Pants Art

This 25" x 14" pastel pencil work on paper by Serbian artist Bojan Grof is number five of the "Woman's World" series, a series that explores the experiences of and societal impact on...

Andrew Wyeth The Reefer 1982 Signed Limited Edition Collotype 223/300 There is no American artist who understood longing quite like Andrew Wyeth, and The Reefer distills that qu...

Isa Genolini and Maria Antonia in the main street of Cortina d'Ampezzo, Italy, March 1982. Cortina d'Ampezzo Fashion 1972 c print Estate stamped and hand numbered edition of 150 wi...

Edition of 50. Pete Townsend is a striking portrait, on fibre paper, from iconic 20th Century photographer David Steen. Steen’s introduction to photography was as a 15-year-old scho...

Please note: On display at the S. Wilson and Grace M. Pollock Education Center Gallery at the Susquehanna Art Museum (1401 N 3rd St, Harrisburg, PA 17102) from August 12 through November 30, 2025. Sold artwork will be shipped to collectors following the close of the exhibition in January 2026.  This piece is an original artwork by Jason Chen titled "Coming To An End". It is made of archival pigment prints from the artist's photography that he then cuts into strips and weaves together by hand. The piece measures 28”h x 38”w and ships framed in the pictured 31”h x 41”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifica...

Artist: Kay Ritter Title: Janitor Medium: Painted Papier-mache on Metal Base, with mop, duster, scrubbing brush, and key chain Year: c. 1983 Size: 52 x 28 x 30 in. (132.08 x 71.12...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 9 x 12 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

The Mason's Estate, Kenya is a Limited Edition Estate Stamped Digital C-Type Print by 20th Century American Photographer Slim Aarons. 16" x 16" print. Limited Edition Estate Stamped...

This realistic oil portrait of a young man is by Daniel Hughes. In a field surrounded by the magical glow of dozens of fireflies, a young man stands alone, looking towards the hills...

Something (Till Death do us Part) - 2005 40x40cm, Edition of 10. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory number: 9445. Not mou...

A French young model is a black and white vintage photo, realized in 1970s, by the photographer Gunnar Larsen.  Good conditions and aged. It belongs to a historical and nostalgic a...

' Cola Café ' Limited Edition Archival Pigment Print Children wait outside a cafe with Pepsi Cola sign in Tegucigalpa, Honduras, Central America, 1981. Note all prints are limit...

Artist: Adolf Sehring (Russian/German-American, 1930-2015) Title: "Fun Time" Series: Children *Signed by Sehring lower left Circa: 1980 Medium: Original Oil Painting on Canvas Framing: Within its original frame. Framed in a gold traditional frame with linen liner and gold filet Framed size: 31.13" x 37.13" Canvas size: 24" x 30" Reference: No. 1103 Condition: In excellent condition Notes: Provenance: private collection - Hagerstown, MD; acquired from Benjamin Art Gallery...

Marilyn Monroe in her last formal photo shoot captured by legendary photographer Allan Grant on July 7, 1962. In the summer of 1962, LIFE magazine sent two journalists to spend time...

Verbier Skier, 1964 - Blonde Skier Polishes Skis on Snowy Mountain Ski Slopes by Slim Aarons 16" x 20" print Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'V...

Artist Comments
The painting features two dancers mid-dance, with only their legs shown in the frame. The woman's swirling skirt suggests a sudden lift or spin. The cropped per...

Gelatin silver print Signed, titled, dated, and numbered, verso 14 x 11 inches, sheet size (Edition of 5 + 2 APs) 20 x 16 inches, sheet size (Edition of 5 + 2 APs) From the series "Purgatory & Paradise: Sassy '70s, Suburbia & The City" A vintage print may also be available. Please inquire for details. This artwork is offered by ClampArt, located in New York City. Meryl Meisler...

Fisher Ross Portrait of a Young Couple, ca. 1977. Print measures 8 x 10 inches. Framed measurement: 10 x 12 inches. 2026 digital print from the original in the Fisher Ross Archiv...

The Glass Blower by John Edwards (England, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, England Conditio...

Cortina d'Ampezzo by Slim Aarons Isa Genolini and Maria Antonia in the main street of Cortina d’Ampezzo, Italy, March 1982. (Photo by Slim Aarons) Limited edition estate stamped pr...

Artist Comments
This modern painting features a dancer in mid-slide. The contrast between his bright, colorful tie and the otherwise muted, neutral palette of his outfit and ba...

GEORGE BARRIS 3F FROM "THE LAST PHOTOS" ORIGINAL PHOTO FROM ORIGINAL NEGATIVE 20 X 16 INCHES HAND SIGNED BY ARTIST PRINTED IN 1987 This piece is an original photograph of Marilyn M...

Ed. 45/50, signed by Terry O'Neill. Includes black frame. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in national art galleries and privat...

Ernie Barnes 1938–2009 Destination Unknown 1979 offset lithograph in colors image: 16½ h × 22 w in (42 × 56 cm) sheet: 18¾ h × 25⅛ w in (48 × 64 cm) Signed and numbered to lower edge Eugene Barnes’.

Early Morning St. AM 1987 (Impressionist Figurative City Scene by William Clutz) Impressionist Painting of A Man Crossing a Street in Manhattan in the Early Morning Sunlight Colorful Painted by William Clutz in 1987 50" X 40" x 2", oil on canvas This figurative oil on canvas was painted in 1987 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. Clutz discovers the extraordinary in the ordinary, simply by studying how the sunlight bounces and reflects off the human form. In New York in the early 50's and 60's,, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

Signed limited edition fine art print of Patti Smith and Robert Mapplethorpe, taken in her kitchen in New York by celebrated photographer and filmmaker, Norman Seeff in 1969. This P...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Fisher Ross Portrait of a Couple, ca. 1977. Print measures 8 x 10 inches. Framed measurement: 10 x 12 inches. 2026 digital print from the original in the Fisher Ross Archive. Fr...

Dutch Canal Dutch artist, inscribed to label oil on board, framed Framed: 16 x 13.75 inches Board: 9.5 x 7.5 inches Provenance: Private collection, Scotland This charming painting b...

The painting is signed on the back Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They ...

This late-1970s photograph, captured by society photographer Slim Aarons, features Manuela Boraomanero (left) and Emanuela Beghelli holiday in the Italian ski resort of Cortina d'Amp...

The universal theme of travel has always inspired Bruno Catalano. Since he started to knead clay, hundreds of “Travellers” went out of his feverish hand...

Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition. Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year. ABOUT THE ARTIST Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years. A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise. The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About ...

Andy Warhol Carly Simon, 1980 Stamped by The Estate of Andy Warhol on the reverse Gelatin silver print 8 x 10 inches The artist Estate of the artist Long-Sharp Gallery, Indianapolis...

Amid some unfinished legs, a small boy stands quietly, hemmed in by the drifting crowd. The adults exist only in fragments—brushy shins, fading shoes, suggestions of motion—like mome...

Original 1980 figurative oil and acrylic painting by Spanish realist José Luis Fuentetaja, depicting an intimate hippie-era scene with powerful psychological presence and masterful a...

Laureen “Reen” Axtell is an acrylic and mixed media artist whose work is inspired by the landscapes, history, and spirit of the American West. Raised in the Denver/Boulder area and s...

Step into a world where innocence meets subtle critique. Two fashion-forward figures stand beneath ancient baobabs as the crimson sunset fades, while a crocodile holds a red ribbon b...

"Falaise Collection" by John Chillingworth An outfit designed for the English market by Maxime de la Falaise. The model wears a pale tangerine sweater and tie with apricot red taper...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

"New York Walk" by Fernando Natalici Manhattan 1984. The simplicity & grace of the anonymous passer-by rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the beauty & chaos of everyday city life... Archival Inkjet Print on 310gsm paper. 13 x 19 inches. Hand signed from an edition of 10 (+ 5 A/P’s) Obtained directly from artist. Excellent overall condition. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Related Categories Henri-Cartier Bresson. Saul Leiter...

The Man (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 22884. Signature label and Cer...

The Rolling Stones, taken in 1966 by Art Kane Originally photographed in London by Art Kane for McCall’s Magazine’s 1966 photo essay‘ Teen Idols’, Kane lay on his back and had the b...

The woman sits as if she’s just signed a decree to cancel all problems. Her sunglasses have slid down her nose, revealing a gaze that radiates calm while subtly asking, "What now?" T...

A classic American icon, the roadside giant "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps featur...

'Funk In Tuscany' Italian fashion designer, model, and socialite, Marta Marzotto (1931 - 2016), playing a James Brown album on an Italian Brionvega Radiofonograph RR126 stereo syst...

Artwork subject matter features 3 men, the primary suspect is a man with his back to the viewer, holding a bag, two other men in the background with one pointing a gun. Signed Lower...

ABOUT THE ARTIST: Gaia Barnatan explores surreal, dreamlike spaces through the medium of digital collage. Her work aims to create a sense of balance, playfulness and curiosity, and e...

Boys In Paris from the Paris In Colour Series 1956-61 By Peter Cornelius 30 x 40 inches/ 76 x 101 cm paper size Printed 2022 Archival pigment print Framing and size options avail...

Artodyssey: "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with c...

Untitled, c. later 20th century Three black and white photographs Dimensions: 1. 8 5/8 x 6 3/4 in. 2. 10 x 7 3/4 in. 3. 7 1/2 x 9 1/2 in. Each photograph laid to mat board measuring...

Museum quality fine art print of Beyonce by photographer Markus Klinko. Shot in 2003 during the cover sessions of the album, Dangerously In Love This print is available in the foll...

Artist: Norman Rockwell Title: Top Hat And Tails Year created: 1976 Signed by the artist Medium: 14-Color Lithograph on papier d'Arches Edition:9/200 Height (inches): 34 Width (inches): 28 unframed Born in New York City in 1894, Norman Rockwell always wanted to be an artist. At age 14, Rockwell enrolled in art classes at The New York School of Art (formerly The Chase School of Art). Two years later, in 1910, he left high school to study art at The National Academy of Design. A 14-Color Lithograph on papier d'Arches, hand proof and printed at Atelier Ettinger. Signed in pencil and numbered by Norman Rockwell in February 1976.

The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings. Th...

Snowmass Picnic - Slim Aarons Estate Stamped A stand-up fondue picnic for fashionable skiers at Snowmass-at-Aspen, Colorado which has more than fifty miles of trails and snowfields....

I grew up on a dairy farm in northern Wisconsin helping my family feed about 50 cows. I started my undergraduate degree at UW-Madison, and finished at SUNY-Potsdam, in upstate New Yo...

A couple walking together under one umbrella in a narrow street in Normandy, France :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by ...

In this piece, I captured a quiet moment of reflection, merging realism with impressionistic light to evoke calm and contemplation. The warm glow on her face and the urban backdrop t...