Pants Art

Fisher Ross Portrait of a Young Couple, ca. 1977. Print measures 8 x 10 inches. Framed measurement: 10 x 12 inches. 2026 digital print from the original in the Fisher Ross Archiv...

Dolly Parton photographed in Nashville. 2014. Limited Edition of 25 Signed by photographer Comes with Certificate of Authenticity.

This 25" x 14" pastel pencil work on paper by Serbian artist Bojan Grof is number five of the "Woman's World" series, a series that explores the experiences of and societal impact on...

Fisher Ross Embrace 5, ca. 1977. 4 3/8 × 5 7/8 inches. 2026 digital print from the original in the Fisher Ross Archive. From an edition of 15 on archival paper produced by the F...

Boys In Paris from the Paris In Colour Series 1956-61 By Peter Cornelius 30 x 40 inches/ 76 x 101 cm paper size Printed 2022 Archival pigment print Framing and size options avail...

The Runaway by Norman Rockwell, (1894 - 1978) Date: 1982 Medium: Collotype Poster Size: 31.5 in. x 28 in. (80.01 cm x 71.12 cm) Publisher: Circle Gallery, Ltd Printer: Max Jaffe, Vienna

"Acmé" is a 120 x 30 cm figurative bronze sculpture. It is a limited edition of 8. It portrays two twisted vertical elements with two small figures at the top. "My bronze sculptures...

This atmospheric painting presents a carefully constructed narrative moment that unfolds within the quiet intimacy of a domestic interior. The composition depicts a young woman stan...

'Police Patrol' 1978 by Alain Le Garsmeur Limited Edition Archival Pigment Print A 28th Precinct policeman reads notes in his police patrol car in Harlem, New York City, USA, Apr...

Linda Adair's (Germany based) "Untold" is an oil painting that depicts an angel like figure in an interior space Linda Adair is a contemporary figurative ...

Andrew Wyeth The Reefer 1982 Signed Limited Edition Collotype 223/300 There is no American artist who understood longing quite like Andrew Wyeth, and The Reefer distills that qu...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifica...

Heidi von Faber (Dutch artist) Tea Towels 70 x 70 cm (framed, included in price 75 x 75 cm) Acryl on canvas In the paintings of The Hague-based artist Heidi von Faber, light plays ...

Don Hunstein image is the photo used for the actual color cover of “The Freewheelin’ Bob Dylan” album. This iconic image shows Bob & his girlfriend Suze Rotolo walking down a cold an...

The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings. Th...

Black and white print from limited edition of 50. Paper size: 16" x 20" Print size: 12" x 16" Pete Townsend is a striking portrait, on fibre paper, from iconic 20th Century photogr...

The Rolling Stones, taken in 1966 by Art Kane Originally photographed in London by Art Kane for McCall’s Magazine’s 1966 photo essay‘ Teen Idols’, Kane lay on his back and had the b...

' Cola Café ' Limited Edition Archival Pigment Print Children wait outside a cafe with Pepsi Cola sign in Tegucigalpa, Honduras, Central America, 1981. Note all prints are limit...

Dutch Canal Dutch artist, inscribed to label oil on board, framed Framed: 16 x 13.75 inches Board: 9.5 x 7.5 inches Provenance: Private collection, Scotland This charming painting b...

Early Morning St. AM 1987 (Impressionist Figurative City Scene by William Clutz) Impressionist Painting of A Man Crossing a Street in Manhattan in the Early Morning Sunlight Colorful Painted by William Clutz in 1987 50" X 40" x 2", oil on canvas This figurative oil on canvas was painted in 1987 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. Clutz discovers the extraordinary in the ordinary, simply by studying how the sunlight bounces and reflects off the human form. In New York in the early 50's and 60's,, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

Amid some unfinished legs, a small boy stands quietly, hemmed in by the drifting crowd. The adults exist only in fragments—brushy shins, fading shoes, suggestions of motion—like mome...

Artist: Norman Rockwell Title: Top Hat And Tails Year created: 1976 Signed by the artist Medium: 14-Color Lithograph on papier d'Arches Edition:9/200 Height (inches): 34 Width (inches): 28 unframed Born in New York City in 1894, Norman Rockwell always wanted to be an artist. At age 14, Rockwell enrolled in art classes at The New York School of Art (formerly The Chase School of Art). Two years later, in 1910, he left high school to study art at The National Academy of Design. A 14-Color Lithograph on papier d'Arches, hand proof and printed at Atelier Ettinger. Signed in pencil and numbered by Norman Rockwell in February 1976.

Marilyn Monroe in her last formal photo shoot captured by legendary photographer Allan Grant on July 7, 1962. In the summer of 1962, LIFE magazine sent two journalists to spend time...

This realistic oil portrait of a young man is by Daniel Hughes. In a field surrounded by the magical glow of dozens of fireflies, a young man stands alone, looking towards the hills...

Vivienne Westwood introduced Street look style into fashion. She and her husband liked to walk around London flea markets, they got inspiration there... I love this style. The artwo...

Something (Till Death do us Part) - 2005 40x40cm, Edition of 10. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory number: 9445. Not mou...

Artist Comments
This modern painting features a dancer in mid-slide. The contrast between his bright, colorful tie and the otherwise muted, neutral palette of his outfit and ba...

1983 Offset lithographic poster in colours on wove 85 x 62cm Hand-signed in blue ballpoint pen Published by Petersburg Press, London and New York Very good condition David Hockney (...

Blake's painting imagines a quiet moment about the Sultana, a steamboat carrying Union POWs home at the end of the Civil War. Hours later, the vessel exploded, killing over a thousan...

Andy Warhol Carly Simon, 1980 Stamped by The Estate of Andy Warhol on the reverse Gelatin silver print 8 x 10 inches The artist Estate of the artist Long-Sharp Gallery, Indianapolis...

Signed limited edition fine art print of Patti Smith and Robert Mapplethorpe, taken in her kitchen in New York by celebrated photographer and filmmaker, Norman Seeff in 1969. This P...

Lithograph on paper, edited in 1972. Limited edition of 300 pieces, numbered as 255/300 in lower left corner. Titled "Malinconia" in pencil at the bottom centre. Hand-signed in lower...

The painting is signed on the back Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They ...

Artist: Kay Ritter Title: Janitor Medium: Painted Papier-mache on Metal Base, with mop, duster, scrubbing brush, and key chain Year: c. 1983 Size: 52 x 28 x 30 in. (132.08 x 71.12...

Jules and Jim II (Renée’s Dream) - 2006 part of the 29 Palms, CA project 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signatur...

I grew up on a dairy farm in northern Wisconsin helping my family feed about 50 cows. I started my undergraduate degree at UW-Madison, and finished at SUNY-Potsdam, in upstate New Yo...

Color serigraph on Fabriano paper, edited in 1982.
 Limited edition of 100 copies, numbered as 25/100 in lower left corner. 
Hand signed by Robert Indiana in pencil in the lower righ...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 9 x 12 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58.4 x 58.4 cm Framed: 66.5 x 66.5 x 4 cm Edition of 10 + 2 AP

Signed limited edition fine art print of The Ramones, taken in Los Angeles by celebrated photographer and filmmaker, Norman Seeff in 1977. The Ramones we...

Taken in Woodstock, NY in 1968. One of the most iconic photographs of Bob Dylan. Signed by photographer on bottom right. Titled on bottom left. Available in various sizes.

Brigitte Bardot on the set of the film ‘Les Petroleuses’ a.k.a. ‘The Legend of Frenchie King’, directed by Christian-Jaque in Spain, 1971. Brigitte Bardot, Hands on Hips, 1971 Silve...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Ernie Barnes 1938–2009 Destination Unknown 1979 offset lithograph in colors image: 16½ h × 22 w in (42 × 56 cm) sheet: 18¾ h × 25⅛ w in (48 × 64 cm) Signed and numbered to lower edge Eugene Barnes’.

The universal theme of travel has always inspired Bruno Catalano. Since he started to knead clay, hundreds of “Travellers” went out of his feverish hand...

Fisher Ross Portrait of a Couple, ca. 1977. Print measures 8 x 10 inches. Framed measurement: 10 x 12 inches. 2026 digital print from the original in the Fisher Ross Archive. Fr...

A classic American icon, the roadside giant "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps featur...

Untitled #11, New York from the series New York by Giacomo Brunelli is a Silver Gelatin print in a limited edition of 10 in this size. Brunelli shoots uniquely on black and white fi...

Museum quality fine art print of Beyonce by photographer Markus Klinko. Shot in 2003 during the cover sessions of the album, Dangerously In Love This print is available in the foll...

Drypoint etching on Lana paper, edited in 1970. Limited edition of 175 copies, numbered as 150/175 in lower left corner. Hand-signed by artist in pencil in the lower right corner. Plate size: 52 x 39 cm Paper size: 76 x 56 cm Framed size: 94,5 x 78 cm Very good conditions. Publisher: Editions de Francony (Paris) Printer: Ateliers Rigal (Fontenay-aux-Roses) Bibliography: Dalì - Catalogue Raisonnè of Etchings and Mixed-Media Prints, 1924-1980 p. 190 Ref. 452 A regular certificate of authenticity and publication will be included. Also placed on the back is the original certificate hand-signed by Salvador Dali...

Artist Comments
The painting features two dancers mid-dance, with only their legs shown in the frame. The woman's swirling skirt suggests a sudden lift or spin. The cropped per...

Please note: On display at the S. Wilson and Grace M. Pollock Education Center Gallery at the Susquehanna Art Museum (1401 N 3rd St, Harrisburg, PA 17102) from August 12 through November 30, 2025. Sold artwork will be shipped to collectors following the close of the exhibition in January 2026.  This piece is an original artwork by Jason Chen titled "Coming To An End". It is made of archival pigment prints from the artist's photography that he then cuts into strips and weaves together by hand. The piece measures 28”h x 38”w and ships framed in the pictured 31”h x 41”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

Shop People by Alain Le Garsmeur People gathered outside a shop in rural Honduras, Central America, 1981. Paper size 20 x 24 inches / 50 x 60 cm Printed in 2022 - produced from the ...

Cortina d'Ampezzo by Slim Aarons Isa Genolini and Maria Antonia in the main street of Cortina d’Ampezzo, Italy, March 1982. (Photo by Slim Aarons) Limited edition estate stamped pr...

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

GEORGE BARRIS 3F FROM "THE LAST PHOTOS" ORIGINAL PHOTO FROM ORIGINAL NEGATIVE 20 X 16 INCHES HAND SIGNED BY ARTIST PRINTED IN 1987 This piece is an original photograph of Marilyn M...

Artwork subject matter features 3 men, the primary suspect is a man with his back to the viewer, holding a bag, two other men in the background with one pointing a gun. Signed Lower...

Museum quality fine art print of Beyonce by photographer Markus Klinko. Shot in 2003 for the back cover of the album, Dangerously In Love This print is available in the following s...

The Glass Blower by John Edwards (England, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, England Conditio...

'Funk In Tuscany' Italian fashion designer, model, and socialite, Marta Marzotto (1931 - 2016), playing a James Brown album on an Italian Brionvega Radiofonograph RR126 stereo syst...