Landscape Art

This artwork captures the serene beauty of a wooded lakeshore, where nature's elegance is on full display. The foreground is dominated by a cluster of slender trees, their trunks and...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

The Scottish Highlands signed by F. E. Jamieson (British 1895-1950) oil on canvas, framed framed: 24.5 x 35 inches canvas: 20 x 30 inches provenance: private collection, UK condition...

The Close of Day Scottish Highland Loch at sunset with cattle watering British School, early 20th century signed initials lower left corner oil on board, unframed board: 7 x 10 inche...

Oil on canvas painting by the American artist, Edmund Darch Lewis. Signed lower right and dated, 1891. Several small punctures which will be professionaly restored. Old reline of ca...

Corrèze Valley at Aubazine signed by Regine David (female French artist, 1910-2018) watercolor painting on artist paper, unframed panting: 8 x 10.5 inches inscribed verso condition: ...

In his work, “In the Alleghenies,” William Lewis Sonntag depicts a mountain lake ringed with imposing peaks and autumn forest.

This landscape watercolor painting by Aleksandra Strokina shows the beauty of a mountain landscape with clear and simple detail. The scene features tall, snow-covered peaks under a s...

The painting was painted en plein air in the village of Bilshivtsi. The beauty of the panoramic landscape was painted from the window of the cathodic monastery.

The Highland Glen by F. E. Jamieson (British 1895-1950) signed with pseudonym oil painting on canvas, framed framed: 25.5 x 35 inches canvas : 20 x 30 inches provenance: private coll...

This dreamlike piece, "River Bend", is a 36x48 oil painting on canvas by artist Craig Mooney depicting a shimmering river in the late afternoon hours, snaking through the bends of l...

Artist/ School: J. Hamilton-George (British. b. 1948), signed lower corner Title: The Scottish Highlands Medium: oil painting on canvas, framed. Size: painting: 20 x 30 inches, ...

Crofter Cottahes by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, unframed framed: 23 x 30 inches canvas: 16 x 24 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower right corner with his favoured pseudonym, "W. Richards". F. E. Jamieson (1895-1950) We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989. Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work. We are also in the early stages of publishing the Catalogue Raisonne for this artist, of which this painting will be featured. Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes. Born in 1895, Jamieson lived on the south coast of England and was contracted to a large department store to supply them with his paintings. He was an ambitious man and keen to sell more works than through just one shop. In order to do this, he started to sign his works with pseudonyms other than his own name, in order that he could sell his work to a wider audience. It worked and it is considered that Jamieson at least 15 different pseudonym names on his paintings. In addition to selling through furniture shops, Jamieson would travel door to door offering his paintings to housewives and private buyers. In our years of researching the artist, we heard one story related to us by an old customer who remembers that Jamieson started selling door...

Christopher Clark's (US based) "The Next Stage of Your Journey" is an original, handmade oil painting that depicts a split rail fence among a meadow of tall grasses leading to am autumn colored forest in the background. Bio/artist statement: Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger, and Fender Guitars. Christopher’s painting skills are not his only talent in the arts. He has won several national swing dance championship competitions, and also studies tango and blues dancing. He has played guitar since the age of 12, and during his time as lead guitarist for a rock band, he opened for Blue Oyster Cult and Eddie Money, as well as headlined “the Whisky A Go Go” and “The Roxy” in Hollywood. Christopher has played trombone since high school, and for the last 20 years has played with all-trombone Christmas band in Orange County, California called the Balboa Bachelors, with whom he has played for the Newport Beach Christmas Boat Parade...

The sun beats down across the California desert walls and its cracked dry ground was hard as a rock. You could see windmills in a distance of the heat wave turning in slow m...

Landscape oil on canvas 31 x 46 cm 12 1/4 x 18 1/8 in Stephen Bone was a 20th century landscape, mural and portrait painter. He was born in London, the son of the artist and etcher Sir Muirhead Bone. The family lived in Italy between 1910 and 1912, before Stephen returned to attend Bedales School. He went on to study at the Slade School of Art, which now forms part of University College London, from 1922 to 1924 under Henry Tonks. Bone won a gold medal for wood engraving in the Paris International Exhibition the year after his graduation. The rest of 1925 was spent touring Spain with his father and travelling to France, Greece and Scandinavia. In 1929 he married his fellow artist, Mary Adshead, who had been a student with him at the Slade. In the early years of their marriage, the two travelled around Greece, Italy and the British Isles together. An exhibition of Bone's work, alongside works from Robin Guthrie and Rodney Burn, was held at the London Goupil Gallery in 1926. In 1932 Bone became a member of the New English Art Club, having exhibited with them since around 1920. During the 1930s, he exhibited landscapes and portraits at the Royal Academy, the Fine Art Society, the Lefevre Gallery, and the Redfern Gallery, including a solo exhibition in 1938. An exhibition at Ryman's Galleries, Oxford, in 1936 included oil paintings of forty-one British counties that Bone had created during his travels. During his time in Stockholm in 1936-37, Bone produced many works and had a number of exhibitions. Though Bone is most recognised for his landscape paintings, he was also an illustrator, portraitist and mural painter. In 1925 his woodcuts illustrated the book 'Of the Western Isles...

"Great Gable and Black Sail Youth Hostel Emmerdale" by ARTHUR TERRY BLAMIRES (b.1930) signed and dated, 1995 oil painting on canvas, framed canvas: 20 x 3...

The painting depicts the moment when nature awakens. The light and warmth of the early sun envelops the forest and water, creating an atmosphere of peace, inspiration and harmony. T...

Harrison Bird Brown (1831 - 1915) Grand Manan Oil on canvas 12 x 20 inches Signed with initials lower left Harrison Bird Brown was born in 1831 in Portland, Maine, and is best known for his White Mountain landscapes and marine paintings of Maine's Casco Bay...

Lakeview (Expansive Blue + Green Landscape Reminiscent of Color Field Painting) by Tracy Helgeson 2024 oil on panel 36 x 48 inches unframed The disparate traditions of American folk...

Signed, titled and numbered by the artist. A view of ocotillo cactus, based on a view near Clark Dry Lake, Anza Borrego Desert State Park, California. Born in Berkeley, California,...

"Breakthrough Light Across The Mountain” is a semi abstract landscape painting by Helen Howells. It was inspired by the landscape of South Wales, which is my homeland. It is not of a...

Medium: etching and aquatint Edition of 120 Year: 2023 Image Size: 4 x 5 inches Signed, titled and numbered by the artist. The view west from Cypress Island off the coast of Washin...

California Dreaming by Frank Schott from a series of photographs capturing the Golden State's vast desert landscapes 27 x 40 inches / 68cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183cm edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

In “Campfire at Sunset,” George Inness captures a stunning sunset with a smoldering campfire set on a lakeside.

Path to the Sea - The painting was created in 2024 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dix...

Sophia Chalklen’s The Magic of Winter transports viewers to a serene snow-covered forest bathed in the soft glow of a golden sunrise. The painting captures the quiet beauty of winter...

Pentti Sammallahti Cilento, Italy 1999 Gelatin Silver print

"Loch Tay" by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, unframed canvas: 16 x 24 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower right corner with his favoured pseudonym, "W. Richards". The painting captures this brooding Highland landscape and the deep and dark waters of Loch Tay, one of the most stunning lochs in Scotland. Loch Tay is a magnificent dark stretch of water, 15 miles (24 km) long and around 508 ft deep. It’s the largest loch in Perthshire and one of the deepest in Scotland. To the north, the loch is flanked by the impressive bulk of the Ben Lawers mountain range, much of which is designated as a National Nature Reserve. The main A827 road runs high above the loch, west from Kenmore. The contours are gentler on the southern shore and Sustrans Cycle Route Number 7 runs along a quiet unclassified road. It's hard to believe that ancient settlers once lived on Loch Tay, inhabiting artificially created islands known as crannogs. There are eighteen crannogs on Loch Tay, most are now submerged but a large crannog near the northern shore at Kenmore can be clearly seen. This was the ancient burial place of Queen Sybilla, wife of Alexander King...

Introducing "Scandinavian Winter Landscape, 1907" a mesmerizing painting by the artist Arthur Percy Carlsson, later known as Arthur C:son Percy (1886-1976). Born in Vickleby, Öland, Percy's artistic journey was one defined by unwavering determination and exceptional talent. This landscape painting presents a winter landscape, likely set during the early spring season. The canvas portrays a vast, snow-filled meadow, blanketed in pristine white. Above, the sky comes alive in a captivating pointillist style, with hues of blue, turquoise, and yellow forming delicate, scattered dots, while small clouds grace the horizon. The scene unfolds with an enchanting backdrop of a distant forest, its trees adorned with a touch of winter's charm. Between the enchanting forest and the expansive meadow, a few humble houses...

Artist/ School: French School, circa 1950's, signed H. Eubriet Title: 'Bathing' Medium: oil on canvas, framed Framed: 29 x 45 inches Painting: 24 x 30 inches Provenance: private ...

In this oil painting, I've blended Impressionism with realism to capture the gentle caress of the sun on the rippling sea, evoking a sense of serene solitude. The play of light whisp...

Joseph Horlor (1809-1887) British A Figure in a rowing boat at dusk on a mountain lake, Scottish oil painting on canvas, signed lower right: 9 x 14 inche...

Signed lower right 'F.H. Cutting' and dated '1932-1948'. Born in Iowa in 1872, Francis Harvey Cutting moved to San Jose, California in 1893 where he st...

Signed lower right, 'G. Mortensen' for Gordon Mortensen (American, born 1938) and dated 1979. Titled lower left, 'A Winter Afternoon' with number and ...

British Landscape by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 11.5 x 15 inches condition: very good and re...

Color fine art waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to order in limited editions on...

Stones and water, are two elements that have existed for a long time, and although water may seem soft, it grinds off the hardest stones. Provenance: 2007-2016 Private collection Pub...

Post-Impressionist Oil Painting of Donegal Wetlands Landscape in Ireland by 20th Century Irish Artist, Charles McNeill Caldwell. Signed, Ori...

"Down of the seasons" "Alba delle stagioni" is a painting by the famous Italian artist Maestro Gene Pompa. Through his art, he has a very sharp and unique ...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 36 x 48 Frame Size: 44 x 56 Medium: Oil on canvas Dated 1999 "Coreopsis & Daggers" Texas Hill Country. Wildflowers Biograph...

Title: British Impressionist Watercolor of Distant Spire Under Expansive Sky by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 1...

Art-S-Gallery curators recommend to collectors Tatiana Gagarina, because they find her work original, interesting and with high potential. The participation of the artist in various ...

So perfect for your ski house! Fantastic oil painting of Glacier National Park by Artist John Modesitt. Artwork size: 8" x 10". Framed size: 12 1/2" x 14 1/2". Primarily self-taught, William was best known as a California Landscape Painter. His paintings were reminiscent of the California Impressionists with rich atmospheric perspective and depth. It is important to note that William had difficulty seeing distance due to an eye condition. He would create the illusion of depth with skillful painting techniques and his sophisticated use of color. William’s paintings were frequently available on the secondary market, in antique stores and auction houses, where they were often paired with early California painters such as Edgar Payne, William Wendt and Ray Strong...

A rocky coast in the village of Turunc, where the stones do not have time to get away from the midday heat during the night. This land is with swift sunsets, soft and warm summer win...

Linda Lillegraven's beautiful original oil landscape "Artemesia" depicts a serene moment of a western plain at evening, with the sunset shadowing the field as the moon rises from th...

Expressionist landscape in oil. Signed on the verso. On canvas on stretchers.

H.E Smethurst, British 20th centiry signed oil on canvas, framed framed: 26 x 28 inches canvas: 20 x 23.5 inches provenance: private collection, UK condition: very good and sound con...

Artist/ School: Suzanne Crochet (French c. 1930) French Impressionist artist Title: The Harvest Field Medium: oil on board, unframed and double sided image board: 9.5 x 13 inches ...

In the autumn cold of the town of Vorokhti, between the fragrant haze of fallen leaves and the silvery crescent of the sky, there is an unprecedented silence. Oleksandr Khrapachov's ...

Judd Mercer's (US based) "049 - Plein Air-Red Rocks, CO" is a gouache painting depicting a large red rock. Artist bio/statement Judd Mercer is a contemporary landscape painter and ...

The Village Duck Pond by R. Fenson, British signed and dated 1896 oil on canvas, unframed canvas: 20 x 30 inches provenance: private collection, England condition: very good and soun...

"Perspective du Canyon du Verdon - Provence" - France Oil on canvas signed lower right, 100 x 73 x 2.5 cm, titled and dated on the back,1990. Framed with a natural oak floating frame...

American, b. 1952 Frank Corso was born in Syracuse, New York. Taking a keen interest in art at a very early age, he was inspired to draw and paint the landscape of the Finger Lakes region of Upstate New York. He had the opportunity to have very fine art teachers in high school who also happened to be fine painters, artists George Benedict...

This piece, "Winter Night", is a 36x46 winter landscape oil painting on canvas by artist Craig Mooney featuring a view of trees and fields below from on top a snowy mountainside slop...

Jersey Shore III Casein on Masonite, 1967 Signed lower right (see photo) Initialed, dated and titled verso Provenance: Estate of the artist Virginia Dehn (the artist's widow) Dehn Quests Created on location on the Jersey Shore. The Jersey Shore was the main playground for thousand to escape the summer heat of New York. This small painting shows Dehn's mastery of patterning color to depict movement and recreation. Part of a suite of paintings done on this theme. Within a year of it's creation, Dehn dies from a heart attack. Casein on Masonite Condition: Excellent Image: 6 x 11" Frame: 9 3/8 x 14 1/2" Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood. After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet). Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason. Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag. The Years in Europe: 1922-1929 In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work. Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.” A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer, the publisher of the most notable modernist art and poetry magazine...

Title: Mid Century French Original Pastel Drawing of Hilltop View Overlooking Village Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.75 (heig...