled "Juchiteca's Platicando (Juchitecan Women Talking) 1985 is an original colors lithograph on Wove paper by Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered 72/150 in pencil by the artist. The size is 22.75 x 30 inches. It is in excellent condition, 2 small pieces of hanging tape remaining on the back at the top edge of the sheet from previous framing. About the subject: This print, Juchitecas Platicando (Juchitecán Women Talking), depicts three statuesque women from the city of Juchiteca in the state of Oaxaca in southeastern Mexico. Juchiteca is a largely matriarchal society, in that women control the economy and hold positions of power. It is also home to a large Zapotec population, indigenous to the land that became Mexico. Francisco Zúñiga lived within the community of Juchiteca for a period of time and adopted the women of the area as one of the central motifs of his artwork, both on paper and in sculpture. Through his selective coloring, Zúñiga highlights the women’s clothing, including their recognizable huipiles or tunics, conveying the pride in locally made textile art About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein, André Breton and Antonin Artaud. Then as now, Mexico City was a major world capital with the infrastructure necessary to exhibit and expose new aesthetic concepts. For all these reasons it was the most obvious destination of choice for Zuñiga. In Mexico he worked with the painter Manuel Rodríguez...