Land Art

Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the obj...

Guests at the Hotel Il San Pietro in Positano, Italy, August 1979. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stampe...

Signed on the front of the mount before his death. Special Edition Print.

Night, Forest, Lake Dmitrij KOSMIN (Omsk, 1925 – Moscow, 2003) Dmitrij Kosmin has represented the Soviet Union at the Biennale of Venice in 1966. Works by Dmitrij Kosmin can be foun...

Hoar frost envelops the reeds of Hickling Broad at dawn. James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments when the natural form of topography ...

February 1989: Pierre Vincent Marais holidays with friends on the island of Mustique in the Grenadines. Slim Aarons Estate Edition, Certificate of Aut...

February 1989: Pierre Vincent Marais holidays with friends on the island of Mustique in the Grenadines. Slim Aarons Estate Edition, Certificate of Aut...

"Amber Crossroads" Baja, Mexico - 2022 Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $3,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 Edition of 10: 40” x 60...

Scotch Broom 22 x 30" image size watercolor, 32 x 40" framed in a whitewash profile with museum quality glass red green blue yellow I document the essenc...

"Coastal Spirit" British Columbia, Canada - 2011 Archival Pigment Print Available sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $3,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 Edition of 10: 40” x 60” (101.6 x 152.4 cm) $12,500 "Kermode bears, or spirit bears, are not albino, but black bears turned white by a rare genetic anomaly. They are culturally significant to British Columbia's coastal indigenous peoples, who safeguarded them during the fur trade of the 1800s by keeping their existence secret. I consider it a privilege to continue the centuries-old fight to protect these unique animals with whom we share our home." - Paul Nicklen...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023, Style: Impressionism, Subject: Summer Valley, Size: 30" x 44....

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

Arthur G. Nebra (1880-1955) Swiss. 'Lake in the Mountains' circa 1930's. oiil on canvas 54cm x 73cm including the original frame. Romantic Realism iso...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Sizun. Medium: Lithograph, signed in pencil, Edition: EA, Image Size: 17 x 26 inches, Size: 22 x 29.5 in. (55.88 x 74.93 cm)

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Estuary. Medium: Lithograph, signed in pencil, Edition: AP, Image Size: 17 x 20 inches, Size: 21 x 30 in. (53.34 x 76.2 cm)

ROBERT KENNETH WHITE – "MYSTIC FJORD" Oil on Canvas ⚜ Signed on Verso ⚜ Frameless Display AN EVOCATIVE STUDY OF LIGHT, FORM, AND COASTAL GRANDEUR In "Mystic Fjord", Robert Kenneth W...

Pando Forest #1 is available in a Limited Edition of 5 + 2 Artist Proofs. Laval's new body of work continues her ongoing exploration of light in nature. Combining the natural landscape with a radical manipulation of light, Laval creates an other-worldly scape that bridges the gap between our reality and one that could only ever be imagined. The Pando Forest is an incredible display of vegetation in Utah's Fishlake National Park in the United States. Comprised of over 40,000 individual trees, this forest is really one living organism. Connected by one enormous root system, the forest continues to exist by producing clones of itself in response to environmental stresses. Creating small, temporary interventions in the organic landscape, Laval takes natural and artificial light and observes the interaction in nature through reflective surfaces. Marine blues and plush magentas describe this living organism, while radiant aquamarines...

Pando Forest #3 is available in a Limited Edition of 5 + 2 Artist Proofs Laval's new body of work continues her ongoing exploration of light in nature. Combining the natural landsca...

Returning to Cubist Styling This graphite pencil drawing ‘Berg en Dal – 02-05-23’ is a welcome change from 9 consecutive impressionist landscapes I made. Somehow I felt attr...

Coastal Landscape by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 11 x 15 inches double sided condition: very ...

Pando Forest #5 is available in a Limited Edition of 5 + 2 Artist Proofs Laval's new body of work continues her ongoing exploration of light in nature. Combining the natural landsca...

Call of the Kingfisher [2020] original Oil on stretched canvas Image size: H:61 cm x W:76 cm Complete Size of Unframed Work: H:61 cm x W:76 cm x D:1.8cm Sold Unframed Please not...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Signed and numbered on the front of the mount.

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas, Year: 2022 Style: Impressionism, Subject: Canyon, Rock Size: 21" x 21.5...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas, Year: 2022 Style: Impressionism, Subject: Canyon, Size: 20.5" x 24" x 0...

When the Seasons Turn 10.0 x 9.0 x 1.0, 2.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I love the changes of seasons and the juxtaposition of both w...

By Bartolome Sastre 38" x 58 Oil on Canvas Framed Size: 42.5" x 65"

30.5 x 30.5 inches framed 15" x 15" edition of 10, unframed, $1,800 30" x 30" edition of 10, unframed $3,450 Please allow at least 2 weeks for the photograph to be printed and shi...

Rocky Peaks Study 4, Spain - no. 21236 // Black and white fine art long exposure seascape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Bergh...

This realistic oil landscape painting is by an artist whose work is collected internationally. The peace of a forest glade, the sun filtered through leaf...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

American Photorealist Ian Hornak’s stunning depiction of a tropical landscape is framed by back-lit palm trees and clouds illuminated with the setting sun. The painting is signed, ti...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Le Canal aux Cygnes (B235), Year: 1878 (of original 1650), Medium: Heliogravure, Size: 6.5 x 4.25 in. (16.51 x 10....

Hand printed by artist. Cibachrome color photograph. Framed in off white metal with high grade plexiglass. Signed in pencil on recto. Inscribed to a person on the front mat in penci...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Jean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed and numbered in pencil lower right. Reference: Delteil 98. In very good condition, ...

On the Road to Nowhere - 2017, Edition 1/7 plus 2 Artist Proofs Archival C-print, based on the original Polaroid, not mounted. Signature label and certificate. Artist inventory PL2...

Josh Brown has had a lifetime interest in creating art, most notably through his depiction of animals. He swiftly captures the mood of his subjects and brings the personality of each...

Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist with acrylic paint and prismacolor. Edition 1 of 5. Kristin Moore says o...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

Reflections, 2015, 40 x 40 cm, edition of 10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. unmounted Artist Statement “Since my childhood days I always loved taking photos, but for unknown reasons instant film never really caught my attention. After I saw the works of a friend who happened to be a gifted Polaroid photographer, I was totally mesmerized and the desire to shoot with instant film constantly grew in me. But for as long as I can think music has always been my main preoccupation. I somehow always feel the need to create, but my focus shifted more and more from making music to instant photography and it grew into something much more fulfilling and pure. Sometimes, these two passions even come together when I am able to provide my photos for album artworks – this makes me incredibly happy. As I always have been very introverted and reclusive I often drift off into my own inner world. The dreamlike landscapes and surreal atmospheres in my work are the visualization and the result of these imaginations. Another influence on my photography is my essential need to travel the world. But I am not interested in documenting the places I see like they are but rather love to create otherworldly scenes by adding the dreamlike texture of instant film, serving me as a needful escape from reality.” Artist Biography Julia Beyer is an analogue photographer from Germany. She mainly works with instant film to express her inner visions that often show dreamlike landscapes and surreal atmospheres. After being more known for her musical endeavors as the singer of the dreampop band Chandeen, she began to delve into this photographic art form in 2014 and since then expands her portfolio continuously. Her work has been published in various international print and online publications. Since 2017, she is a member of the renowned "12:12 Project", a worldwide collective of female Polaroid photographers. Selected Press and Publications: Feature in “Photodarium” Calendar 2016, 2017 and 2018 (Germany) Print feature in Monochrome Mag issue four: Instant (Australia) Print feature in Double Exposure Zine, Issue 2 // Vacancy (USA) Shoot Film UK, Issue #001 “Overexposed” (UK) Feature in The Impossible Project Magazine Artwork photography...

The Waking (from the series Maybe I’ve always been here) We all know that feeling: when something you’ve longed for finally happens, the world seems to switch on. Everything becomes...

Black and white fine art landscape photography Gerald Berghammer. Archival Pigment Ink Print, Edition 1/7, signed, numbered, dated. Aluminum frame, matt black, natural white archival...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Waterside Town II. Year: circa 1985, Medium: Silkscreen on Arches, signed and numbered in pencil, Edition: 175, Image Size: 20.5 x 25 ...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

The painting was exhibited in five joint exhibitions in Odessa. Since it has been on permanent display in the project, "Open Art Workshops" in the Bondarenko Foundation. The paintin...

Black and white fine art photography Gerald Berghammer. Gelatin Silver Print on Baryta, Printed 2018. Limited Edition 1/9. Signed, numbered, dated by Artis. Handmade wood frame, blac...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Subject: Lake Side...

Plenitude - Signed limited edition archival pigment print, Edition 2 of 5 Signed + numbered by artist with certificate of authenticity , unframed Panoramic landscape of a cornfield ...

Poster. Measures 24 x 31.25 inches and is Unframed. Good/Fair Condition-signs of wear consistent with age and handling.

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Artful, ephemeral capture of snow on trees which will disappear with the sun These trees appear to be painted in thick stripes with the first snowfall of the season in Grand Teton N...

A waterfall hidden from plain sight in a canyon tucked away in the American West The American West is home to more beauty than one can ever comprehend Explore the National Parks an...

Black and white photograph realized in 1944 ca. in occasion of the occupation of Belluno by the German Army. Very good condition.

Stillness 2, 2021 - Misty Natural Landscape of Trees in Ancient English Woodland by Ellie Davies Stillness 2 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available...

Stillness 3, 2021 - Misty Natural Landscape of Trees in Ancient English Woodland by Ellie Davies Stillness 3 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, availabl...

Stillness 6, 2021 - Mist and Fog in English Woodland and Forest Environment by Ellie Davies Stillness 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in t...

This artwork actually contains two landscapes. The inner landscape depicts a forest of birch trees at dawn or at dusk, with a purple sky and a fuzzy Sun. The ground is full of colored small flowers and plants. The outer landscape depicts a night green landscape through birch branches, with clouds and the Moon. Although both landscape can't actually merge, some branches of the inner landscape extends into those of the outer landscape, which makes this painting surrealist. Both landscapes are separated by a pink mosaic...