Pants Art

Girl in Doorway is an original Contemporary artwork realized by George Segal (November 26, 1924 – June 9, 2000) in 1976. Original Etching and Aquatint on...

This late-1970s photograph, captured by society photographer Slim Aarons, features Manuela Boraomanero (left) and Emanuela Beghelli holiday in the Italian ski resort of Cortina d'Amp...

Reportage from Albania - Tirana - Photograph is a color photograph realized in the Late 1980s. Good conditions. the landscape of Albania through the art of photography is captured ...

Supreme Robotcat : Kitty Cybernetic Maestro stands as one of the most iconic figures imagined by Hiro Ando within the series Neko Sculptural Symphony : Claws of Legends, where Japane...

Back to the Future - Artist Edition Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis. Written by Zemeckis and Bob Gale, it stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett "Doc" Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting—threatening his very existence—and is forced to reconcile the pair and somehow return to the future. Artists Rockin Jelly Bean...

Sylva Koscina - Vintage Photo is a vintage black and white photograph realized in the mid 20th Century. Good conditions. Sylva Koscina is considered one of the best actresses of he...

Women at Work - Historical Photograph About Women Rights is an original black and white photograph realized in 1978 by the Agency of "Ansa" With the cop...

Archival pigment print Signed, titled, dated, and numbered on label, verso 11 x 11 inches (Edition of 7) 15 x 15 inches (Edition of 5) This photograph is offered by ClampArt, locat...

Gianni Morandi - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions.

This photograph by Slava Mogutin is offered by CLAMP in New York City. Skins’ Boots, Berlin 2000/2010 Signed, titled, dated, and numbered, verso Cibac...

Afternoon Drifter III (The Last Picture Show) - 2006 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory number: 1014....

Danny Galieote Freedom From Fear, Ed. 1/10 Giclee on Archival Acid-Free Rag Paper 35” x 27” Image Unframed, 46 x 38" Framed "This series of works ar...

ABOUT THE ARTIST: Gaia Barnatan explores surreal, dreamlike spaces through the medium of digital collage. Her work aims to create a sense of balance, playfulness and curiosity, and e...

Major State of the Army is a lithograph by Antonio Zezon. Naples 1851. Interesting colored lithograph which describes some members of the Major State of the Army inside the Palace. ...

This late-1970s photograph, captured by society photographer Slim Aarons, features Manuela Boraomanero (left) and Emanuela Beghelli holiday in the Italian ski resort of Cortina d'Amp...

Lonely Hearts (The Girl Behind the White Picket Fence) - 2013 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap ...

Farewell (Haley and the Birds) - 2013 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x20c...

Jules and Jim II (Renée’s Dream) - 2006 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

The Letter (Till Death Do Us Part) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 2...

Self Portrait with Honda Motorcycle c. 1970s Signed in black ink, l.r. Vintage hand-painted gelatin silver print 8 x 10 inches (20.3 x 25.4 cm) This work is offered by ClampArt in...

Fine art print of Debbie Harry of Blondie by acclaimed photographer. Lynn Goldsmith, taken in New York City in 1977. Framed, signed limited edition 16x20" print, edition #2/20 Cust...

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

black gray white I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the ...

Ellen VON UNWERTH (*1954, Germany) Dance, Dance, Dance, Claudia Schiffer for Guess, Viareggio, Italy Silver gelatin print on Baryta paper, later print 150 x 220 cm (59 x 86 5/8 in.) ...

'Wonder Valley View' (The Girl behind the White Picket Fence) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist In...

Henry and Athena - Henry's Memory Sequence (Stay) - 2006 featuring Ryan Gosling and Elizabeth Reaser 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate...

Into Eternity (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 893. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

24 x 20 inches (70 x 50.8 cm) Photograph Edition of 90 + 10 AP Exclusive TASCHEN Edition

Farewell (Haley and the Birds) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # ...

The Man (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 22884. Signature label and Cer...

Last Chance (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 24104. Signature label and...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a woman holding her skis in North Conway, New Hampshire. This is an estate stamped and han...

This piece titled "Home Plate 6" is an original artwork made from oil paint and acrylic on panel by Lauren Rinaldi. This piece is freestanding and measures ...

Museum quality fine art print of Beyonce by photographer Markus Klinko. Shot in 2003 during the cover sessions of the album, Dangerously In Love This print is available in the foll...

Gelatin silver print (Edition of 15) Stamped and numbered, verso 14 x 11 inches, sheet 7 x 5 inches, image From the series, "Gymnasium" This photograph is offered by ClampArt, loca...

Rodney Pleasants, Alessandro Spicaglia, Pauline Cappa, Don C. Napolitano and Luigi Boscaln walking on the island of Capri, Italy, in August 1980. Slim Aarons Estate Edition, Certif...

Another Monday Morning (29 Palms, CA) 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory nu...

Spirited Bystander, 2018 Oil on canvas (Signed on reverse) 27 9/16 H x 19 11/16 W in. 70 H x 50 W cm In his paintings, Radu Rodideal speaks about the co...

Chromogenic print Signed, titled, dated, and numbered, verso 22.5 x 30 inches (Edition of 5 + 2 APs) 45 x 60 inches (Edition of 3 + 2 APs) This artwork is offered by ClampArt, loc...

Italian fashion designer, model and socialite, Marta Marzotto (1931 - 2016), playing a James Brown album on an Italian Brionvega Radiofonograph RR126 stereo system, Porto Ercole, Tus...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

On Air (The Girl Behind the White Picket Fence) - 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. ...

'Cortina D'Ampezzo' by Slim Aarons Isa Genolini and Maria Antonia in the main street of Cortina d'Ampezzo, Italy, March 1982. 'Cortina D'Ampezzo' by Slim Aarons is a vibrant testa...

Christin, 1992 Edition 2/10, 29.5x37cm including white frame, 25x33cm (image area). Analog C-Print, hand-printed by the Artist, based on the original Polaroid. Certificate and Si...

The Pink Dress (Stage of Consciousness) - 2007 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inve...

Gelatin silver print Signed, titled, dated, and numbered, verso 14 x 11 inches, sheet size (Edition of 5 + 2 APs) 20 x 16 inches, sheet size (Edition of 5 + 2 APs) From the series "Purgatory & Paradise: Sassy '70s, Suburbia & The City" A vintage print may also be available. Please inquire for details. This artwork is offered by ClampArt, located in New York City. Meryl Meisler...

Interlude (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory # 7972. Not mounted. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen...

Bombay all Day - 2019 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2019-609....

Don Hunstein image is the photo used for the actual color cover of “The Freewheelin’ Bob Dylan” album. This iconic image shows Bob & his girlfriend Suze Rotolo walking down a cold an...

Three Boys (Stranger than Paradise) - 1997 20x25cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. Artist Inventor...

The Letter (Till Death Do Us Part) - 2005 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

The Letter (Till Death Do Us Part) - 2005 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory No. 8909. Not mounted. MARGARITA (OFF) "I must go. I can feel his breath on the trail el Diablo...

The Letter (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

The Letter (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

Italian fashion designer, model and socialite, Marta Marzotto (1931 - 2016), playing a James Brown album on an Italian Brionvega Radiofonograph RR126 stereo system, Porto Ercole, Tus...

Joanjo and Borja Spain 2018 Signed and numbered, verso Archival pigment print 37 x 37 inches (Edition of 5 + 2 APs) $7,500 17 x 17 inches (Edition of 10 + 2 APs) $4,000 Please n...

Digital C-print Signed and numbered, verso 20 x 20 inches (Edition of 10) 30 x 30 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Please no...

Archival pigment print Signed, titled, dated, and numbered, verso 30 x 40 inches, sheet (Edition of 5) 16 x 20 inches, sheet (Edition of 10) This photograph is offered by ClampArt...

Archival pigment print Signed and numbered, verso 11 x 14 inches (Edition of 15) 20 x 24 inches (Edition of 10) This photograph is offered by ClampArt, located in New York City. Pl...