Jill Hackney Art

Oil paint and mixed media on canvas. This work is the second painting in a series of trees from Parade St. Park.

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them into images of intimacy. Rick Sindt Without Heaviness oil on panel 12h x 9w x 1.50d in 30.48h x 22.86w x 3.81d cm RIS040 “This body of work has been crystalizing in my mind for about five years,” says Sindt, “It is the product of reflecting on how the places I learned the most about myself, and my desires, are considered something that sullies a person, something taboo.” Focused on the experiences of gay men, this body of oil paintings depicts moments that range from tender touches to more sexually explicit acts. “It was important to me that I only represent what I know,” explains Sindt, “I identify as a man, and I am attracted to others who identify as men. I don’t believe it is my place to speak on behalf of other members of the queer community whose experiences I am unfamiliar with.” “In creating this work, I spoke with men who told me about how they hid magazines when they were a kid, took out P.O. Boxes in their small hometowns to protect their privacy, and learned how to cover their tracks on the internet. These secretive acts become necessary when the need to understand yourself is great, but your world is bereft of representation." Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...

Lamenting the lack of clear queer imagery in Renaissance painting I decided to paint a Gay version of "La Tempesta" by Giorgione. The small creature in the for...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them into images of intimacy. Rick Sindt Did I Steal You Away? oil on panel 18h x 24w x 1.50d in 45.72h x 60.96w x 3.81d cm RIS036 “This body of work has been crystalizing in my mind for about five years,” says Sindt, “It is the product of reflecting on how the places I learned the most about myself, and my desires, are considered something that sullies a person, something taboo.” Focused on the experiences of gay men, this body of oil paintings depicts moments that range from tender touches to more sexually explicit...

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the model balances next to a midcent...

This is an original oil painting on panel by Lauren Rinaldi. The piece ships in the pictured black frame and measures 6in x 5in. Lauren Rinaldi's work inhabits the space where obje...

Oil, spraypaint, acrylic on canvas. Storybook bridge.

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...

For Martha is a female nude painting using light and shadow to create strong vertical lines accentuating the natural curves of the body using soft, almost undetectable brush strokes, This artwork is framed. Richard Gibbons For Martha oil on panel 32.50h x 26.50w in 82.55h x 67.31w cm Richard Gibbons 1972–1973 American Academy in Rome Archaeological Study Grant 1950 Born in Toledo, OH 1973 B.S. in Architecture, University of Notre Dame...